Areas We Cover
Categories
Shari Barrett
-
Theater Review: THE (MOSTLY) TRUE STORY OF A COMMON SCOLD (L.A. Performing Arts Productions, Promenade Playhouse)
As a female journalist myself, I was curious to learn about the life of Anne Royall, a former maid who married her employer, a landed gentleman in the early 1800s when such marriages were rarely allowed, and then rose to become America’s first female journalist at a time when women were “supposed” to stay home…
-
Theater Review: TESLA: A RADIO PLAY FOR THE STAGE (Tour at Cal Tech and Big Bear Lake Performing Arts Center)
AN ELECTRIFYING TESLA Much has been written about Serbian-American inventor Nikola Tesla, the inventor of alternating current, radio and so much more, ever since his name became one of the world’s most known electric automobile brand names in 2003. Robbed of the scientific accolades he deserved by others more in tune with how to make…
-
Theater Review: 3 FACES OF STEVE: SONDHEIM IN CONCERT (Odyssey Theatre Ensemble)
A MASTER OF MUSICAL THEATER; TWENTY-SEVEN SONGS; THREE GREAT PERFORMERS; ONE TERRIFIC REVUE 3 Faces of Steve: Sondheim in Concert at Odyssey Theatre Ensemble is a revue that spans the breadth of Stephen Sondheim’s work. Director Angelina Réaux, the soprano who personally knew and worked with the great composer, joins world-class singers Michael Sokol, baritone,…
-
Theater & Event Review: DISCOSHOW (Spiegelworld at 3535 Las Vegas Boulevard)
AN AUTHENTIC 70S NEW YORK DISCO EXPERIENCE FROM DUSK TO DAWN On Saturday September 7, 2024, live entertainment and hospitality trailblazer Spiegelworld and Caesars Entertainment hosted a dusk-to-dawn party to celebrate the world premiere of DISCOSHOW and the new restaurant Diner Ross. The red carpet was rolled out along the Las Vegas Strip, leading hundreds of…
-
Theater Review: ABSINTHE and SUPERFRICO RESTAURANT (Spiegelworld at Caesars Palace and Chelsea Tower)
ABSINTHE I FELL FOR YOU For a most salacious evening of “adult” delights, head on over to Absinthe at Caesar’s Palace which is surely the #1 Greatest Show in Las Vegas history (it has played to sold-out audiences since 2011). Hosted by the filthy rich and just plain filthy Gazillionaire and his nymphomaniac sidekick Wanda Widdles,…
-
Theater Review: HAPPY FALL: A QUEER STUNT SPECTACULAR (Renberg Theatre Lily Tomlin/Jane Wagner Cultural Arts Center)
Now playing at the Los Angeles LGBT Center’s Renberg Theatre is the world premiere of Happy Fall: A Queer Stunt Spectacular. Performed by an enthusiastic and energetic ensemble, and written by Lisa Sanaye Dring with Rogue Artists Ensemble, director Sean Cawelti interviewed over a dozen stunt performers (several closeted) who shared intimate stories about the challenges they…
-
Theater Interview: HERSHEY FELDER (Star and Writer of the World Premiere “Rachmaninoff and the Tsar: A New Musical Play”
For 26 years, pianist/actor/playwright/producer Hershey Felder has conjured the spirits of George Gershwin, Frederic Chopin, Ludwig van Beethoven, Franz Liszt, Leonard Bernstein, Piotr Ilyich Tchaikovsky, and Irving Berlin on Los Angeles area stages, where his music-composer series was born, and around the world. Along the way, audiences have flocked to his astonishing musical tributes, from…
-
Concert Review: DISNEY ’80s-’90s CELEBRATION IN CONCERT (Hollywood Bowl)
Warm Summer nights are made for enjoying great music outdoors at the Hollywood Bowl where cool breezes, the stars, and the moon all play their part during memorable family adventures. And what better way to entertain kids of all ages than with guests from Disney musicals singing popular hits of the ’80s and ’90s? With…
-
Theater Review: UNBROKEN BLOSSOMS (East West Players)
A TIME-TRAVELING UNBROKEN BLOSSOMS REVEALS BIGOTRY AND MISOGYNY Before seeing the world premiere of Unbroken Blossoms by Philip W. Chung at East West Players, I had never heard of the 1919 American silent film Broken Blossoms, directed by D. W. Griffith starring Lillian Gish and Richard Barthelmess, in which a frail waif is abused by her…
-
Theater Review: PSYCHO BEACH PARTY (The Matrix Theatre)
CAMPING ON THE BEACH Psycho Beach Party, a totally campy creation written by Charles Busch, is not your typical 50s and 60s beach blanket movie with Frankie and Annette innocently dancing and singing in the sand. With several cross-dressing cast members, mischief, madness, and the passionate pursuit of the perfect wave — or man —…
-
Dance Review: ANNA KARENINA (Joffrey Ballet at the Dorothy Chandler in L.A.)
