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Shari Barrett
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Theater Review: TINY FATHER (Geffen Playhouse)
GOOD LESSONS COME IN SMALL PACKAGES Sometimes life throws you for a loop when fun times take a turn in unexpected ways, changing your whole life in an instant. Such is the story at the center of the 90-minute two-hander tiny father, written by Mike Lew (Tiger Style!), and directed by Moritz von Stuelpnagel at…
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Opera Review: THE COMET/POPPEA (MOCA and The Industry at the Geffen Contemporary Museum at MOCA)
What do you do when the world is on fire and you are only one of two people seemingly left alive? How do you learn to survive when your backgrounds pull you apart? Or how does a powerful woman survive the patriarchy of ancient Rome? No, it’s not an episode of The Twilight Zone; it’s…
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Theater Review: DURAN DURANTONY & CLEOPATRA (Troubadour Theater Company at the Colony Theatre in Burbank)
NICE ASP! Troubadour Theater Company is a free-wheeling, no holds barred, commedia dell’arte-flavored, slapstick-driven Los Angeles based ensemble of actors, musicians, and comedians that has been performing for audiences throughout Southern California and beyond since 1995. Their fast-paced, laugh-filled, loose adaptations (some of the original lines are still there) of classic plays, literature, and film,…
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Theater Review: IT’S ONLY A PLAY (Torrance Theatre Company)
FRANTIC ANTICS FUEL THE HUMOR Terrence McNally updated his 1986 Off-Broadway comedy It’s Only a Play for Broadway in 2014 featuring an all-star cast including F. Murray Abraham, Matthew Broderick, Stockard Channing, Nathan Lane, and Megan Mullally. It’s a farcical, devilishly witty look behind the scenes at the opening night party of a play whose cast,…
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Exhibit Review: HOLLYWOODLAND: JEWISH FOUNDERS AND THE MAKING OF A MOVIE CAPITAL (Academy Museum of Motion Pictures)
GIVING JEWISH IMMIGRANTS AND FILM FOUNDERS THEIR DUE — PERMANENTLY As its first permanent exhibition, The Academy Museum of Motion Pictures is presenting Hollywoodland: Jewish Founders and the Making of a Movie Capital which tells the origin story of filmmaking in early 20th-century Los Angeles, spotlighting the impact of the predominantly Jewish filmmakers whose establishment…
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Theater Review: TOPSY TURVY: A MUSICAL GREEK VAUDEVILLE (World Premiere at The Actors’ Gang)
YOU’RE THE TOPSY TURVY During the forced shutdown of theaters due to the COVID pandemic, The Actors’ Gang in Culver City kept its employees on salary and health insurance, adapted their outreach programs in schools and prisons to a virtual format, and continued workshops with its actors online. The group’s Artistic Director Tim Robbins shared,…
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Theater Review: THE EXPLORER’S CLUB (Theatre 40 in Beverly Hills)
A PLAY NOT WORTH EXPLORING Doggedly determined to fight yesterday’s battles, Nell Benjamin’s farce The Explorers Club manically mocks the heyday of male British explorers. Fuddy-duddy adventure seekers with aboriginal blood on their hands, these intrepid trekkers did a lot more than find the source of the Nile; they blazed a trail for imperialism, colonialism, racism and misogyny….
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Theater Review: UNSAVORY FELLOW (Ruskin Group Theatre)
UNSAVORY IS SAVORY INDEED Those of us who grew up on the Westside of Los Angeles certainly remember hanging out on the Venice and Santa Monica beaches when we were kids. Times then were as innocent as we were, and our parents had no fear that predators were lurking about trying to do us harm….
