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Molly Woulfe
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Chicago Theater Review: MOURNING BECOMES ELECTRA (Remy Bumppo Theatre Company at Greenhouse Theater in Chicago)
LONG DAY’S JOURNEY INTO DYSFUNCTION What becomes a new artistic director? Ambition, with a two-fisted delivery. Timothy Douglas, the new chief of the Remy Bumppo Theatre Company, bravely goes bare-knuckles as the director of Mourning Becomes Electra. The production is Gordon Edelstein’s adaptation of Eugene O’Neill’s play, which updates the story of Orestes by following…
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Regional Theater Review: GUYS AND DOLLS (Theatre at the Center in Munster, Indiana)
GREAT DAME Were the masterpiece from the golden age of Broadway Guys and Dolls an actual guy or doll, he or she could score Social Security next year; but make no mistake, this 1950 hoofer is no worse for the wear, thanks to Frank Loesser’s timeless score and Jo Swerling and Abe Burrows’ cheeky book…
Off-Broadway Review: MILK AND HONEY (J2 Spotlight Theatre Company at AMT, NYC)
by Rob Lester | April 17, 2026
in New York, TheaterFilm Review: BRUTE 1976 (Directed by Marcel Walz)
by Allen Tellis | April 16, 2026
in FilmCabaret Review: MARILYN MAYE (54 Below, NY)
by Rob Lester | April 16, 2026
in Cabaret, New YorkComedy Club Review: GREENPOINT COMEDY CLUB (Brooklyn)
by Alex Simmons | April 15, 2026
in Cabaret, New York, TheaterTheater Review: REVENGE OF THE SOY BOY (FRIGID New York City Fringe Festival)
by Alex Simmons | April 14, 2026
in New York, TheaterTheater Review: WHAT THE CONSTITUTION MEANS TO ME (Greater Boston Stage Company)
by Lynne Weiss | April 14, 2026
in Boston, TheaterBroadway Review: BECKY SHAW (Helen Hayes)
by Carol Rocamora | April 14, 2026
in New York, Theater

