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Paul Birchall
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Los Angeles Theater Review: MUTANT OLIVE (Lounge Theatre in Hollywood)
MUTANT — AS IN FREAK OF NATURE After watching the roaring, sputtering, and cursing along with regretful descriptions of drug use and parental abuse back in the “bad old days,” I had to ask myself, “Wha’ kind of crazy fucking show is this?” I’m not really one to use such language, but writer-performer Mitch Hara’s…
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Los Angeles Theater Review: NORTHANGER ABBEY (Broad Stages in Santa Monica)
JANE AND HER PUPPETS The works of Jane Austen are delightful – and so are puppets. So, when you hear that this adaptation of Austen’s classic satire of gothic literature, Northanger Abbey, is actually performed by two actors, wielding seven puppets – well, what is not to like? If the notion of combining Jane Austen…
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Los Angeles Theater Review: BROOMSTICK (Fountain)
STAY FOR DINNER, WON’T YOU? She’s an ancient crone who lives in a tiny cottage deep in the forest, feared by those near and far. She brews strange elixirs and ointments, and is rumored to have turned little boys into piglets to feed on during her midnight feasts. Her rivals end up drowned in the…
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Los Angeles Theater Review: BITCHES (The Magnum Players in West Hollywood)
BITCHY, BITCHY If you like your camp served by the bucket, then this outlandish tour de farce is steaming with it. Imagine if you will one of those appalling movies from the 1990s in which a group of Mean Girls reign supreme and battle for the role of Top She-Devil in their school’s cheerleading squad….
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Los Angeles Theater Review: THE WHY (Blank Theatre)
COLD DEAD HANDS America’s bittersweet love-and-hate affair with guns is the target of playwright Victor Kaufold’s thought-provoking but lopsided satirical revue, which premiered in 2000 at the Blank Theatre’s Young Playwright’s Festival, their annual showcase of works by teen authors. The play was an immediate response to the massacre at Columbine High School, where a…
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Los Angeles Theater Review: THE MAX FACTOR FACTOR (New Musicals Inc. at Noho Arts Center)
DARE NOT SPEAK ITS NAME Ah Hollywood. How it glitters. How it glistens. How true it is that when you scrape off the layers of tinsel, you find, well, more tinsel. This musical (Adrian Bewley, book; Joe Blodgett, music; Chana Wise, lyrics) is an affectionate paean to the Good Ol’ Days of Hollywood, when Movie…
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Off-Off-Broadway Theater Review: THE MYSTERIES (The Flea Theater)
THEATER AS A TEMPLE The Flea Theater commissioned 48 different playwrights to contribute short dramatic pieces to this tremendous production, which basically recounts all the narratives in the Bible from before the beginning of the universe to after its end. The cycle’s list of authors contains newbies to some unexpectedly major names, from David Henry…
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Off-Off-Broadway Theater Review: CLOWN BAR (Pipeline Theatre Company at The Box)
RAISING THE CLOWN BAR Did the TV series It give you nightmares for decades? Does the art of John Wayne Gacy make you tremble? Does dear old Bozo make you break out in hives? If you suffer from coulrophobia – a fear of clowns – then Clown Bar, a site-specific production full of energy and…
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Off-Broadway Theater Review: THE TASTE OF IT (Ballybeg at Theatre 54 at Shetler Studios)
STORMY ROMANCE It is sometimes the case that the plays that seem the simplest – three characters, a few dusty flats, a tiny, shoe-box set in a miniscule theater somewhere on the 12th floor of a building off of Times Square – is the work that has the most depth. The Taste of It, John…
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Off-Broadway Theater Review: GERTRUDE STEIN SAINTS! (Abrons Arts Center)
WHEN THE SAINTS COME DANCING IN Here’s a charming revue that sets to song and dance the words of the great poet Gertrude Stein, mistress of new language and one of the tremendous free spirits of the 20th century. If I were a critic of the heft and depth of, say, Stage and Cinema’s own…
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Off-Broadway Theater Review: THE BULLPEN (The Playroom Theater)