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Theater Review: STALIN’S MASTER CLASS (Odyssey Theatre)
A DICTATOR DICTATES MUSIC IN STALIN’S MASTER CLASS In a time when politics collide with state and federal budgets for the arts, Stalin’s Master Class — a wildly comic, music-filled ride by British playwright David Pownall — is all too relevant for today’s audiences. Odyssey Theatre Ensemble founding artistic director Ron Sossi helms with his unique…
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Theater Review: GOING MAD: ALICE IN HOLLYWOODLAND (Odyssey Theatre)
MAD ABOUT GOING MAD Los Angeles-based Theatre Movement Bazaar is dedicated to developing a unique style of theatre rooted in physical action which merges dance, theatre, music, and cinema, heightening physicality to create provocative storytelling. Their latest production at the Odyssey Theatre, Going Mad: Alice in Hollywoodland, was written by Richard Alger and directed by…
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Theater Review: THE NIGHT AUDITOR (Seat of Your Pants Productions at The Madnani Theater)
TIME TO CHECK-IN TO HOT L HOLLYWOOD Written by Roger Mathey based on his own personal experience working in a three-star hotel in Los Angeles for over a decade, The Night Auditor takes place during the graveyard shift in a seedy Hollywood hotel that attracts the outcasts of society. The stories are all based on…
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Theater Review: SINGULARITIES OR THE COMPUTERS OF VENUS (World Premiere at Road Theatre)
WOMEN AND SPACE: THE JOURNEY SO FAR The World Premiere of Singularities or the Computers of Venus, written and directed by Laura Stribling, runs through Sunday, June 2 at The Road Theatre in North Hollywood. Set in three different time periods from 1789 through the present, it examines the lives of women astronomers as they…
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Theater Review: HIGH MAINTENANCE (The Road Theatre)
IT’S MAN AGAINST AI IN MAINTENANCE With the current threat of AI-generated digital characters taking over roles portrayed by human actors, it’s timely for Peter Ritt to comically explore this hot topic in his new play High Maintenance at The Road Theatre Company in North Hollywood Directed with insightful clarity by Stan Zimmerman this world premiere…
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Theater Review: THE HOPE THEORY (Geffen Playhouse)
HOPE IS A WAKING DREAM — Aristotle Close-up magic by master illusionist, storyteller and seeming mind-reader Helder Guimarí£es is mesmerizing and dazzling in The Hope Theory, an 80-minute wonderment which opened last Friday. This is his fourth collaboration with EGOT award-winning director/producer Frank Marshall at Geffen Playhouse in Westwood (Invisible Tango, The Present streamed during the…
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Theater Review: HAMLET (Long Beach Playhouse)
THE DECONSTRUCTED PLAY’S THE THING William Shakespeare’s Hamlet recounts the story of the ghost of Denmark’s murdered king who wants his son, Prince Hamlet, to kill his uncle Claudius, the man who murdered the king to seize the throne and marry Hamlet’s mother. Long considered one of the world’s greatest tragedies, it delves into Hamlet’s…
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Theater Review: MONSTERS OF THE AMERICAN CINEMA (Rogue Machine at the Matrix Theatre
A MONSTER MASH Like most boomers, I was raised watching black-and-white horror movies. Both frightening and amusing, those giant ants, grasshoppers and spiders attacking some innocent town were the best action movies back in the day. And once seen, the major monsters — King Kong, Godzilla, The Blob, Frankenstein, Dracula, et al. — are not forgotten. In…
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Theater Review: KING (Pat Kinevane at the Odyssey)
A ROYAL KING From the moment Irish actor extraordinaire Pat Kinevane appears out of the darkness as if in a dream, his lithe body moving as seductively as a snake into a sexy Argentine Tango, you will be entranced to meet Luther, a lonely Elvis Impersonator looking for love in all the wrong places. Taking…
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Theater Review: OPHELIA (World Premiere at the Odyssey)
I FEEL YA, OPHELIA Acclaimed playwright, director, and actor Stefan Marks has outdone himself taking on three roles in his World Premiere play Ophelia, now at the Odyssey Theatre through May 18. It’s a tale of family history, the journey to find love, the heartbreak of dementia, struggling to forgive yourself for past mistakes, and…
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Theater Review: THE WITNESS ROOM (The Whitefire Theatre in Sherman Oaks)
WITNESSES FOR THE PROSECUTION Taking place within the confines of a witness room in Manhattan Criminal Court, four obdurate NYPD officers who have “done all this before and know what to say” are coached by the Prosecuting Attorney, who is fact-checking their testimony prior to a drug suppression hearing. She has instructions on what they…
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Theater Review: A VIEW FROM THE BRIDGE (Theatre Palisades)
A VIEW TO GREAT THEATER Theatre Palisades has a hit on their boards with a true-to-life production of Arthur Miller’s landmark drama from 1955, A View from the Bridge, sharply directed by Cate Caplin. What stands out in 2024 about this primal script is how much Miller anticipates today’s xenophobic anti-immigrant witch hunts ’” rancor…
Interview: DAVID SERERO (director of “Tovah,” a documentary about Tovah Feldshuh)
by Shari Barrett | August 31, 2026
in Film, Interviews, Los AngelesMusic Preview: PACIFIC JAZZ ORCHESTRA BENEFIT CONCERT (October 10, 2026 | L.A.)
by pwsadmin | August 30, 2026
in Los Angeles, MusicTheater Review: ADOLESCENT SALVATION (Theater Wit / Chicago)
by Croydon Fernandes | August 29, 2026
in Chicago, TheaterDance Preview: GLORYA KAUFMAN PRESENTS DANCE AT THE MUSIC CENTER 2026–27 (L.A.)
by pwsadmin | August 28, 2026
in Dance, Los AngelesTheater Preview: KAIJU (The Road Theatre Company & BroadStage / Los Angeles)
by pwsadmin | August 28, 2026
in Los Angeles, TheaterDance Preview: DRACULA, A DARK SHADOW (State Street Ballet / Santa Barbara)
by Gregory Bernard | August 28, 2026
in Dance, Los Angeles, RegionalTheater Review: BEING PIAF (Odyssey Theatre Ensemble / Los Angeles)
by Ernest Kearney | August 27, 2026
in Los Angeles, Theater



















