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Lynne Weiss
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Theater Review: THE THANKSGIVING PLAY (Moonbox Productions at Arrow Street Arts in Cambridge, MA)
A PLAY TO BE THANKFUL FOR Director Tara Moses (Seminole Nation of Oklahoma/Mvskoke) leans into the challenge of bringing the satirical comedy The Thanksgiving Play to the stage with “a full cast of Native and actors of color.” The casting note for the published play, by Larissa FastHorse, a member of the Sicangu Lakota Nation…
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Theater Review: NOISES OFF (Lyric Stage Boston)
NOISES OFF, LAUGHS ON Just in time for the holiday season, Lyric Stage Company of Boston has something for audiences eager for some silly fun. Written by Michael Frayn the quintessential farce (within a farce) is a true ensemble piece about an amateur acting troupe presenting Nothing On, the name of the play within the…
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Theater Review: GALILEO’S DAUGHTER (Central Square Theater and WAM Theatre in Cambridge, MA
GALILEO’S THEORIES WOULD PROVE THAT THE SUN DOESN’T MOVE – GALILEO’S DAUGHTER ALSO DOESN’T MOVE It’s an intriguing notion: the ground-breaking scientist and astronomer Galileo Galilei, who defied the Catholic Inquisition to publish his observations regarding the movement of Earth around the sun, had a daughter who shared his intellectual curiosity. Dava Sobel’s 1999 biography…
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Theater Review: EMMA (Actors Shakespeare Project at the Multicultural Arts Center in Cambridge, MA)
A TIME-TRAVELING JANE AUSTEN What if Jane Austen had managed to read The Feminine Mystique, Betty Friedan’s groundbreaking 1963 exploration of why well-educated and prosperous women were so unhappy in their roles as homemakers and mothers? Obviously, it would have been impossible for Austen (1775–1817) to do such a thing, so playwright Kate Hamill has…
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Theater Review: TARTUFFE (Hub Theatre Company of Boston)
SOMETIMES YOU CAN GET WHAT YOU WANT I have been in a foul mood for the past several days, looking for ways to smash the patriarchy, cursing the unseasonably warm and dry November in my soul and longing to methodically knock a few people’s hats off. Thus I accounted it high time to get to…
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Theater Review: SOJOURNERS (Huntington Theatre, Boston)
SETTING THE STAGE FOR AN EXTRAORDINARY CYCLE OF SHOWS How appropriate! I thought, as I stood in the August Wilson Lobby of the Huntington Theatre last night. I was about to see Sojourners, the first in the nine-play Ufot Family Cycle that celebrates multiple generations of a Nigerian and Nigerian-American family. Playwright Mfoniso Udofia was…
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Highly Recommended Opera: AIDA and THE OPERA GALA (Boston Lyric Opera at Emerson Colonial Theater)
Stefan Egerstrom (King of Egypt), Brian Major (Amonasro) and Morris Robinson (Ramfis) On Sunday, November 10, 2024, Boston Lyric Opera’s one-performance-only of Giuseppe Verdi’s triumphal masterpiece Aida preceded the return of its annual fundraiser that supports access through community initiatives. Following the 3pm staged concert performance of Aida, the stunning Opera Gala 2024, which will…
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Theater Review: PRU PAYNE (SpeakEasy Stage Company at Calderwood Pavilion in Boston)
MEMORY AS AN ACT OF LOVE The East Coast premiere of playwright Steven Drukman’s snappy and cleverly written Pru Payne is movingly brought to the stage under SpeakEasy Stage founder Paul Daigneault’s direction. A top-notch cast gives voice to Drukman’s script, led by the especially impressive Karen MacDonald in the demanding role of Pru, a…
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Concert Review: AUSTRALIAN CHAMBER ORCHESTRA (U.S. Tour at Jordan Hall in Boston)
MAKING THE OLD NEW “Make it new,” Ezra Pound urged the poets of the early twentieth century. For Modernists such as T. S. Eliot, Gertrude Stein, H.D., Amy Lowell, and Pound himself, making it new meant innovating to produce something never before seen or read. Yet Boston’s Celebrity Series has now brought us two concerts…
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Concert Review: FANTASIES, EMANUEL AX (Celebrity Series of Boston, NEC’s Jordan Hall in Boston)
FANTASTIC FANTASIAS Emanuel Ax offered a distinctive series of piano fantasia pieces as part of Boston’s Celebrity Series in beautiful wood-paneled Jordan Hall yesterday afternoon (the program also occurred at Groton Hill Music Center on Oct. 10, 2024). The first part of the program presented Ludwig van Beethoven’s Piano Sonata No. 13 in E-flat Major,…
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Theater Review: NASSIM (The Huntington Calderwood, Boston)
A PLAY THAT’S OUT OF THE BOX Like an acrobat without a net who thrills us with her daring, Iranian-German playwright Nassim Soleimanpour offers a play with virtually no set, no costumes, and an actor doing a cold read of a completely unfamiliar script to keep an audience enthralled with his 75-minute work Nassim. On…
