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Tony Frankel
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Theater Review: THE BOY IN THE BATHROOM (Orange County)
A SHOW IN HOT WATER The Chance Theater is the best and most enterprising small theatre in Orange County; under the guidance of managing director Casey Long and co-founder and current artistic director Oanh Nguyen, the Chance produces new, challenging, and rarely seen works with astounding professionalism. Nguyen brings a brilliant interpretation to the shows…
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Theater Review: BURN THE FLOOR (L.A. – Hollywood)
FOXY TROT There are three reasons to attend Burn the Floor – the heart-pounding Ballroom Dance Sextravaganza now throbbing and thumping on the boards at the Pantages: one, the sexiest bodies this side of Mount Olympus; two, the astounding choreography of Jason Gilkison; and, three, the sexy bodies. Plus, an added benefit would be the…
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Los Angeles Theater Review: I NEVER SANG FOR MY FATHER (New American Theatre)
I SING THE THEATER ELECTRIC Any mental notes I had regarding I Never Sang For My Father at The McCadden Place Theatre disappeared just after curtain call. I was haunted by thoughts of my own father, who passed away several years ago; vivid images, conversations and arguments came rushing back to me with bemusement –…
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Los Angeles Theater Review: LITTLE ME (Musical Theatre Guild)
HOW THE HELL DO THEY DO IT? Ah, celebrity. If you think that the headlining of television stars in Broadway musicals is a new phenomenon, check out the action in the early 1960s: brassy redhead Lucille Ball took to the oilfields when she bankrolled  Wildcat while, two weeks later, top banana Phil Silvers topped the bill…
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Theater Review: A WEEKEND WITH PABLO PICASSO (Los Angeles Theater Center)
THE ACTOR AND THE ARTIST: TWO MASTERS AT WORK AND PLAY What a joy it is to watch the Los Angeles Theatre Center roar back to life. Once considered a dodgy neighborhood, the Historic Core has become the center of downtown’s magnificent gentrification. The area is now a haven of lofts, art galleries and restaurants;…
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Theater Review and Commentary: THE CHAIRS (A Noise Within) & ENDGAME (Sacred Fools)
WHAT AN ABSURD TIME: EXISTENTIALISM 101 & THEATRE OF THE ABSURD You’re watching a play but you have no idea what’s happening. There is no plot, the dialogue is gobbledygook, and characters are filled with despair, yet you are told that this is Theatre of the Absurd, one of the milestones in modern drama. Still…
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Los Angeles Theater Review: THE TEMPERAMENTALS (Blank Theatre Company in Hollywood)
NOT SO WILD ABOUT HARRY Harry Hay and The Temperamentals’â€a play based on his activism during the infancy of gay liberation’â€have much in common: fascinating but peculiar; intriguing but repellent; well-intentioned but manipulative; imaginative but misguided. Hay, who died in 2002, is best known as the match that lit the conflagration of the modern gay…
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Theater Review: THE MERCHANT OF VENICE (Theatre for a New Audience National Tour)
THE PLAY’S NOT THE ONLY THING Reinterpreting the setting of Shakespeare’s plays for modern audiences will always be a subject for debate: purists believe that a play’s relevance lies in the time in which it was written; modernists believe that updating the visuals helps a contemporary audience connect to the Romantic language; still, others may…
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Los Angeles Theater Review: STANDING ON CEREMONY: THE GAY MARRIAGE PLAYS (Coronet)
AN EVENING OF DIVERSITY AND INCLUSIVENESS It was one of those magical nights in the theatre: a confluence of activism, sterling talent, and magnificent playwriting, made all the more joyous by the palpable sense of abundant generosity and community spirit. One hopes that Standing on Ceremony: The Gay Marriage Plays will become a mainstay of…
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Theater Review: THE ALL NIGHT STRUT (L.A.: North Hollywood)
SHOO SHOO BABY “How do you review The All Night Strut?†my theatre companion asked as we left The Colony Theatre. Well, you don’t. This short Cabaret-style evening of songs (culled from the Swinging Years) has no plot, no skits, no set changes, no characters, and no reality – it’s a superficial stab at recreating…
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Theater Review: A RAISIN IN THE SUN (Ebony Rep in L.A.)
UNCOMMON GRACE In order to validate his experience of a play, a reviewer should dissect and probe the components of a production, but once in a while a show comes along which catapults the human spirit to near nirvana. Such an outing dictates more than mere analysis – it requires a plea for your attendance….
