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Shari Barrett
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Theater Review: GOING MAD: ALICE IN HOLLYWOODLAND (Odyssey Theatre)
MAD ABOUT GOING MAD Los Angeles-based Theatre Movement Bazaar is dedicated to developing a unique style of theatre rooted in physical action which merges dance, theatre, music, and cinema, heightening physicality to create provocative storytelling. Their latest production at the Odyssey Theatre, Going Mad: Alice in Hollywoodland, was written by Richard Alger and directed by…
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Theater Review: THE NIGHT AUDITOR (Seat of Your Pants Productions at The Madnani Theater)
TIME TO CHECK-IN TO HOT L HOLLYWOOD Written by Roger Mathey based on his own personal experience working in a three-star hotel in Los Angeles for over a decade, The Night Auditor takes place during the graveyard shift in a seedy Hollywood hotel that attracts the outcasts of society. The stories are all based on…
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Theater Review: SINGULARITIES OR THE COMPUTERS OF VENUS (World Premiere at Road Theatre)
WOMEN AND SPACE: THE JOURNEY SO FAR The World Premiere of Singularities or the Computers of Venus, written and directed by Laura Stribling, runs through Sunday, June 2 at The Road Theatre in North Hollywood. Set in three different time periods from 1789 through the present, it examines the lives of women astronomers as they…
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Theater Review: HIGH MAINTENANCE (The Road Theatre)
IT’S MAN AGAINST AI IN MAINTENANCE With the current threat of AI-generated digital characters taking over roles portrayed by human actors, it’s timely for Peter Ritt to comically explore this hot topic in his new play High Maintenance at The Road Theatre Company in North Hollywood Directed with insightful clarity by Stan Zimmerman this world premiere…
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Theater Review: THE HOPE THEORY (Geffen Playhouse)
HOPE IS A WAKING DREAM — Aristotle Close-up magic by master illusionist, storyteller and seeming mind-reader Helder Guimarí£es is mesmerizing and dazzling in The Hope Theory, an 80-minute wonderment which opened last Friday. This is his fourth collaboration with EGOT award-winning director/producer Frank Marshall at Geffen Playhouse in Westwood (Invisible Tango, The Present streamed during the…
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Theater Review: HAMLET (Long Beach Playhouse)
THE DECONSTRUCTED PLAY’S THE THING William Shakespeare’s Hamlet recounts the story of the ghost of Denmark’s murdered king who wants his son, Prince Hamlet, to kill his uncle Claudius, the man who murdered the king to seize the throne and marry Hamlet’s mother. Long considered one of the world’s greatest tragedies, it delves into Hamlet’s…
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Theater Review: MONSTERS OF THE AMERICAN CINEMA (Rogue Machine at the Matrix Theatre
A MONSTER MASH Like most boomers, I was raised watching black-and-white horror movies. Both frightening and amusing, those giant ants, grasshoppers and spiders attacking some innocent town were the best action movies back in the day. And once seen, the major monsters — King Kong, Godzilla, The Blob, Frankenstein, Dracula, et al. — are not forgotten. In…
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Theater Review: KING (Pat Kinevane at the Odyssey)
A ROYAL KING From the moment Irish actor extraordinaire Pat Kinevane appears out of the darkness as if in a dream, his lithe body moving as seductively as a snake into a sexy Argentine Tango, you will be entranced to meet Luther, a lonely Elvis Impersonator looking for love in all the wrong places. Taking…
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Theater Review: OPHELIA (World Premiere at the Odyssey)
I FEEL YA, OPHELIA Acclaimed playwright, director, and actor Stefan Marks has outdone himself taking on three roles in his World Premiere play Ophelia, now at the Odyssey Theatre through May 18. It’s a tale of family history, the journey to find love, the heartbreak of dementia, struggling to forgive yourself for past mistakes, and…
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Theater Review: THE WITNESS ROOM (The Whitefire Theatre in Sherman Oaks)
WITNESSES FOR THE PROSECUTION Taking place within the confines of a witness room in Manhattan Criminal Court, four obdurate NYPD officers who have “done all this before and know what to say” are coached by the Prosecuting Attorney, who is fact-checking their testimony prior to a drug suppression hearing. She has instructions on what they…
