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Lynne Weiss
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Theater Review: THE FEAST OF FOOLS (Midwinter Revels at Harvard University’s Sanders Theatre, Cambridge)
YOU’D BE A FOOL TO MISS THIS FEAST OF FUN The long-playing Midwinter Revels (founded as Christmas Revels in 1971) is a unique mix of professional performance, volunteer talent, and audience participation that has created a joyous community that comes together each holiday season to delight in forms of music and dance that span the…
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Theater Review: THE HEART SELLERS (The Huntington Calderwood in Boston)
THESE GIRLS JUST WANNA HAVE FUN Two young women, one from Korea, the other from the Philippines, encounter one another in a grocery story on Thanksgiving morning in a small midwestern American city in 1973. Luna (Jenna Agbayani), the talkative one, the outgoing one, invites Jane (Judy Song) up to her apartment. They are the…
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Theater Review: THE BAND’S VISIT (The Huntington and SpeakEasy Stage Company in Boston)
AN UNEXPECTED AND BEAUTIFUL VISIT Once, not very long ago, a group of musicians came to Israel from Egypt. You probably didn’t hear about it. It wasn’t very important. These sentences, projected on a screen, are the opening of The Band’s Visit, the musical that won 10 Tony Awards in 2018. Directed by Paul Daigneault…
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Theater Review: HOW I LEARNED TO DRIVE (Actors’ Shakespeare Project at Boston Center for the Arts)
FASTEN YOUR SEATBELTS Actors’ Shakespeare Project’s production of the 1998 Pulitzer-winning drama How I Learned to Drive takes its audience on a harrowing ride through the dark land of sexual abuse and incest illuminated by moments of honesty, humor, and humanity. Director Elaine Vaan Hogue keeps playwright Paula Vogel’s best-known work moving through its complex…
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Theater Review: THE BOOK OF WILL (Hub Theatre Company of Boston)
A FOLIO AND ITS MAKERS Playwright Lauren Gunderson (Bauer, Silent Sky) has a gift of dramatizing small moments in history to illuminate larger influences, and that is exactly what she does in The Book of Will. Under the direction of Bryn Boice, the Hub Theatre Company, which offers pay-what-you-can tickets for every seat at every…
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Highly Recommended Concert: BEETHOVEN’S NINTH (Boston Baroque)
Ludwig van Beethoven’s monumental Symphony No. 9 is not only Beethoven’s final complete symphony but also one of his most well-known works. The piece’s fourth movement includes adapted text from “Ode to Joy,” a poem by Friedrich Schiller, and Beethoven’s “Ode to Joy” melody has become a popular humanist anthem (so catchy it was used as the theme for…
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Theater Review: Fat Ham (The Huntington at Boston Center for the Arts)
BLACK JOY RIDE This collaboration between Boston’s Black theater company Front Porch Arts Collective and the Atlanta-based Alliance Theater Company, directed by Stevie Walker-Webb, takes its audience into a fun-house version of Shakespeare’s Hamlet that is, well, FUN even as it offers the characters and the audience visions of their better selves. James Ijames’s Fat…
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Theater Review: ASSASSINS (Lyric Stage Company)
LIVES OF NOT-SO-QUIET DESPERATION The premise is simple: Each of nine people who have tried to kill or who actually have killed an American president is given a chance to persuade us of his or her higher purpose. Stephen Sondheim and John Weidman’s Assassins is an entertainment’”in the bygone sense of revues and follies built around…
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Theater Review: ANGELS IN AMERICA: PART TWO (Bedlam and Central Square Theater in Cambridge, MA)
ONE PLAGUE OR ANOTHER What happens when you put eight actors on a stage with a script that includes the AIDS epidemic of the 1980s, the Mormon Visitors Center, the Jewish mysticism of philosopher Walter Benjamin, and Roy Cohn’”one of the slimiest lawyers who ever lived? If that script happens to be Angels in America…
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Theater Review: POTUS (SpeakEasy Stage Company at Calderwood Pavilion in Boston)
WELCOME TO THE WEST WING, WHERE THE WOMEN ARE FUCKED AND THE MAN IS FECKLESS Seven women propping up one man’”that’s the premise behind Selena Fillinger’s POTUS: Or, Behind Every Great Dumbass are Seven Women Trying to Keep Him Alive. The widely produced play, which had its Broadway debut just a little over a year…
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Theater Review: THE TAMING OF THE SHREW (Actors’ Shakespeare Project in Boston)
HOW DO YOU SOLVE A PROBLEM LIKE KATRINA? What to do about The Taming of the Shrew, a play that seems to glorify the subjugation of women? Actors’ Shakespeare Project offers an intriguing and very entertaining answer. Under the direction of ASP Artistic Director Christopher V. Edwards, this cast — with only one male performer,…
