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Lynne Weiss
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Theater Review: MY FIRST EX-HUSBAND (The Huntington at Calderwood Pavilion, Boston)
TAKE MY HUSBAND, PLEASE Marriage has long been fodder for male stand-up comics, but it has generally been women who have been the butt of the jokes. Actress, comic, and TV personality Joy Behar offers a refreshing alternative to that tired trope with My First Ex-Husband, which has made its journey from Off-Broadway to The…
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Theater Review: PASSENGERS (The 7 Fingers at American Repertory Theater)
ON THE RIGHT TRACK The 7 Fingers (Les 7 Doigts), a Montréal-based circus arts company, brings 90 spellbinding minutes of exhibitions of strength, flexibility, coordination, balance, courage, timing, and trust to the A.R.T.’s Loeb Drama Center in Passengers. The 7 Fingers collaborated with A.R.T.’s 2012 production of Pippin and have performed on numerous occasions at…
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Theater Review: NO CHILD… (Gloucester Stage Company)
THE LEFT BEHIND Frankly, I was in theater hell this Saturday afternoon. Two women on one side of me were whispering to one another throughout the first 10 minutes of the show; a man on the other side was eating something out of a crinkly bag and repeatedly clearing his throat. People in front of…
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Theater Review: THE WIZ (North American Tour at Boston’s Emerson Colonial Theatre)
A BEWITCHING WIZ Director Schele Williams’s touring adaptation of The Wiz touches down in Boston like a technicolor cyclone and lifts its audience up with a storm of funk, gospel, and unapologetic Black joy. Amber Ruffin’s updated book recasts Dorothy (Dana Cimone) as a recently orphaned girl from an urban background who has come to…
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Theater Review: THE MEETING TREE (Company One Theatre)
REPAIR AND REPARATIONS Company One’s world premiere of The Meeting Tree powerfully evokes the debate and the struggle over reparations and restitution through the lives of six women, some Black, some white, all of them related through their connection to one white man who lived in Alabama before the abolition of slavery. Director Summer L….
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Theater Review: LOVE’S LABOURS LOST (Lanes Coven Theater Company at Windhover Performing Arts Center in Rockport, MA)
WIN OR LOSE, IT’S ABOUT LOVE Wow! Whoever wrote Love’s Labour’s Lost was a comic genius. The wordplay, the multi-lingual puns, and the send-ups of characters stumbling over their own foolishness are endlessly entertaining—except that many productions of this play by William Shakespeare fall flat. The sometimes obscure (to us) Elizabethan references and word usage…
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Theater Review: GUYS AND DOLLS (Ogunquit Playhouse, Maine)
A WINNING ROLL OF THE DICE The musical theater classic Guys and Dolls has been produced so many times and in so many ways you might think it couldn’t get much better, but don’t bet on it. The odds are in the Ogunquit Playhouse’s favor, thanks to tight direction and eye-popping choreography from Al Blackstone….
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Theater Review: THE GARBOLOGISTS (Gloucester Stage)
A TRASH-TALKING ODD COUPLE The Garbologists opens with a few seconds of complete darkness and the clang and grind of machinery before two bright headlights move straight toward the audience. Then the lights come up on what was previously an empty street to reveal two New York City Sanitation Department workers in the cab of…
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Theater Review: EVITA (Reagle Music Theatre of Greater Boston in Waltham, MA)
ANOTHER FAMOUS BALCONY SCENE Romeo and Juliet isn’t the only play with a famous balcony scene. The London revival of Andrew Lloyd Webber and Tim Rice’s Evita has attracted attention for the decision to stage the signature song “Don’t Cry for Me Argentina” on a balcony outside the London Palladium, disappointing many in the ticket-buying…
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Concert Review: ALL-RACHMANINOFF PROGRAM WITH DANIIL TRIFONOV (Boston Symphony Orchestra with Andris Nelsons, conductor, Opening Night at Tanglewood)
THE DEVIL’S IN THE FINGERS: TRIFONOV TAKES FLIGHT AT A THUNDEROUS TANGLEWOOD OPENING Conductor Andris Nelson led the Boston Symphony Orchestra at last night’s opening of its 2025 Tanglewood concerts season with an all-Rachmaninoff program. The piano soloist was Daniil Trifonov (dan-EEL TREE-fon-ov), who Stage and Cinema hailed as the “Big Thing of the piano world”…
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Concert Review: JAMES TAYLOR AND HIS ALL-STAR BAND (Tanglewood in Lenox, MA)
SWEET ELDER JAMES James Taylor’s Fourth of July Tanglewood concerts are not just concerts—they are events fraught with tradition, nostalgia, and humanity. This year was the 50th anniversary of the 77-year-old Taylor’s first July 4th concert at Tanglewood and thousands (reportedly 18,000; roughly 5000 in the Koussevitzky Music Shed and the remainder on the lawn)…
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Theater Review: BULL IN A CHINA SHOP (Treehouse Collective)
BULLISH ON WOMEN’S EDUCATION With sharp, witty, and informative dialogue, Bryna Turner’s Bull in a China Shop offers a fascinating glimpse into the life and accomplishments of Mary Wooley (Linnea Lyerly), the little-known and yet highly influential president of Mount Holyoke College from 1900 to 1937. Wooley transformed a women’s seminary with an emphasis on…
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Theater Review: BEAUTIFUL (Reagle Music Theatre of Greater Boston in Waltham, MA)
A BEAUTIFUL TAPESTRY OF SONGS AND STORY Reagle Music Theatre kicks off the summer with a vibrant, lovingly crafted staging of Beautiful: The Carole King Musical, directed with finesse and flair by Deanna Dys. Her production fluidly moves from cramped domestic scenes in Brooklyn to the adolescent alchemy of late-50s and early-60s pop in the…
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Theater Review: MRS. WARREN’S PROFESSION (Central Square)
REVENUE AND RESPECTABILITY George Bernard Shaw (1856–1950) knew about cancel culture long before the term came into vogue. The first New York production (1905) of Mrs. Warren’s Profession was shut down by police due to charges of obscenity, and while we aren’t seeing police shut down theaters today, funding cuts may have a similar effect….
