Tony Frankel

THREE ERAS, ONE MISSED OPPORTUNITY Brownstone collapses under unfocused, baffling staging Catherine Butterfield’s Brownstone (2008) is built around a solid, even enticing idea: we have three couples, each occupying the same second-floor apartment in a Manhattan brownstone during three eras—1930s, the 1970s, and the turn of the 21st century. Instead of three separate acts in…

REVENGE AS ENTERTAINMENT With Will Swenson and Lesli Margherita, La Mirada goes all in for this major revival Some shows you make time for. Others you plan around. Sweeney Todd: The Demon Barber of Fleet Street is one of those shows — if it’s done right. When the musical first arrived in 1979 (winning 8…

A DELICIOUSLY VERY WRONG WAY TO CELEBRATE THE HOLIDAYS Santa’s dead, the carols are cursed, and Zombie Joe wants your soul for Christmas If you survived Urban Death: Tour of Terror in October—and lived to tell the tale—Zombie Joe’s Underground Theatre Group is inviting you back for a holiday encore that swaps pumpkin guts for…

A PRINCIPLED PRODUCTION Simon Stephens’ deceptively simple romance finally reveals its cosmic heart in close quarters at Skylight Theatre Director Cameron Watson delivers a remarkably authentic and poignant tale with his production of Heisenberg, a short play based on a rather unremarkable human relationship story. What is remarkable is that this intimate outing, which opened…

CUTE MEETS CUTE, AGAIN Rendered with a rom-com frame around a night of emotional archaeology, Douglas Lyons’s Table 17, briskly staged by Zhailon Levingston, wants to be irresistible, and for the most part it is. The premise is simple but well-served: two years after their breakup, previously engaged Jada (Gail Bean) and Dallas (Biko Eisen-Martin)…

THIS WAY TO THE AMERICAN DREAM– MIND THE TRAP DOORS Kafka’s story still needs an ending, but Open Fist delivers a wildly inventive Amerika If you think America is in an existential crisis right now, you either don’t know your U.S. history, or you aren’t familiar with Franz Kafka’s Amerika or, The Man Who Disappeared—which, in Dietrich…

SWEET, CHARMING, AND BRIMMING WITH LIFE, HELLO, DOLLY! IS MUSICAL COMEDY HEAVEN It’s always extraordinary to hear a live orchestra in a musical these days — a rare and exhilarating luxury that immediately elevates the experience. Under the crisp and buoyant baton of Dennis Castellano, Musical Theatre West’s Hello, Dolly! fills the Carpenter Performing Arts…

WHEN INTROSPECTION FLATLINES David Roussève’s Becoming Daddy AF is more like WTF After more than twenty years away from full-length solo work, choreographer and storyteller David Roussève returns with Becoming Daddy AF, a 90-minute self-portrait presented by CAP UCLA that promises introspection but rarely delivers the emotional punch it’s built around. The premise is compelling—an…