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Lynne Weiss
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Theater Review: THE GROVE (Huntington Theatre Company)
OUT OF THE WOODS AND INTO THE GROVE The second in Mfoniso Udofia’s ambitious nine-play Ufot Family Cycle, The Grove, directed by Awoye Timpo, picks up the story of the Ufot family over three decades after the first play, Sojourners, introduced us to Abasiama Ufot, a Nigerian woman who comes to the United States to…
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Theater Review: HEDDA GABLER (Apollinaire Theatre Company)
BEAUTIFUL, BORED, AND BENT ON DESTRUCTION For a taut psychological drama fraught with sexual tension, Henrik Ibsen’s Hedda Gabler remains unrivaled, and Parker Jennings delivers a mesmerizing performance as the title character—a woman simmering with rage beneath a veneer of poise, trapped in a world that offers her no escape. With astute director Danielle Fauteux…
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Theater Review: THE ODYSSEY (American Repertory Theater, Loeb Drama Center in Harvard Square, Cambridge)
A FEMINIST PERSPECTIVE ON A FAMILIAR JOURNEY Playwright Kate Hamill takes Homer’s Odyssey and gives it a sharp, contemporary spin, transforming the tale of wily and deceitful Odysseus (Wayne T. Carr) into a meditation on PTSD, accountability, and the shifting tides of power. In this bold reimagining at American Repertory Theater, Odysseus isn’t just a…
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Theater Review: SPACE (Central Square Theater and Brit d’Arbeloff Women in Science in Cambridge, MA
TO BOLDLY GO WHERE NO WOMAN HAS GONE BEFORE After seeing SPACE at Central Square Theater, the line that haunted me came from Mae Jemison, the first Black woman to travel into space: “Rockets leave behind the thing that got them up there—their fuel tanks.” Like those fuel tanks, the first group of courageous and…
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Theater Review: LIFE & TIMES OF MICHAEL K (Handspring Puppet Company and Baxter Theatre at Emerson in Boston)
A SEARCH FOR MEANING BROUGHT TO GLORIOUS LIFE BY A PUPPET Based on the Booker-prize winning novel by Nobel-laureate South African J.M. Coetzee and adapted and directed by Lara Foot in collaboration with Handspring Puppet Company, Life and Times of Michael K tells a simple story: a man born with a cleft lip who was…
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Theater Review: THE PIANO LESSON (Actors’ Shakespeare Project at Hibernian Hall, Boston)
A HIGHLY RECOMMENDED LESSON ON FAMILY LEGACY Actors’ Shakespeare Project continues its exploration of August Wilson’s Century Cycle with an absolutely superb production of the 1987 Pulitzer-winning masterpiece The Piano Lesson. In a Pittsburgh home in 1936, two siblings of the Charles family debate whether to sell or keep an heirloom–the family piano, which is…
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Theater Review: CRUMBS FROM THE TABLE OF JOY (Lyric Stage Boston)
HOW THE COOKIE CRUMBLES From Intimate Apparel and Sweat to Clyde’s, playwright Lynn Nottage is known for her ability to illuminate the lives of ordinary and working-class people, Black and white. Crumbs from the Table of Joy is one of her early plays, first produced in 1995. Under the direction of Tasia A. Jones, the…
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Theater Review: AIN’T NO MO’ (SpeakEasy Stage and Front Porch Arts Collective at Boston Center for the Arts)
THE ELATION OF NEGATION Written by Jordan E. Cooper and directed by Dawn M. Simmons, the Boston premiere of this Tony-nominated series of provocative satirical sketches explores various facets of Black life in the United States, challenging audiences to consider whether racism can ever truly be eradicated. It’s the kind of humor that leaves you…
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Concert Review: BEETHOVEN & ROMANTICISM (Symphonies 1, 2 & 3 [Eroica]; Boston Symphony Orchestra)
THE PROGRESSION OF BEETHOVEN OVERCOMING ADVERSITY Ludwig van Beethoven (1770–1827) is seen as not only one of the world’s great composers but also a bridge from the classical musical traditions of Mozart and Haydn to the romanticism of successors such as Johannes Brahms. Andris Nelsons conducts Beethoven Symphony No. 1 with the BSO While never…
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Theater Review: DIARY OF A TAP DANCER (American Repertory Theater at Harvard University in Cambridge)
TAP INTO JOY AT A.R.T. I felt the first chills early in Diary of a Tap Dancer. It was during an ensemble number set in the Bronx and the birth of hip hop – I got that feeling in my solar plexus which told me this was a show bound for great things. That feeling…
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Theater Review: HOLIDAY FEAST (Christmastime Sitcom Scripts; Staged Readings at Front Porch Arts Collective in Cambridge)