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Theater Review: TWO STRANGERS (CARRY A CAKE ACROSS NEW YORK) (American Repertory Theater
A CAKEWALK THROUGH NEW YORK The delightfully poignant and gorgeously hilarious West End hit Two Strangers (Carry a Cake Across New York) by Jim Barne and Kit Buchan made its North American premiere tonight at American Repertory Theater—and it’s not to be missed. Directed and choreographed by Tim Jackson from the original London production, this full-length two-hander…
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Theater Review: LEARNING HOW TO READ BY MOONLIGHT (Chuang Stage & Company One Theatre)
LEARNING HOW TO BE IN COMMUNITY Few productions manage to collapse the space between art and community like Learning How to Read by Moonlight. In this world premiere from Gaven D. Trinidad, directed by Natsu Onoda Power, theater becomes a living, breathing act of solidarity. Between May 16 and June 8, Learning How to Read…
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Theater Review: AS BEES IN HONEY DROWN (Theater UnCorked, Boston Center for the Arts)
HOW SWEET IT IS! From the opening scene of As Bees in Honey Drown, we know that young Evan Wyler (Michael Mazzone) is doomed, but we also know that we are going to be happily amused as he tumbles toward his downfall. A debut novelist on the verge of fame, he reluctantly acquiesces to the…
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Theater Review: FOUNDING F%!#ERS (Greater Boston Stage Company in Stoneham, MA)
SOME DARE CALL IT TREASON Ethan Allen and Benedict Arnold can hardly be called founders of the United States. In fact, while both acted as military leaders in the American War for Independence, they also played an antagonistic role in the Revolution. Benedict Arnold’s name has become synonymous with being a traitor; Allen is romanticized…
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Theater Review: JAJA’S AFRICAN HAIR BRAIDING (SpeakEasy Stage Company at Calderwood Pavilion in Boston)
BRAIDED LIVES Director Summer L. Williams brings a uplifting and inspiring production of up-and-coming playwright Jocelyn Bioh’s Tony-nominated Jaja’s African Hair Braiding to the SpeakEasy Stage. An ensemble cast of ten portrays seventeen roles, with the five women who work in the hair braiding salon at the center of the action. Dru Sky Berrian, MarHadoo…
Off-Broadway Review: CAMPING (Colt Coeur / HERE Arts Center)
by Gregory Fletcher | June 20, 2026
in New York, TheaterTheater Review: IN OLD AGE (Arts Emerson with Front Porch Arts Collective)
by Lynne Weiss | June 19, 2026
in Boston, TheaterTheater Review: CHAMPIONS OF MAGIC (Tour at Studebaker Theatre / Chicago)
by Barnaby Hughes | June 18, 2026
in Chicago, Theater, ToursCabaret Review: BACK TO BARBRA (Melissa Errico / 54 Below / New York City)
by Rob Lester | June 17, 2026
in Cabaret, New YorkTheater Review: WEST SIDE STORY (Paper Mill Playhouse / Millburn, NJ)
by Rob Lester | June 17, 2026
in New York, TheaterTheater Review: OCTET (Goodman Theatre Chicago)
by Croydon Fernandes | June 16, 2026
in Chicago, TheaterTheater Review: LEOPOLDSTADT (Writers Theatre / Glencoe, Chicagoland)
by Croydon Fernandes | June 15, 2026
in Chicago, Theater


















