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Tom Chaits
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Los Angeles Theater Review: TAKE ME OUT (Plus One Productions at the Flight Theatre)
A SWING AND A MISS Theater, like baseball, is a team sport. To reign triumphant and put a tick in the “W” box, all the players must be at the top of their game. When everyone hits a home run its magic, but even if a few players are having an off day, check the…
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Los Angeles Theater Review: THE MYSTERY OF IRMA VEP (Falcon Theatre in Burbank)
DREADFUL AT ANY PRICE Back in the1800s, the Industrial revolution was in full swing in merry ole England. The working class was becoming more educated and printing was becoming more affordable. To quench the thirst of the masses for every day diversions, “penny dreadfuls” hit the scene. These serialized fictional publications, sold for a penny,…
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Los Angeles Theater Review: THE HOMOSEXUALS (Celebration Theatre at Atwater Village Theatre)
ROLE REVERSAL For its inaugural production at its new temporary home in Atwater Village, the Celebration Theatre has mounted The Homosexuals (pun intended). As one might glean from the title, Philip Dawkins’ play deals with the trials and tribulations of a group of gay friends and, of course, their self-proclaimed requisite “fag-hag.” In essence it’s…
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Los Angeles Theater Review: DR. JEKYLL AND MR. HYDE (Actors Co-op in Hollywood)
HYDE IN PLAIN SIGHT Actors Co-op does it again! Last year’s re-imagining of The World Goes ‘Round was musical perfection and this year’s Ah, Wilderness! was a sentimental delight. Now Dr. Jekyll & Mr. Hyde crosses genres mastering the macabre and mysterious in an equally mesmerizing manner. Adapted by Jeffrey Hatcher from the Robert Louis Stevenson novella Strange…
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Los Angeles Theater Review: WAIT UNTIL DARK (Geffen Playhouse in Westwood)
AN EASY PILL TO SWALLOW Thrillers are always a tough act to pull off in the theater which is why they are so rarely produced. When the show is a revival (or reworking as it is here) and it has been turned into a widely seen motion picture the ability to involve, surprise and shock…
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Los Angeles Theater Review: DELUSION: MASQUE OF MORTALITY (Bethany Presbyterian Church in Silverlake)
HOLY HORROR It’s that that time of year again when everyone and their brother is looking to scare the crap out of you. To that end, The Original Interactive Horror Theatre Company is back to terrorize their patrons with Delusion: Masque of Mortality. Last year they presented the highly successful Delusion: The Blood Rite at a…
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Los Angeles Theater Review: THE LIGHT BULB (NoHo Arts Center in North Hollywood)
SAY WATT? While it is probably safe to assume that the NoHo Arts Center Ensemble’s “playwright in residence,” Joshua Ravetch, had some bright idea in mind when writing The Light Bulb, I must admit that after sitting through the uninterrupted 90 minutes I was left totally in the dark. Try though I did, I simply…
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Los Angeles Theater Review: THE BURNT PART BOYS (Third Street Theatre)
SHAFTED! There’s a story to be mined in “them thar” hills of West Ver-ginny but unfortunately The Burnt Part Boys, making its west coast premiere at the Third Street Theatre, doesn’t dig deep enough to unearth it. The West Coast Ensemble Theater has ventured below ground before with their award-winning production of Floyd Collins back…
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Los Angeles Theater Review: BLUE MAN GROUP IN CONCERT (Hollywood Bowl)
BLUE MAN GROUP GETS BOWLED OVER International phenomenon Blue Man Group (BMG) made their Hollywood Bowl debut on Friday in a wildly uneven yet ultimately entertaining evening ranging from moments of true wonderment to “what were they thinking?” befuddlement. The theme of the night was FUN and Principal Guest Conductor Thomas Wilkins and members of LA Phil’s…
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Los Angeles Theater Review: RAPTURE, BLISTER, BURN (Geffen Playhouse)
THE GRASS IS ALWAYS GREENER:OR IS IT? Smart, funny and thought-provoking, Rapture, Blister Burn has arrived at the Geffen Playhouse in Westwood with the original New York cast in tow. Written by Gina Gionfriddo (Pulitzer Prize finalist for Becky Shaw) the show puts a new spin on the often beaten to death themes of gender…
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Los Angeles Theater Review: REVELATION (Elephant Theatre Company in Hollywood)
