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Shari Barrett
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Concert Review: ACCORDING TO RAY (MUSE/IQUE at Mark Taper Forum)
Rachael Worby, Founding Artistic and Music Director of MUSE/IQUE, is hosting the inspirational 2025 season “Make Some Noise: Music and Stories of American Defiance and Hope” which spotlights transformative American artists and thinkers who rejected norms and limitations to forge a new and better future, while teaching us that nothing is impossible. And what better…
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Theater Interview: MICHAEL MATTHEWS (Currently Directing ‘Cabaret’ for 5-Star Theatricals)
COME TO MICHAEL MATTHEW’S CABARET With the amount of political turmoil and rising antisemitism in the world right now, it seems the perfect time to present an updated staging of the popular musical Cabaret set in Berlin at the start of the Nazi reign of terror. With book by Joe Masteroff, music by John Kander,…
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Concert Review: WOMEN OF ROCK (Long Beach Symphony Orchestra POPS Series)
GREAT CONCERT, BUT LIGHT ON ROCK As part of its POPS series, always a fun and friendly way to enjoy an entertaining night out, Long Beach Symphony, now in its 90th season, welcomed guest conductor and renowned orchestrator Susie Seiter for its Women of Rock concert on February 22 at the Long Beach Arena, where you…
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Theater Review: LOVE GAME (Last Call Theatre at The Virgil)
MEET MARKET Have you ever gone to a speed dating event where singles meet, spend a few minutes talking to one person, and then move on to the next person, each for a pre-arranged chat session time? For those who have, and especially for those who never tried it, Last Call Theatre is presenting Love…
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Theater Review: THE BROTHERS ABELSON SINCE 1946 (Electric Lodge in Venice)
A TIME CAPSULE OF GENERATIONAL LOVE, PAIN, AND RESILIENCE Every family has a unique mix of personalities, every member knowing their place and how to maneuver others to get what they need. But universal truths define Jewish families of Eastern European descent, shaping a shared culture forged through eviction from their homeland and the necessity…
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Theater Review: JANE AUSTEN IN 89 MINUTES (Theatre 40 at Greystone Mansion)
WHAT FUN GETTING LOST IN AUSTEN Fresh from its smash hit engagement at Theatre 40, Jane Austen in 89 Minutes has moved into the artistically appropriate Greystone Mansion in Beverly Hills for a limited 10-performance run. Performed by a cast of seven madcap ladies and gents who bring all six of Jane Austen’s beloved novels…
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Dance Review: MEMORYHOUSE (Los Angeles Ballet at The Wallis in Beverly Hills)
KEEPING MEMORY ALIVE Memoryhouse, which premiered in 2023 as the first full-length ballet directed by Los Angeles Ballet’s new Artistic Director Melissa Barak, is an abstract work composed of vignettes commemorating World War II, all of which focus on aspects before, during, and after the Holocaust. Barak choreographed the ballet to Max Richter’s powerful 2002 album…
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Theater Review: THE PLAY THAT GOES WRONG (La Mirada Theatre for the Performing Arts)
IN A YEAR WHERE EVERYTHING HAS GONE WRONG, THIS WRONG MAKES EVERYTHING RIGHT The Tony Award-winning The Play That Goes Wrong, also crowned Best New Comedy at the 2015 Olivier Awards, is a sidesplitting Broadway hit written by Mischief Theatre’s Henry Lewis, Jonathan Sayer, and Henry Shields. At La Mirada Theatre in Hackensack (kidding…it’s in…
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Theater Review: HEAVENBOUND (Wilshire Ebell Theatre)
HEAVENBOUND ROUSES THE SPIRIT AT WILSHIRE EBELL THEATRE In the face of so much destruction from the ongoing Los Angeles fires, a bright event brought a sense of spiritual peace during Heavenbound, a musical written, directed, and produced by Don B. Welch at the Wilshire Ebell Theatre on January 11. Welsh assembled a knockout cast…
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Theater Interview: RON HARNER (Director and Playwright of Union Station at The Broadwater in Hollywood)
ON THE RIGHT TRACK Prior to his new play Union Station, playing at the Broadwater Main Stage Jan 23-26, Ron Harner wrote and directed three other plays: The Ones Who Leave (2019), Spitting Feathers (2022) and On The Rocks (2023). Union Station, featuring the songs of Joni Mitchell, is billed as “a celebration of music,…
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Concert Review: KRISTIN CHENOWETH HOLIDAY CONCERT (LA Opera at the Dorothy Chandler Pavilion)