FEAST ON THIS! For the second year, Front Porch Arts Collective offers its Holiday Feast of staged readings of scripts from the holiday episodes of Black sitcoms of the 1970s, ’80s, and ’90s. The brainchild of co-producing artistic directors Dawn M. Simmons and Maurice Emmanuel Parent and directed by Jackie Davis, this event is fast…
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Concert Review: GEORGE GERSHWIN’S RHAPSODY IN BLUE (What Makes It Great? With Rob Kapilow)
YES, IT WAS GREAT! Celebrity music educator Rob Kapilow – joined by virtuosic pianist Clayton Stephenson and members of the Berklee Contemporary Symphony Orchestra conducted by Julius P. Williams – provided an enlightening and entertaining evening of musical analysis and performance last Friday night at New England Conservatory’s Jordan Hall. Assisted by Stephenson and orchestra members…
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Theater Review: THE THANKSGIVING PLAY (Moonbox Productions at Arrow Street Arts in Cambridge, MA)
A PLAY TO BE THANKFUL FOR Director Tara Moses (Seminole Nation of Oklahoma/Mvskoke) leans into the challenge of bringing the satirical comedy The Thanksgiving Play to the stage with “a full cast of Native and actors of color.” The casting note for the published play, by Larissa FastHorse, a member of the Sicangu Lakota Nation…
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Theater Review: NOISES OFF (Lyric Stage Boston)
NOISES OFF, LAUGHS ON Just in time for the holiday season, Lyric Stage Company of Boston has something for audiences eager for some silly fun. Written by Michael Frayn the quintessential farce (within a farce) is a true ensemble piece about an amateur acting troupe presenting Nothing On, the name of the play within the…
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Theater Review: GALILEO’S DAUGHTER (Central Square Theater and WAM Theatre in Cambridge, MA
GALILEO’S THEORIES WOULD PROVE THAT THE SUN DOESN’T MOVE – GALILEO’S DAUGHTER ALSO DOESN’T MOVE It’s an intriguing notion: the ground-breaking scientist and astronomer Galileo Galilei, who defied the Catholic Inquisition to publish his observations regarding the movement of Earth around the sun, had a daughter who shared his intellectual curiosity. Dava Sobel’s 1999 biography…
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Theater Review: EMMA (Actors Shakespeare Project at the Multicultural Arts Center in Cambridge, MA)
A TIME-TRAVELING JANE AUSTEN What if Jane Austen had managed to read The Feminine Mystique, Betty Friedan’s groundbreaking 1963 exploration of why well-educated and prosperous women were so unhappy in their roles as homemakers and mothers? Obviously, it would have been impossible for Austen (1775–1817) to do such a thing, so playwright Kate Hamill has…
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Theater Review: TARTUFFE (Hub Theatre Company of Boston)
SOMETIMES YOU CAN GET WHAT YOU WANT I have been in a foul mood for the past several days, looking for ways to smash the patriarchy, cursing the unseasonably warm and dry November in my soul and longing to methodically knock a few people’s hats off. Thus I accounted it high time to get to…
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Theater Review: SOJOURNERS (Huntington Theatre, Boston)
SETTING THE STAGE FOR AN EXTRAORDINARY CYCLE OF SHOWS How appropriate! I thought, as I stood in the August Wilson Lobby of the Huntington Theatre last night. I was about to see Sojourners, the first in the nine-play Ufot Family Cycle that celebrates multiple generations of a Nigerian and Nigerian-American family. Playwright Mfoniso Udofia was…
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Highly Recommended Opera: AIDA and THE OPERA GALA (Boston Lyric Opera at Emerson Colonial Theater)
Stefan Egerstrom (King of Egypt), Brian Major (Amonasro) and Morris Robinson (Ramfis) On Sunday, November 10, 2024, Boston Lyric Opera’s one-performance-only of Giuseppe Verdi’s triumphal masterpiece Aida preceded the return of its annual fundraiser that supports access through community initiatives. Following the 3pm staged concert performance of Aida, the stunning Opera Gala 2024, which will…
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Theater Review: PRU PAYNE (SpeakEasy Stage Company at Calderwood Pavilion in Boston)
MEMORY AS AN ACT OF LOVE The East Coast premiere of playwright Steven Drukman’s snappy and cleverly written Pru Payne is movingly brought to the stage under SpeakEasy Stage founder Paul Daigneault’s direction. A top-notch cast gives voice to Drukman’s script, led by the especially impressive Karen MacDonald in the demanding role of Pru, a…
Theater Review: THE GREAT GATSBY (National Tour)
by Lynne Weiss | July 12, 2026
in Boston, TheaterOff-Broadway Review: PORTRAITS OF GAYS IN DESPAIR (HB Playwrights Theatre)
by Kevin Hautigan | July 11, 2026
in New York, TheaterOff-Broadway Review: GIULIA: THE POISON QUEEN OF PALERMO (PAC NYC)
by Gregory Fletcher | July 10, 2026
in New York, TheaterTheater Review: CRAZY FOR YOU (Goodspeed Opera House / East Haddam, CT)
by Rob Lester | July 10, 2026
in Regional, TheaterTheater Review: SUFFS (First National Tour)
by Emma S. Rund | July 9, 2026
in Chicago, Theater, Tours



















