Areas We Cover
Categories
Tony Frankel
-
Concert Review: ALISA WEILERSTEIN, THOMAS LARCHER & SCHUMANN (NY Phil; Nikolaj Szeps-Znaider, conductor)
A DREAM TURNS TO DARKNESS AND THEN INTO THE LIGHT At 11 AM on April 4, the NY Phil matinee cracked open with a live wire performance in a world premiere that left me breathless, if not a little rattled. Alisa Weilerstein is, without exaggeration, the most ferocious, almost feral, cellist I’ve ever seen live….
-
Highly Recommended Broadway: FLOYD COLLINS (Vivian Beaumont Theater at Lincoln Center)
I CAN’T CAVE ENOUGH In 1917, Kentucky cave explorer Floyd Collins discovered Crystal Cave. Located in the same area as Mammoth Cave—the longest cave system known in the world—the site operated as a tourist attraction by his family. In 1925, while searching for a new entrance to the hundreds of miles of interconnected caves, Collins…
-
Broadway Review: GLENGARRY GLEN ROSS (Palace Theatre)
SHARP AS EVER, BUT DOES IT CUT DEEP ENOUGH? OR, IF YOU WANT BIGGER SHARKS, YOU NEED MORE BLOOD IN THE WATER Glengarry Glen Ross is a testosterone-saturated 24 hours of five salesmen, some metaphorically dying like Willie Loman–others who go home at night and live, no doubt, in a shark tank. Their best sales…
-
Off-Broadway Review: LAST CALL (New World Stages)
A WAR OF WORDS BETWEEN BERNSTEIN AND VON KARAJAN… AND THE AUDIENCE LOSES Peter Danish‘s Last Call at New World Stages imagines a high-stakes intellectual showdown between two musical titans—Leonard Bernstein and Herbert von Karajan—in Sacher Hotel’s Blaue Bar in Vienna, 1988. On paper, this has the makings of an electrifying clash: a liberal Jewish…
-
Dance Review: HUBBARD STREET DANCE CHICAGO (The Joyce Theater in New York City)
HUBBA-HUBBA HUBBARD STREET “It’s not magic, but it should seem like it is.” That advice came from a veteran jazz musician in the 1930s as he counseled a young aspiring player. In many ways, that nugget of truth applies to the world as dance as well. Closing in on its fifth decade, few contemporary dance…
-
Theater Review: THE UNRAVELING (Ghost Road Theatre)
LOOM WITH A VIEW Ghost Road Theatre’s The Unraveling pulls you into its strange, hypnotic orbit and doesn’t let go. This is a truly original work with some breathtaking theatrical coups. Ann Noble is mesmerizing as Susan, a reclusive former professor who loved teaching Homer’s epic poem The Odyssey, but modern-day students and their ever-present…
-
Broadway Review: PURPOSE (The Hayes Theater)
HERE’S A BROADWAY SUCCESS THAT ALSO BRIMS WITH PURPOSE Branden Jacobs-Jenkins’ doesn’t just expose the cracks in a so-called perfect life—he shines a floodlight on them. Except for a few sequences, Purpose, his triumphant new work which opened March 17, is not earth-shattering—yet it’s extremely consequential. Here’s a writer who can create a topical play…
-
Off-Broadway Review: WE HAD A WORLD (Manhattan Theatre Club World Premiere by Joshua Harmon at NY City Center)
WE HAD A BALL Manhattan Theatre Club’s We Had a World is an unconventional modern-day three-hander memory play that covers roughly 30 years. Our diarist, memoirist, and damn funny playwright Joshua Harmon is trying to make sense of a real-life senseless event at a Passover dinner, but what he creates–with himself as the protagonist Joshua…
-
Broadway Review: BUENA VISTA SOCIAL CLUB (Gerald Schoenfeld Theatre)
FROM HAVANA TO BROADWAY: A SOCIAL CLUB WORTH JOINING Buena Vista Social Club is a sun-drenched, rhythm-soaked explosion of life, proving that sometimes a show just needs space to breathe—and in this case, to raise the roof. After its more intimate Off-Broadway run at The Atlantic, this production has found its true home on the…
-
Restaurant Review: ELEMENTA (The Gallery in DTLA)
