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John Todd
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San Diego Theater Review: A HAMMER, A BELL AND A SONG TO SING (San Diego Repertory Theatre)
A FEW PROTESTS… Todd Salovey’s revue of mostly American songs of protest is buoyed by a fiercely energetic, multi-talented quartet of singers and musicians: Dave Crossland, Jim Mooney, Vaughn Armstrong, and the redoubtable Lisa Payton. When Payton hits the money notes it’s enough to pop your sternum from its rib cage. But the narrative, the…
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San Diego Theater Review: AROUND THE WORLD IN 80 DAYS (Lamb’s Players Theatre)
ADAPTATION NEEDS TO MAKE EVERY DAY COUNT Jules Verne channeled 19th century technological progress into wondrous stories that fueled the world’s imagination. He took us to the center of the earth, to the bottom of the sea, to the moon and, in perhaps his most popular adventure, around the world in 80 days. Even in…
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San Diego Theater Review: SAM BENDRIX AT THE BON SOIR (La Jolla Playhouse at Martini’s Above Fourth)
THANK GOD THE DRINKS ARE STRONG The secret to living in New York is knowing how to cross the street against the light. Sam Bendrix (Luke Macfarlane) recalls having been given that advice when he first arrived in the city. Now he tells us, from the cabaret stage of the Bon Soir, that he must…
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San Diego Theater Review: THE EXIT INTERVIEW (San Diego Repertory Theatre)
A PLAY THAT GROPES FOR AN EXIT William Missouri Downs’ The Exit Interview is a jumble of a play whose myriad directions are made more difficult to track by its opening pronouncement: Two exuberant cheerleaders (JoAnne Glover and Lisel Gorell-Getz), uniformed and pom-pommed, lead the audience in a spirited: “Give me an “O”! Give me an…
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San Diego Theater Review: ALLEGIANCE (Old Globe)
NEW MUSICAL TOO LUKEWARM TO PLEDGE ALLEGIANCE TO IT Following the Japanese attack on Pearl Harbor, FDR issued Executive Order 9066, authorizing “exclusion zones” which effectively allowed for the forced evacuation of persons of Japanese ancestry in California, Washington and Oregon. Two-thirds of the 120,000 internees were American citizens, and since it was indiscernible as…
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Theater Review: THE BLOOD OF THE LAMB (Promethean Theatre Ensemble / Chicago)
by Croydon Fernandes | September 11, 2026
in Chicago, TheaterOff-Broadway Preview: IMITATION OF LIFE (The Shed / New York)
by Gregory Bernard | September 11, 2026
in New York, TheaterTheater Preview: A SLOW FIRE (Steep Theatre / Chicago)
by Gregory Bernard | September 11, 2026
in Chicago, TheaterTheater Review: WINTER’S BENCH (24th Street Theatre / Los Angeles)
by Ernest Kearney | September 11, 2026
in Los Angeles, TheaterTheater Review: SISTERS (Writers Theatre / Chicago)
by Croydon Fernandes | September 11, 2026
in Chicago, Theater-ChicagoTheater Preview: BOSTON MARRIAGE (Creative Coven / Los Angeles)
by Gregory Bernard | September 11, 2026
in Los Angeles, TheaterOpera Review: IL FORTUNATO INGANNO (Pacific Opera Project / Los Angeles)
by Michael Landman-Karney | September 11, 2026
in Los Angeles, TheaterTheater Review: THE WHITE CHIP (Marin Theatre / SF Bay Area)
by Chuck Louden | September 11, 2026
in San Francisco
(Bay Area), TheaterTheater Review: THE PRODUCERS (Ogunquit Playhouse / Maine)
by Lynne Weiss | September 10, 2026
in Regional, TheaterConcert Preview: KUKIEL–LAMCELLARI–GLICKLICH PIANO TRIO (The Music Guild / Los Angeles)
by pwsadmin | September 9, 2026
in Los Angeles, Music