PRO AND (EX-)CON In telling his true-life tale about being convicted of attempted murder and released following a hefty prison term, Joe Assadourian is proof that you can be a crook and still be a tremendously talented actor. And, really, I don’t suppose anyone should be surprised at this idea. Acting is merely the art…
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Los Angeles Theater Review: THE LAST CONFESSION (Center Theatre Group at the Ahmanson)
PERHAPS THE POPE WAS BORED TO DEATH The Ahmanson stage is awash with white-haired old men in long sweeping gowns. No, it’s not the old folks’ home production of Priscilla Queen of the Desert. Rather, the touring production of The Last Confession crackles and blusters with Cardinals, Archbishops, and Popes; these are the characters inhabiting…
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Los Angeles Theater Review: THE BROTHERS SIZE (Fountain Theatre)
AFRICAN MYTH ON THE BAYOU An atmosphere of mythic mystery suffuses Tarrell Alvin McCraney’s compelling drama about family, sacrifice, and deceit. Awash with undercurrents of melancholy and rage, here’s a drama that manages to wrestle both powerful themes and ferocious emotions, even within a remarkably intimate context. It’s admittedly true that we find ourselves occasionally…
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National Tour Theater Review: JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT (2014 National Tour)
TECHNICOLOR TURNCOAT It’s like one of the Great Plagues of Egypt: Every so often, some producer decides to dust off another production of this old Andrew Lloyd Webber chestnut, and cast some past-his-sell-by date TV star in the role of Joseph, the hot young Biblical fellow whose dreams and visions earn him fame and favor…
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Los Angeles Theater Review: CRY TROJANS! (TROILUS AND CRESSIDA) (The Wooster Group at REDCAT)
CRY!BOYS AND INDIANS Let’s be honest: Director Elizabeth LeCompte’s sometimes astonishing adaptation of Shakespeare’s Trolius and Cressida by the acclaimed Wooster Group of New York is indeed a bit of a misstep. On the other hand, it is a simply brilliant failure. The show crackles with ferociously presented and compelling ideas; gorgeously visual stagecraft; and…
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Los Angeles Theater Review: 50 SHADES! THE MUSICAL (Kirk Douglas Theatre in Culver City)
FLESH MADE TEDIOUS In my day job as a public librarian, I can tell you with certainty there is nothing more dreaded than finding E. L. James’ turgid lust romancer  Fifty Shades of Grey in the book drop  after some woman’s book group has read it.  The condition those books are returned in!   The limp, slightly damp pages.   The…
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Los Angeles Theater Review: DISASSEMBLY (Theatre of NOTE in Hollywood)
LOVE GONE NUTS Here’s a twisted little response to the maudlin sappiness of Valentine’s Day: Steve Yockey’s sprightly romantic farce is about love, all right, but it’s love as pathological damager, destroyer of lives, and self-sabotager of well-being. Indeed, it’s the perfect post-Valentine’s Day sorbet palate cleanser. Is that Cupid you see in the distance…
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Los Angeles Theater Review: VILLON (Odyssey Theatre)
A VILE VILLON MAKES FOR VILLAINOUS VIEWING Art isn’t pretty – and neither is Murray Mednick’s sharp, cynical comedy about the life of the great artistic poet François Villon, who, in 15th century France, wrote some of history’s great romantic poetry, all the while living the life of a boozing, whoring, murderous scoundrel. In the production’s…
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Los Angeles Theater Review: BILL & JOAN (Sacred Fools Theater Company)
RIGHT BETWEEN THE EYES It was the shot heard round the countercultural world – the Big Bang of the Beats, as it were. At a party one night in Mexico City in 1951, writer William Burroughs drunkenly talked his wife Joan Vollmer into standing against the wall with a water glass on her head while…
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Los Angeles Theater Review: PASSION PLAY (Odyssey)
AN OCEAN OF TIME If you ever climb to the top of the Granite Park Chalet trail in Montana, you will find at the end of the hugely winding, desperately steep pathway a log book containing entries by fellow hikers. One of the entries reads something like, “I have come up here every year for…
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