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Lynne Weiss
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Theater Review: SOUTH PACIFIC (Reagle Music Theatre of Greater Boston in Waltham, MA)
IT REALLY IS AN ENCHANTED EVENING I had never seen South Pacific, Richard Rodgers and Oscar Hammerstein’s famed and highly successful musical (winner 1950 Pulitzer and numerous Tony awards in 1950 as well as a 2008 Tony for best revival) though I was certainly familiar with the music. I was grateful therefore for the chance…
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Theater Review: GATSBY (World Premiere Musical at American Repertory Theater, Cambridge, MA)
GREAT F. SCOTT! F. Scott Fitzgerald’s The Great Gatsby recently entered the public domain, and as we approach the centenary of this American classic published in 1925, there is a plethora of stage adaptations, including the lavish musical now on Broadway. I haven’t seen any of the others, but I’m willing to wager that Gatsby,…
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Theater Review: THE DYBBUK: BETWEEN TWO WORLDS (Arlekin Players Theatre in Boston)
YOU’LL LEAVE THIS ASTONISHING PRODUCTION POSSESSED It’s not often I would feel compelled to begin a review with mention of the creative team, but director Igor Golyak — co-adapting with Dr. Rachel Merrill Moss and co-designing sets with Sasha Kuznetsova — in tandem with composition and sound by Fedor Zhuravlev, costume and props by Sasha…
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Theater Review: YELLOW FACE (Lyric Stage in Boston)
MAKING FACES You’ve heard of a play-within-a-play? Award-winning playwright David Henry Hwang offers us a play-within-a-play-within-a-play in the semi-autobiographical Yellow Face. Lyric Stage’s production of the Obie-winning play, directed by Ted Hewlett, has much to recommend it — and a few problems. Let’s start by focusing on the play itself. It begins with the outrage…
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Concert Review: AN EVENING WITH SUTTON FOSTER AND FIDELITY YOUNG ARTISTS (Boston Pops at Symphony Hall)
SUTTON HOOKS US IN The evening with the Boston Pops Orchestra in Symphony Hall last night began with a series of stellar and inspiring performances by the Grand Prize winners of the 2024 Fidelity Investments Young Artists Competition (Jiyu Oh, violin; Dilzafer Singh, tabla drums; Lazar Kaminsky, cello; and Brian Washington and Pelin Su Yavuz,…
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Theatre Review: ENGLISH (European Premiere at RSC’s The Other Place, Stratford-upon-Avon, and Kiln Theatre, London)
PLAIN ENGLISH The New York production of English, written by Iranian-American Sanaz Toossi, won a Pulitzer Prize for Drama in 2023. Directed by Diyan Zara, English is making its European premiere at The Other Place, RSC’s center for new writing in Stratford-upon-Avon, before moving to London’s Kiln Theatre. It’s a quiet play’”about 100 minutes long,…
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Theatre Review: THE BUDDHA OF SUBURBIA (RSC & Wise Children at Swan Theater, Stratford-upon-Avon)
The Buddha of Suburbia, a lively and joyous coming-of-age story set in late 1970s suburban London is a delightful exploration of love in numerous forms, some painful, most unconventional, but all of them heartfelt. Co-adapted for the stage by Hanif Kureishi (from his novel of the same name) and director Emma Rice (Tristan & Yseult,…
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Jazz Concert Review: DUETS: DIANNE REEVES, CHUCHO VALDÉS, JOE LOVANO (International Tour at Berklee)
TWO MEN AND A LADY: JAZZ ROYALTY TIMES THREE Celebrity Series of Boston’s 2023–2024 season is drawing to a close and among the final performances was the excellent Duets, featuring Dianne Reeves (vocals), Chucho Valdés (piano), and Joe Lovano (tenor saxophone). The evening began with Valdés alone with his grand piano on the stage of…
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Book Review: TOM AND HUCK SITTING IN A TREE (A Novella by Gregory Fletcher)
WHAT THE HUCK! Author Gregory Fletcher has had a bit of fun with Mark Twain’s classic tales of Tom Sawyer and Huck Finn and readers are likely to share in the romp. Fletcher has repurposed many of the characters and situations from Twain’s original: the characters are a little older, and some of the situations…
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Theater Review: A STRANGE LOOP (SpeakEasy Stage Company and Front Porch Arts Collective)
A THEATRICAL LOOP-DE-LOOP Playwright Michael R. Jackson’s acclaimed A Strange Loop (winner 2020 Pulitzer Prize for Drama, 2022 Tony Award for Best Musical) is a shocking work of genius, beautifully brought to Boston’s Wimberly Theatre by SpeakEasy Stage and Front Porch Collective and director Maurice Emmanuel Parent, starring Kai Clifton as Usher, “a fat American…
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Theater Review: MERMAID HOUR (Moonbox in Cambridge, MA)
THE HOUR HAS COME Playwright David Valdes offers a touching insight into the complexities of family life for a transitioning teen in Mermaid Hour. The New England premiere of this 2016 Finalist in the Eugene O’Neill National Playwrights’ Festival is directed by Bridget Kathleen O’Leary. It’s well overdue: playwright Valdes sets the play in Boston…