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Theater Review: LAUGHS IN SPANISH (SpeakEasy Stage Company at Calderwood Pavilion in Boston)
THE LAUGHS ARE IN SPANISH AND ENGLISH, TOO Playwright Alexis Scheer draws on her Colombian-Jewish upbringing in Miami to create this comic celebration of the city’s Wynwood arts scene and the people who make it happen. Directed by another daughter of Miami, Mariela Lopez-Ponce, who, like Scheer, is now based in Boston (is it the…
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Event Review: AN EVENING WITH AMOR TOWLES (“Table for Two” Book and Lecture Tour)
A GENTLEMAN FROM BOSTON IN BOSTON Amor Towles, author of the best-selling Rules of Civility, A Gentleman in Moscow, and The Lincoln Highway as well as the newly published Table for Two, regaled an appreciative audience with anecdotes about his own life, his writing process, and a glimpse into the origins of one of the…
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Theater Review: URINETOWN (Lyric Stage Boston)
MIND YOUR PEES AND QUEUES Courtney O’Connor’s masterful direction of the unpleasantly titled Urinetown: The Musical brings together numerous wonderful performances along with great music (Dan Rodriguez, music director) and choreography (Christopher Shin) in this Brechtian examination of economic inequality and environmental degradation. With music and lyrics by Mark Hollman and book and lyrics by…
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Theater Review: FIGHT NIGHT (Ontroerend Goed Theatre Performance Company / North American Tour)
A LIVELY AND TIMELY EXAMINATION OF VOTING BEHAVIOR Fight Night, brought to seven American states by the Belgian performance group Ontroerend Goed (a punning name, roughly translated as “Feel Estate”), combines theater of the absurd with current events to engage and challenge. Directed by Alexander Devriendt, brings five candidates (Aurelie Lannoy, Julia Ghysels, Bastiaan Vandendriessche,…
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Theater Review: LEOPOLDSTADT (Huntington Theatre, Boston)
A TRIUMPHANT SAGA OF A VIENNESE FAMILY The Huntington and director Carey Perloff bring Tom Stoppard‘s beautifully written Leopoldstadt to Boston with engaging performances that make the complex relationships of three generations of an extended family surprisingly easy to follow and appreciate. A cast of over thirty actors, set in four different time periods, portray…
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Theater Review: ROMEO AND JULIET (American Repertory Theater at Harvard University in Cambridge)
ATMOSPHERIC, MOODY, DARK AND MODERN, ROMEO AND JULIET AT A.R.T. BELONGS TO THE AGES As summer turns to autumn, American Repertory Theater brings a dark and moody interpretation of Romeo and Juliet, one of Shakespeare’s most famous plays, to the Loeb Drama Center in Cambridge. This production from director Diane Paulus, collaborating with Sidi Larbi…
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Theater Review: THE SUPPLIANT WOMEN (Apollinaire Theatre Company at PORT Park in Chelsea, MA)
SUPPLIANT AND DEMAND Looking for a thoroughly pleasant evening on the banks of the Mystic River? Head for Chelsea’s PORT Park and a transfixing performance of The Suppliant Women, by the Greek tragedian Aeschylus. Dating back about 2500 years, it’s one of the world’s oldest known plays, brought into the present moment by award-winning playwright…
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Pre-Broadway Review: THE QUEEN OF VERSAILLES (World Premiere at Emerson Colonial Theatre, Boston)
ALL HAIL THE QUEEN OF VERSAILLES! The pre-Broadway production of The Queen of Versailles, studded with Broadway royalty, understandably had Boston abuzz at the opening last night. Despite the brutal August sun, the line of theatergoers waiting to get through the security check and up to the will-call counter stretched down the block along Boston…
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Theater Review: 46 PLAYS FOR AMERICA’S FIRST LADIES (Hub Theatre Company at Club Café in Boston)
AS USUAL, THE WOMEN DEAL WITH THE MESS Hub Theatre Company‘s pay-what-you-will production of 46 Plays for America’s First Ladies offers a series of playlets as varied as the women portrayed. There are many surprises in store here. First of all, while the United States has had forty-six presidents, there have been many more First…
Theater Review: SANCTUARY CITY (Chance Theater / Anaheim)
by Michael Landman-Karney | May 11, 2026
in Los Angeles, Regional, TheaterTheater Review: SWEPT AWAY (SpeakEasy Stage at Boston Center for the Arts)
by Lynne Weiss | May 10, 2026
in Boston, TheaterTheater Review: ‘NIGHT, MOTHER (Redtwist Theatre / Chicago)
by Croydon Fernandes | May 9, 2026
in Chicago, TheaterOff-Broadway Review: BIKE SHOP: THE MUSICAL (Theater for the New City)
by Rob Lester | May 7, 2026
in New York, TheaterTheater Review: SOMETHING ROTTEN! (Lyric Stage Company of Boston)
by Emily Brenner | May 7, 2026
in Boston, TheaterTheater Review: MJ THE MUSICAL (National Tour / San Diego)
by Dan Zeff | May 7, 2026
in Dance, Theater, Theater-San Diego, ToursTheater Review: FAULT (Chicago Shakespeare)
by Croydon Fernandes | May 7, 2026
in Chicago, TheaterTheater Review: I HATE HAMLET (Saint Sebastian Players / Chicago)
by Mitchell Oldham | May 6, 2026
in Chicago, Theater



