SMALLTOWN ROOTS, BIGTOWN PERFORMER Personable Kristin Chenoweth – the original Glinda in the Broadway musical Wicked – was a delight last night in L.A. This is Kristen as a regular gal from Broken Arrow, Oklahoma, but her stage presence is phenomenal and her vocals are stratospheric. She dazzled us with holiday classics old and new…
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Concert Review: SARAH BRIGHTMAN’S A CHRISTMAS SYMPHONY (International Tour)
A CHRISTMAS SYMPHONY? MORE LIKE A TRIBUTE TO A SELF-ANOINTED OPERA DIVA QUEEN Now an annual tradition, the international tour of Sarah Brightman’s A Christmas Symphony first began in 2022. Then she visited 22 cities in Canada and the US in 2023. This year, the tour includes 14 new cities in the Western United States…
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Theater Review: HOME ALONE-LY HEARTS CLUB BAND (The Troubies at the Colony in Burbank)
Accompanied by the rockin’ 4-piece Troubadorchestra led by music director Ryan Whyman, the always-entertaining, hip and sassy Troubadour Theater Company (The Troubies) is generating tons of fun with their latest mash-up, the world premiere of Home Alone-ly Hearts Club Band at the Colony Theatre in Burbank, areThe premise is familiar to fans of the group: The…
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Theater Review: CAT KID COMIC CLUB (Tour at Kirk Douglas Theatre in Culver City)
EVERYONE BELONGS IN THIS CLUB Last year at this time, I saw the family-friendly and totally entertaining Dog Man: The Musical, in which comic book hero Dog Man, with the head of a dog and the body of a policeman, does his best to save the city from Flippy the cyborg fish. And now Flippy…
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Theater Review: THE MURDER OF ROGER ACKROYD (Theatre 40 in Beverly Hills)
DEAD ON ARRIVAL The Murder of Roger Ackroyd, adapted for the stage by Mark Shanahan from Agatha Christie’s 1926 novel, premiered at the Alley Theatre in Houston, Texas in 2023. It’s no surprise that the West Coast premiere at Theatre 40 in Beverly Hills is only the second production, as Shanahan’s script draws out the…
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Theater Review: PRIVATE EYES (Theatre Palisades)
PRIVATE EYES IS SO PRIVATE THAT YOU’LL CROSS YOUR EYES TRYING TO FIGURE IT OUT Perhaps Shakespeare was right to say “All the world’s a stage, and all the men and women merely players.” At least that seems to be the case in Steven Dietz’s Private Eyes, a “Comedy of Suspicion” now onstage at Theatre…
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Theater Review: DIVA THE PLAY (Zephyr Theatre)
MEMORIES OF CHERISHED TIMES As we age and our memories fade away, certain items from our lifetime can trigger both happy and unpleasant memories, making us feel in the moment without worrying about what we may have already forgotten. Thus, your life can become a joyous celebration of happy times filled with love and great…
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Theater Review: THE ORPHANS’ REVENGE (The Group Rep at Lonny Chapman Theatre in North Hollywood)
TIED TO THE RAILROAD TRACKS OF A SILLY MELODRAMA, OR CUTE CAN ONLY GO SO FAR Popular during the Victorian era in England, a melodrama is a sensationally overly dramatic piece with lots of comedy, especially when the exaggerated characters (the ingénue, handsome leading man, older wiser woman, and dastardly villain) break the fourth wall…
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Theater Review: I’LL BE WITH YOU SHORTLY (NEO Ensemble Theatre at The Loft Ensemble Theatre)
A BUMPY RIDE INTO THE AFTERLIFE Like many small, non-profit theatre groups, NEO Ensemble Theatre is nomadic by nature, moving from theater to theater to present modern, socially relevant plays or offering online programming on a pay-what-you-want basis. Their latest, staged in-person production is the world premiere of Michael Merton’s dark comedy I’ll Be With…
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Theater Review: THE CIVIL TWILIGHT (Broadwater Studio Theatre in Hollywood)
CIVIL UNREST When I walked into the very small and incredibly intimate Broadwater Studio Theatre, I immediately thought about Sam Shepard’s Fool for Love, about a couple of loners looking to connect, given the small, Western-style motel room designed by Joel Daavid. But the world premiere of Shem Bitterman‘s The Civil Twilight, directed with emotional…
Music Review: NELLIE McKAY (City Vineyard)
by Rob Lester | April 29, 2026
in Cabaret, New YorkOff-Broadway Review: BROKEN SNOW (Theatre 71)
by Gregory Fletcher | April 28, 2026
in New York, TheaterTheater Review: THE SECRET SHARER (DNAWorks at Emerson Paramount Center)
by Lynne Weiss | April 27, 2026
in Boston, TheaterBroadway Review: JOE TURNER’S COME AND GONE (Barrymore Theatre)
by Paola Bellu | April 25, 2026
in New York, Theater


