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Theater Review: PRAYER FOR THE FRENCH REPUBLIC (The Huntington in Boston, MA)
A PRAYER FOR ALL OF US Should they stay or should they go? That is the question that haunts the characters of this brilliant play by Joshua Harmon (Bad Jews, Skintight). It is directed by Loretta Greco, the new artistic director of The Huntington. As a long-time Boston-area theater fan, I can only say that if…
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Theater Review: THE HALF-GOD OF RAINFALL (American Repertory Theater in a co-production with New York Theater Workshop in Cambridge, MA)
A SHOWER OF CREATIVE INNOVATION The A.R.T. production of the stunningly staged and audaciously acted The Half-God of Rainfall is an act of creative destruction. It begins with the seven actors crashing through the fourth wall by appearing on the stage and introducing themselves by name and then listing their role or roles. This places…
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Music Review: GIANCARLO GUERRERO CONDUCTS MAHLER AND WOLFE (Boston Symphony Orchestra at Tanglewood)
REMEMBER THE LADIES The double bill of Julia Wolfe’s Her Story and Gustav Mahler’s Symphony No. 1 in D Major brought two distinct types of pleasure to an appreciative audience at Tanglewood on Friday, July 28. The Boston Symphony Orchestra performed both works; Her Story featured the all-female choral group Lorelei Ensemble. Personable and puissant…
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Theater Review: BLUES FOR AN ALABAMA SKY (Barrington Stage Company in Pittsfield, MA)
DOWN AND UP IN HARLEM Barrington Stage Company’s riveting production of Pearl Cleage’s Blues for an Alabama Sky, directed by Candis C. Jones, opens with a fast-paced scene in which Guy Jacobs (Brandon Alvión) drags a seriously drunk Angel Allen (Tsilala Brock) up to his apartment with help from a stranger, Leland Cunningham (DeLeon Dallas)….
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Theater Review: FENCES (Shakespeare and Company in Lenox, Massachusetts)
A FENCES THAT KEEPS US IN Actors “ranney” and Ella Joyce bring a fresh and warm humanity to Shakespeare and Company‘s excellent and very satisfying production of August Wilson’s Fences, which opened this week at the Tina Packer Playhouse in the Berkshire Hills of Massachusetts. Troy Maxson is a character not often included in our representations…
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Theater Review: FASCINATING RHYTHM (Lyric Stage Company in Boston MA)
FASCINATING, FUN AND FEEL-GOOD RHYTHM With stellar performances on two baby grands, a few silly props, and creative use of audience participation, Kirsten Salpini (sometimes wearing a tie to indicate Gershwin) and Jared Troilo (sometimes in bushy white wig to indicate Bernstein) pay energetic and loving tribute to the music of George Gershwin and Leonard…
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Theater Review: EVITA (American Rep in association with Shakespeare Theatre Company in Cambridge MA)
A DUAL DUARTE DE PERí“N Understudy Isabella Lopez won a heartfelt standing ovation for her captivating portrayal of Eva Perón, the spiritual leader of Argentina last night in this A.R.T. revival of the Andrew Lloyd Webber (music) and Tim Rice (lyrics) classic Evita (Tony Award Best Musical). Director Sammi Cannold, who visited Argentina repeatedly to…
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Theater Review: THE LEHMAN TRILOGY (Huntington Theatre, Boston MA)
AMAZING THEATER? BANK ON IT Steven Skybell (Henry Lehman), Joshua David Robinson (Emanuel Lehman), and Firdous Bamji (Mayer Lehman) absolutely stunned in the the first American-made production of The Lehman Trilogy, which opened at The Huntington last week. They slipped in and out of multiple roles, including babies, toddlers, men of diverse ethnic and regional…
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Theater Review: AS YOU LIKE IT (Actors Shakespeare Project in Collaboration with Theater Offensive, Balch Arena Theater at Tufts University, Medford MA)
AS WE LOVE IT Talk about chemistry! The amazing Genevieve Simon, who wowed us with a riveting performance in the title role of Coriolanus earlier this year, flirts and schemes into our hearts in the very different role of Rosalind in Actors Shakespeare Project‘s As You Like it — in collaboration with Theater Offensive, whose…
Off-Broadway Review: CAMPING (Colt Coeur / HERE Arts Center)
by Gregory Fletcher | June 20, 2026
in New York, TheaterTheater Review: IN OLD AGE (Arts Emerson with Front Porch Arts Collective)
by Lynne Weiss | June 19, 2026
in Boston, TheaterTheater Review: CHAMPIONS OF MAGIC (Tour at Studebaker Theatre / Chicago)
by Barnaby Hughes | June 18, 2026
in Chicago, Theater, ToursCabaret Review: BACK TO BARBRA (Melissa Errico / 54 Below / New York City)
by Rob Lester | June 17, 2026
in Cabaret, New YorkTheater Review: WEST SIDE STORY (Paper Mill Playhouse / Millburn, NJ)
by Rob Lester | June 17, 2026
in New York, TheaterTheater Review: OCTET (Goodman Theatre Chicago)
by Croydon Fernandes | June 16, 2026
in Chicago, TheaterTheater Review: LEOPOLDSTADT (Writers Theatre / Glencoe, Chicagoland)
by Croydon Fernandes | June 15, 2026
in Chicago, Theater



