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Theater Review: SUMMER OF LOVE (World Premiere at Carpenter Center for the Arts in Long Beach)
TAKING JUKEBOX MUSICALS TO TASK Grab those love beads and tie-dye shirts, smoke a bowl, and head down to Long Beach to hear kick-ass songs from the 60s and 70s delivered with professional gusto – songs which take you back to your early years when’¦wait, that’s too simple. Okay, how about this? In Summer of…
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Theater Review: BONDED (Los Angeles Theatre Center)
THE BOYS IN THE BOND Regarding his play bonded, Black playwright Donald Jolly has said that he is trying to lay claim to his own place in this world by using tales of his enslaved ancestors as a guide. In Jon Lawrence Rivera’s imaginative production of bonded, now on at Los Angeles Theatre Center, it is…
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Theater Review: RE-ANIMATORâ„¢ THE MUSICAL (Hollywood)
SON OF A HORROR FLICK How lucky we Angelenos are that Re-Animatorâ„¢ The Musical a funny, campy, thoroughly entertaining gore-fest, opened here before splattering itself on legions of cult-loving audiences around the country. Horror fans will love the grisly story, theatre fans will prick up their ears to an exciting composer/lyricist, and cultists will love…
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Theater Review: PRIVATE LIVES (Laguna Playhouse)
COWARD ON THE BEACH Noël Coward’s oft-produced classic Private Lives is indeed, as one of his characters states, jagged with sophistication. The story is of a divorced, fiercely contentious, and veddy British couple who, having reconnected on the honeymoon night of their new marriages, run off with each other to Paris, abandoning their respective spouses….
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–˜TIL DEATH DO US PART: LATE NIGHT CATECHISM 3 by Maripat Donovan – Carrie Hamilton Theatre at The Pasadena Playhouse – Los Angeles (Pasadena) Theater Review
AND THEN THERE WAS NUN ’˜Til Death Do Us Part: Late Night Catechism 3 is actually the fourth installment of Maripat Donovan’s phenomenally successful series of one-woman shows (a fifth is due later this year); in it, she portrays a nun in full habit, interactively teaching the audience – her Catechism class – on all…
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Los Angeles Theater Review: THE ADVENTURES OF PINOCCHIO (Deaf West Theatre in North Hollywood)
TOSS IT IN THE WOOD PILE One wonders if Deaf West Theatre’s production of The Adventures of Pinocchio could have ever taken off. This remarkably plodding production already has a strike against it by choosing the choppy adaptation by Billy Elliot’s Lee Hall: it’s a hodgepodge of children’s theatre, adult humor, and a series of…
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Tour Review: AVENUE Q (Pantages Theatre)
SHORT RUN, SHORT TOUR, SHORT REVIEW Avenue Q, the delightful musical comedy which affectionately lampoons Sesame Street, blows through town this week at The Pantages as part of a short National Tour. Â Robert Lopez and Jeff Marx (music and lyrics) have conceived a deceptively simple idea: what would happen if you were to incorporate Life…
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Off-Broadway Theatre Review: A JEW GROWS IN BROOKLYN (Jacqueline Kennedy Onassis Theater)
WHEN YOU’RE WITH JAKE, THE WHOLE WORLD IS JEWISH Various Jewish delis have a specialty known as mish mosh soup: it’s chicken soup with rice, noodles, Matzo Ball, kreplach, and kasha. Jake Ehrenreich’s solo outing A Jew Grows in Brooklyn is a mish mosh: stand-up comedy, instrumentals, audience participation, solo biographical show and more; individually,…
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Los Angeles Theater Review: SHE LOVES ME (Civic Light Opera of South Bay Cities)
WE LOVES IT I’ll be the first to admit that it may be impossible to create a bad production of the 1963 musical She Loves Me; this perfect show, based on the 1937 play Parfumerie by Miklos Laszlo, is so resplendent, so charming, and so well-constructed that a recent gathering of literati for New York…
Off-Broadway Review: THE MAIDS (St. Ann’s Warehouse / Brooklyn)
by Gregory Fletcher | May 27, 2026
in New York, TheaterTheater Review: AN ENEMY OF THE PEOPLE (TimeLine Theatre / Chicago)
by Croydon Fernandes | May 27, 2026
in Chicago, TheaterTheater Review: LE BAL (Trap Door Theatre / Chicago)
by Croydon Fernandes | May 26, 2026
in Chicago, Theater



