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Theater Review: TOUCHING THE VOID (Apollinaire Theatre Company in Chelsea, MA)
THE MOUNT EVEREST OF PLAYS It’s hard to say what is the most breathtaking aspect of the Apollinaire Theatre Company’s masterful production of Touching the Void: Is it David Greig’s deeply satisfying script based on Joe Simpson’s memoir of the same title? Is it the fantastic acting by Patrick O’Konis (amazing as climber Joe), the…
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Theater Review: SOLO: A SHOW ABOUT FRIENDSHIP (Gabe Mollica at Calderwood Pavilion in Boston and on Tour)
THAT’S WHAT FRIENDS ARE FOR Up-and-coming storyteller Gabe Mollica has brought his “sweet not sappy” 90-minute Solo: A Show About Friendship to Boston after 80 Off-Broadway performances and an excerpt on This American Life, the NPR radio show and podcast. Directed by noted monologist and queer disability activist Greg Walloch, and written as well as…
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Event Review: AN EVENING WITH DAVID SEDARIS (Tour)
WHEN YOU ARE ENGULFED IN SEDARIS Storyteller and humorist David Sedaris began by “walking us through” his outfit: a pair of plaid culottes and a jacket that “looks like I lost a fight with a bear.” It did indeed consist of a lot of strips, like a wearable vertical blind. He then introduced the ASL…
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Concert Review: YO-YO MA, CELLO; KATHRYN STOTT, PIANO (Tour Reviewed at Symphony Hall, Boston)
AN EVENING WITH FRIENDS Yo-Yo Ma, superstar of the cello and more importantly, of bringing together music of disparate cultures, performed with his long-time musical partner Kathryn Stott at Boston’s Symphony Hall last night. Stott has announced her intention to retire from performing at the end of the year, so this was likely the last…
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Book Reviews: OTHER PEOPLE’S CRAZY / OTHER PEOPLE’S DRAMA (Gregory Fletcher)
GO, BRANDON! If you have a young teen in your life, or if you hanker after some inspirational reading about said demographic, you’ll love Gregory Fletcher’s two-book series, Other People’s Crazy and Other People’s Drama. Protagonist Brandon Filips, age 15 and a high school sophomore when Other People’s Crazy begins, is the biggest kid in…
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Theater Review: THE DROWSY CHAPERONE (Lyric Stage)
FOUR WEDDINGS AND A MUSICAL Adore Broadway musicals? Hate Broadway musicals? Either way, you will love Lyric Stage’s flip and frothy production of The Drowsy Chaperone. Director and choreographer Larry Sousa maximizes the intimate yet perfectly appointed Lyric stage to present what feels like a full-scale Broadway musical with singing, dancing, skating, and tap-dancing from…
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Concert Review: PATTI LUPONE: A LIFE IN NOTES (Tour)
A NIGHT OF HIGH NOTES The beloved and versatile award-winning musical theater star Patti LuPone delighted those who packed Boston’s Symphony Hall last evening with a series of high notes, low notes, and everything in between with her musical memoir, A Life in Notes, conceived and directed by Scott Wittman and written by Jeffrey Richman. Accompanied…
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Concert Series Review: STAVE SESSIONS (Celebrity Series of Boston at the Crystal Ballroom in Somerville)
LIGHTS! SOUND! MUSIC! Now in its eighth season, Celebrity Series of Boston offered four nights of innovative music in Somerville’s Crystal Ballroom with the Stave Sessions. Each evening offered a single intermission-free ninety minute performance. The first three evenings included virtuoso real-time performances of singing, flute, guitar, and keyboards mixed with impressive light shows, electronic…
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Cabaret Review: MAX RAABE & PALAST ORCHESTER (“Dream a Little Dream” Tour at Symphony Hall, Boston & Carnegie Hall NY)
SMOOTH AS SILK Max Raabe & Palast Orchester brought its “Dream a Little Dream” tour to Boston last night, transporting the Symphony Hall audience to an era of Big Band swing and “hot jazz” in the Berlin and beyond of the 1920s and 1930s. (The show hits Carnegie Hall on March 21.) Bandleader Raabe, who…
Theater Review: SANCTUARY CITY (Chance Theater / Anaheim)
by Michael Landman-Karney | May 11, 2026
in Los Angeles, Regional, TheaterTheater Review: SWEPT AWAY (SpeakEasy Stage at Boston Center for the Arts)
by Lynne Weiss | May 10, 2026
in Boston, TheaterTheater Review: ‘NIGHT, MOTHER (Redtwist Theatre / Chicago)
by Croydon Fernandes | May 9, 2026
in Chicago, TheaterOff-Broadway Review: BIKE SHOP: THE MUSICAL (Theater for the New City)
by Rob Lester | May 7, 2026
in New York, TheaterTheater Review: SOMETHING ROTTEN! (Lyric Stage Company of Boston)
by Emily Brenner | May 7, 2026
in Boston, TheaterTheater Review: MJ THE MUSICAL (National Tour / San Diego)
by Dan Zeff | May 7, 2026
in Dance, Theater, Theater-San Diego, ToursTheater Review: FAULT (Chicago Shakespeare)
by Croydon Fernandes | May 7, 2026
in Chicago, TheaterTheater Review: I HATE HAMLET (Saint Sebastian Players / Chicago)
by Mitchell Oldham | May 6, 2026
in Chicago, Theater
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