RUPTURED RAPTURE Attending the opening night of a comedy at one of the smaller 99 seat theaters in Los Angeles can be problematic. In addition to a minute smattering of critics and avid theatergoers, the audience is primarily made up of friends of the cast and members of the theater company. Therein lies the rub. …
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Los Angeles Theater Review: THE JUDY SHOW: MY LIFE AS A SITCOM (Geffen Playhouse in Westwood)
IT IS WHAT IT IS Set your “expectation meter” in the mid-range and you will probably enjoy The Judy Show: My Life as a Sitcom starring comedienne Judy Gold. However, if you enter the theater high on anticipation expecting to be wowed you will more than likely be disappointed. The bottom line is that “it…
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Los Angeles Theater Review: WATSON AND THE DARK ART OF HARRY HOUDINI (Sacred Fools)
JEKYLL AND HYDE DIRECTION MAKES THE MAGIC DISAPPEAR IN WATSON AND THE DARK ART OF HARRY HOUDINI Writer/Director Jaime Robledo follows up his award-winning smash hit Watson: The Last Great Tale of the Legendary Sherlock Holmes (reviewed here) with a world premiere sequel Watson and the Dark Art of Harry Houdini at the Sacred Fools Theater…
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Los Angeles Theater Review: DYING CITY (Rogue Machine Theatre)
ALIVE WITH AMBIGUITY If you require a neat and tidy ending, a feeling of clarity, and a sense of completion to insure your theatrical enjoyment, then Dying City – making its Los Angeles premiere at the Rogue Machine Theatre —is not for you. If on the other hand you appreciate that a life examined offers…
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Los Angeles Theater Review: THE NORTH PLAN (The Elephant Space in Hollywood)
THE NORTH PLAN STARTS ON COURSE THEN GOES SOUTH A ruthless splinter group has seized power in Washington and a low level bureaucrat who has escaped with the new regime’s “hit list” is on the lam and heading for a backwoods Missouri town in Jason Wells’ political satire. The North Plan, now playing at The…
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Los Angeles Theater Review: THE ROYALE (Center Theatre Group at the Kirk Douglas Theatre)
THE ROYALE PACKS A PUNCH SLAP There are many things to recommend about The Royale, currently making its World Premiere at the Kirk Douglas Theatre. The staging is brilliant, the fight choreography mesmerizing, the lighting stunning, the music and sound enthralling, and many of the performances are excellent. So what then prevents this drama from…
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Los Angeles Theater Review: ANNAPURNA (Odyssey)
A ROCKY ROCKY MOUNTAIN ROMANCE In mountaineering lingo, “committing†refers to forcing yourself into a place of no return leaving nowhere to go but forward; and so it is with life, loss and love in Sharr White’s (The Other Place*) two-hander, Annapurna, making its Los Angeles premiere courtesy of the Odyssey Theatre. A drama with…
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Los Angeles Music Review: LE SALON DE MUSIQUES: Season 3, Concert 7 (Dorothy Chandler Pavilion)
AFTERNOON DELIGHT Some people indulge in “culture” because they think that’s what they are supposed to do. They will slog their way through hours of highbrow offerings on PBS, slumber through a symphony or sit stupefied by a Shakespearian epic all because it makes them feel intellectually superior. The only problem is they aren’t having…
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San Diego Theater Review: A GENTLEMAN’S GUIDE TO LOVE AND MURDER (The Old Globe Theatre)
CHARM GALORE WITH A SIDE OF CHARM THROWN IN FOR GOOD MEASURE A Gentleman’s Guide to Love and Murder is a captivatingly charming affair. Set in Edwardian England, the west coast premiere is loosely based on Roy Horniman’s Israel Rank: The Autobiography of a Criminal, which was adapted for the screen as the 1949 black…
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Los Angeles Theater Review: TRAINSPOTTING (Elephant Theatre in Hollywood)
TRAINSPOTTING IS ON THE RIGHT TRACK Whether L.A. theatergoers are ready or not, seat of your pants Productions has resurrected it’s much ballyhooed 2002 mounting of Henry Gibson’s Trainspotting at the Elephant Theatre in Hollywood and while much of its power remains intact, it is definitely not for the squeamish. All matter of human excrement…
Music Review: NELLIE McKAY (City Vineyard)
by Rob Lester | April 29, 2026
in Cabaret, New YorkOff-Broadway Review: BROKEN SNOW (Theatre 71)
by Gregory Fletcher | April 28, 2026
in New York, TheaterTheater Review: THE SECRET SHARER (DNAWorks at Emerson Paramount Center)
by Lynne Weiss | April 27, 2026
in Boston, TheaterBroadway Review: JOE TURNER’S COME AND GONE (Barrymore Theatre)
by Paola Bellu | April 25, 2026
in New York, Theater



