A FANCY DINNER THAT’S ACTUALLY FUN Let’s be honest—multi-sensory dining experiences can sometimes feel like a high-concept science experiment where you’re not sure if you’re supposed to eat the food or just appreciate its existence. But Elementa at The Gallery in DTLA at Olive and Olympic? This is one of those rare dinners where the…
-
Off-Broadway Review: HAVE YOU MET JANE GOODALL AND HER MOTHER? (Ensemble Studio Theatre)
WIT, WONDER AND WILD CHIMPS Embarking on a theatrical safari at the Ensemble Studio Theatre (EST), I stumbled upon a wildly witty gem tonight that rivals the most exhilarating of jungle adventures. Some plays lecture. Others live. Have You Met Jane Goodall and Her Mother? is the latter—a marvel of a comedy that doesn’t just…
-
Highly Recommended Dance: 15th ANNUAL WINNING WORKS CHOREOGRAPHIC COMPETITION (The Grainger Academy of The Joffrey Ballet)
The Grainger Academy of The Joffrey Ballet’s 15th annual Winning Works Choreographic Competition is set to showcase five world premieres that are guaranteed to stir things up. This annual event, which highlights ALAANA (African, Latinx, Asian, Arab, and Native American) choreographers, gives a fresh platform to voices that are shaping the future of ballet. With…
-
Theater Review: FROU-FROU: A MENAGERIE OF SORTS (Boston Court in Pasadena)
A MENAGERIE GONE MAD–IN THE BEST WAY Boston Court has never been a company to play it safe, and John Anthony Loffredo‘s world premiere of Frou-Frou: A Menagerie of Sorts is no exception. Inspired by The Glass Menagerie, it starts with Tennessee Williams’ delicate world of longing and repression—then gleefully smashes it to bits, rebuilding…
-
Theater Review: BAT BOY: THE MUSICAL (Open Fist)
OPEN FIST’S BAT BOY SINKS ITS TEETH IN — AND DOESN’T LET GO Bat Boy: The Musical has returned to Los Angeles with a vengeance. This outrageous comedy/horror Off-Broadway musical, which originated right here in L.A. at The Actors Gang in 1997, is a campy, off the wall delight. And in the claws, er, hands of…
-
Theater Review: WEST SIDE STORY (The Nocturne Theatre)
The Nocturne Theatre’s West Side Story proves that “professional community theatre” can still hit you in the gut like a Broadway-caliber production. With a book by Arthur Laurents, music by Leonard Bernstein, and lyrics by Stephen Sondheim, this reimagined staging of the 1957 classic was innovation on steroids, making full use of its in-the-round setup,…
-
Concert Review: MAHLER’S SEVENTH SYMPHONY (Gustavo Dudamel with the LA Phil)
SEVENTH HEAVEN Nothing prepares you for the sheer spectacle of Mahler’s Seventh Symphony live. A staggering number of musicians packed the Walt Disney Concert Hall stage Saturday afternoon March 1—extra brass, two harps, tuba, and an enormous array of percussion, including cowbells which rang from the rafters—Mahler’s version of “more is more.” And at the…
-
Theater Review: I LOVE YOU BECAUSE (Chromolume Theatre at the Zephyr Theatre)
I COULD’VE LOVED YOU BECAUSE Chromolume Theatre’s production of I Love You Because at the Zephyr Theatre tries to charm, but struggles under the weight of a broad acting style and a perplexingly monotonous book. A modern musical twist on Pride and Prejudice set in New York City, this 2006 show boasts delightfully bouncy 1980s-style…
-
Concert Review: VIKINGUR ÓLAFSSON AND YUJA WANG (Recital at Disney Hall)
THE DYNAMIC DUO Víkingur Ólafsson and Yuja Wang’s Disney Hall duo recital on February 26 wasn’t just a concert—it was a spectacle of sheer pianistic brilliance, a conversation between two of the most electrifying musicians of our time. This highly anticipated concert, part of their collaborative tour, showcased a program that spanned a diverse range…
Off-Broadway Review: THE MAIDS (St. Ann’s Warehouse / Brooklyn)
by Gregory Fletcher | May 27, 2026
in New York, TheaterTheater Review: AN ENEMY OF THE PEOPLE (TimeLine Theatre / Chicago)
by Croydon Fernandes | May 27, 2026
in Chicago, TheaterTheater Review: LE BAL (Trap Door Theatre / Chicago)
by Croydon Fernandes | May 26, 2026
in Chicago, Theater



