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Theater Review: A VIEW FROM THE BRIDGE (Theatre Palisades)
A VIEW TO GREAT THEATER Theatre Palisades has a hit on their boards with a true-to-life production of Arthur Miller’s landmark drama from 1955, A View from the Bridge, sharply directed by Cate Caplin. What stands out in 2024 about this primal script is how much Miller anticipates today’s xenophobic anti-immigrant witch hunts ’” rancor…
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Theater Review: THE BESPOKE OVERCOAT (Pacific Resident Theatre in Venice)
FOR THEATERGOERS DESIRING A COAT OF LOVE, THIS SHOW IS BESPOKEN FOR Sometimes friends or even co-workers can become more like family than your relatives. Such is the case in Wolf Mankowitz’s The Bespoke Overcoat, inspired by Nikolai Gogol’s famous short story “The Overcoat“ about a long-suffering, poor warehouse clerk who seeks to obtain a…
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Theater Review: THREE (Playwrights Arena and the Los Angeles LGBT Center at The Davidson/Valentini Theatre)
A FASCINATING DIVERSE UPDATE TO CHEKHOV’S THREE SISTERS In 1900, Anton Chekhov wrote the play Three Sisters, centering around siblings both very similar and remarkably different who grew up in Moscow but now reside out on a country while longing to return to the more exciting lives they led in the big city. Told over…
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Theater Review: STRANGERS ON A TRAIN (Theatre 40 in Beverly Hills)
YOU MIGHT WANNA MISS THIS TRAIN Alfred Hitchcock’s 1951 psychological film noir thriller Strangers on a Train, which he directed and produced to mixed reviews, was based on the 1950 novel of the same name by Patricia Highsmith. But since then, the film has been regarded much more favorably; and in 2021 was selected for preservation…
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Interview: ANN HEARN TOBOLOWSKY (Director of MERCURY at Road Theatre Company)
ANN HEARN TOBOLOWSKY RAISES THE TEMPERATURE ON LOS ANGELES THEATER I have been following the work of extraordinary director Ann Hearn Tobolowsky at Theatre 40 in Beverly Hills for quite some time, including The Half Light, Incident at Our Lady of Perpetual Help, Â Silent Sky, Good People, As Good As Gold, Bus Stop, Holy Days, Â Driving Miss…
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Theater Review: AIN’T MISBEHAVIN’ (Laguna Playhouse)
THE JOINT IS, INDEED, JUMPIN’ The musical revue Ain’t Misbehavin’ is a sizzling celebration of Fats Waller’s music ’” songs that he made famous in a career that ranged from uptown clubs to downtown Tin Pan Alley to Hollywood and concert stages around the world. This delightful revue evokes the humor and infectious energy of…
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Theater Interview: CHELSEA SUTTON (Rogue Artists Ensemble Associate Artistic Director on “Carousel of Fools” at Santa Monica Pier on January 25, 2024)
Playwright, fiction writer, director, and immersive experience creator for weird, fantastical artistic ventures Chelsea Sutton has always had a very unique sense of humor. Hearing of her involvement presenting Rogue Artists Ensemble’s upcoming benefit at the Santa Monica Carousel and Pier, Stage and Cinema‘s Shari Barrett decided to speak with her about her vision for the…
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Theater Review: THE RUB (Anzu Lawson)
A HIDDEN HOLLYWOOD CAREER AS A MASSEUSE FOR CELEBRITIES For years, Anzu Lawson’s managers and friends had been urging her to write about her own life after performing as Yoko Ono and writing Dear Yoko, one of several of her own original plays and musicals. And though she had been pitching The Rub as a…
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Off-Broadway Review: THE MONSTERS (Manhattan Theatre Club at NY City Center)
by Alex Simmons | February 11, 2026
in New York, TheaterTheater Review: THREE COCONUTS (West Coast Jewish Theatre in Santa Monica)
by Judson Feder | February 11, 2026
in Los Angeles, TheaterBoston Theater Review: LITTLE WOMEN (Actors’ Shakespeare Project)
by Lynne Weiss | February 10, 2026
in Boston, TheaterTheater Review: MY LIFE AS A COWBOY (North American Premiere at Open Space Arts)
by Croydon Fernandes | February 9, 2026
in Chicago, TheaterTheater Review: MY SON THE PLAYWRIGHT (Rogue Machine)
by Michael Landman-Karney | February 9, 2026
in Los Angeles, TheaterTheater Review: CAMP MORNING WOOD (Prism Theater in Palm Springs)
by Stan Jenson | February 9, 2026
in Palm Springs
(Coachella Valley), TheaterTheater Review: THE IRISH … AND HOW THEY GOT THAT WAY (Porchlight Music Theatre)
by Croydon Fernandes | February 8, 2026
in Chicago, Theater

