Like so many other little girls growing up in Los Angeles in the 1950s, my mother enrolled me in ballet lessons hoping her dream of me becoming a prima ballerina would be achieved. Of course, that was never going to happen, but it did teach me the difference between my right and left foot when…
-
Theater Review: TINY FATHER (Geffen Playhouse)
GOOD LESSONS COME IN SMALL PACKAGES Sometimes life throws you for a loop when fun times take a turn in unexpected ways, changing your whole life in an instant. Such is the story at the center of the 90-minute two-hander tiny father, written by Mike Lew (Tiger Style!), and directed by Moritz von Stuelpnagel at…
-
Opera Review: THE COMET/POPPEA (MOCA and The Industry at the Geffen Contemporary Museum at MOCA)
What do you do when the world is on fire and you are only one of two people seemingly left alive? How do you learn to survive when your backgrounds pull you apart? Or how does a powerful woman survive the patriarchy of ancient Rome? No, it’s not an episode of The Twilight Zone; it’s…
-
Theater Review: DURAN DURANTONY & CLEOPATRA (Troubadour Theater Company at the Colony Theatre in Burbank)
NICE ASP! Troubadour Theater Company is a free-wheeling, no holds barred, commedia dell’arte-flavored, slapstick-driven Los Angeles based ensemble of actors, musicians, and comedians that has been performing for audiences throughout Southern California and beyond since 1995. Their fast-paced, laugh-filled, loose adaptations (some of the original lines are still there) of classic plays, literature, and film,…
-
Theater Review: IT’S ONLY A PLAY (Torrance Theatre Company)
FRANTIC ANTICS FUEL THE HUMOR Terrence McNally updated his 1986 Off-Broadway comedy It’s Only a Play for Broadway in 2014 featuring an all-star cast including F. Murray Abraham, Matthew Broderick, Stockard Channing, Nathan Lane, and Megan Mullally. It’s a farcical, devilishly witty look behind the scenes at the opening night party of a play whose cast,…
-
Exhibit Review: HOLLYWOODLAND: JEWISH FOUNDERS AND THE MAKING OF A MOVIE CAPITAL (Academy Museum of Motion Pictures)
GIVING JEWISH IMMIGRANTS AND FILM FOUNDERS THEIR DUE — PERMANENTLY As its first permanent exhibition, The Academy Museum of Motion Pictures is presenting Hollywoodland: Jewish Founders and the Making of a Movie Capital which tells the origin story of filmmaking in early 20th-century Los Angeles, spotlighting the impact of the predominantly Jewish filmmakers whose establishment…
-
Theater Review: TOPSY TURVY: A MUSICAL GREEK VAUDEVILLE (World Premiere at The Actors’ Gang)
YOU’RE THE TOPSY TURVY During the forced shutdown of theaters due to the COVID pandemic, The Actors’ Gang in Culver City kept its employees on salary and health insurance, adapted their outreach programs in schools and prisons to a virtual format, and continued workshops with its actors online. The group’s Artistic Director Tim Robbins shared,…
-
Theater Review: THE EXPLORER’S CLUB (Theatre 40 in Beverly Hills)
A PLAY NOT WORTH EXPLORING Doggedly determined to fight yesterday’s battles, Nell Benjamin’s farce The Explorers Club manically mocks the heyday of male British explorers. Fuddy-duddy adventure seekers with aboriginal blood on their hands, these intrepid trekkers did a lot more than find the source of the Nile; they blazed a trail for imperialism, colonialism, racism and misogyny….
-
Theater Review: UNSAVORY FELLOW (Ruskin Group Theatre)
UNSAVORY IS SAVORY INDEED Those of us who grew up on the Westside of Los Angeles certainly remember hanging out on the Venice and Santa Monica beaches when we were kids. Times then were as innocent as we were, and our parents had no fear that predators were lurking about trying to do us harm….
-
Theater Review: STALIN’S MASTER CLASS (Odyssey Theatre)
A DICTATOR DICTATES MUSIC IN STALIN’S MASTER CLASS In a time when politics collide with state and federal budgets for the arts, Stalin’s Master Class — a wildly comic, music-filled ride by British playwright David Pownall — is all too relevant for today’s audiences. Odyssey Theatre Ensemble founding artistic director Ron Sossi helms with his unique…
- « Previous
- 1
- 2
- 3
- 4
- Next »
Concert Review: AN EVENING WITH LAURA BENANTI (Kaufmann Concert Hall, 92NY)
by Rob Lester | February 5, 2026
in Concerts / Events, New YorkTheater Review: CONFEDERATES (Redtwist Theatre)
by Croydon Fernandes | February 5, 2026
in Chicago, TheaterTheater Review: DESCRIBE THE NIGHT (Austin Playhouse West Campus)
by Leo Weiser | February 4, 2026
in Texas, TheaterChicago Opera Review: COSÌ FAN TUTTE (Lyric Opera)
by Barnaby Hughes | February 4, 2026
in Chicago, TheaterTheater Review: RISING WATER (Theatre L’Acadie)
by Croydon Fernandes | February 4, 2026
in Chicago, TheaterTheater Review: STEREOPHONIC (National Tour, CIBC Theatre Chicago)
by Croydon Fernandes | February 3, 2026
in Chicago, Theater, ToursOff-Broadway Review: ULYSSES (Elevator Repair Service at The Public Theater)
by Paola Bellu | February 2, 2026
in New York, TheaterTheater Review: PUNISH ME: A PSYCHOLOGICAL THRILLER (Hudson Backstage Theatre)
by Nick McCall | February 2, 2026
in Los Angeles, Theater



















