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Los Angeles
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Exhibit Review: MACHINE DREAMS: RAINFOREST (DATALAND / Los Angeles)
ALL SENSATION, LITTLE REVELATION A high-tech amusement park disguised as a museum. While the world loses its collective mind over artificial intelligence’s encroachment on every facet of our lives, with calls to restrict AI, Refik Anadol Studio has plunged wholeheartedly in the opposite direction with the opening of DATALAND, the world’s first Museum of AI…
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Theater Review: ANOTHER DISTRACTION FROM THE EPSTEIN FILES (Hollywood Fringe Festival)
THE POLITICS OF MARRIAGE Strong writing and performances outweigh a staging that plays it safe The worst that can be said of Ray Richmond‘s Another Distraction From the Epstein Files at Bad Ladder is that it’s not very “fringy.” Richmond’s smart two-hander is a homage to the works of Clifford Odets (1906–1963), a classic kitchen…
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Exhibit Review: MARILYN MONROE: HOLLYWOOD ICON (Academy Museum of Motion Pictures / LA)
THE ART OF BEING MARILYN The woman, the myth, and the image she carefully controlled Superstar Marilyn Monroe was born one hundred years ago this summer. In honor of the centennial of her birth, the Academy Museum of Motion Pictures presents Marilyn Monroe: Hollywood Icon, now on display through Feb. 28, 2027. Covering Monroe’s entire…
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Theater Review: JIMMY STEWART ON THE FRONT OF LIFE (Hollywood Fringe Festival / Los Angeles)
THE WAR THAT FOLLOWED HIM HOME Rather than celebrate a legend, Brian Rohan reveals the man still haunted by war At the outset of World War II, Jimmy Stewart (1908–1997) became the first major Hollywood star to enlist. A flying enthusiast from early on, Stewart was already a licensed pilot when he joined the Army…
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Theater Review: MY ONE WOMAN SHOW (THE SEARCH FOR A TRUTHFUL MOMENT) (Madnani Theatre / Hollywood Fringe Festival)
ONE MAN, MANY TRUTHS An extraordinary performer turns theatrical self-examination into something unexpectedly profound Stefan Marks is a spellbinding storyteller, and My One Woman Show (The Search for a Truthful Moment) at The Hollywood Fringe is far more than a clever send-up of the solo-performance genre. Beginning as a funny, self-aware examination of the agonies of…
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Theater Review: ARMY BRAT (Broadwater Second Stage / Hollywood Fringe Festival)
LIFE IN A BLENDER A chaotic solo show anchored by an engaging performer. Kelly Mullis‘s solo show Army Brat at the Broadwater Second Stage carries a very accurate subtitle: “The Fever Dream into the Life of a Military Kid.” As penned by the performer, the show is a splattering of her life, her father’s life,…
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Music Review: GUSTAVO DUDAMEL: CELEBRATING THE MUSICIANS OF THE LA PHIL (Walt Disney Concert Hall / Los Angeles)
THE STARS WERE HERE ALL ALONG A celebration of the musicians who make the LA Phil extraordinary If you come to the LA Phil often enough, you’ll begin to recognize the individual players. Now consider how often you see them take center stage. Amazing players, all of them, but it’s unusual for them to be…
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Theater Review: DIE WALKÜRE (LA Phil / Disney Hall / Los Angeles)
A RING BROKEN OUT OF SHAPE A misguided presentation undermines Wagner’s masterpiece and Gustavo Dudamel’s farewell-season ambitions The Los Angeles Philharmonic’s presentation of Richard Wagner’s Die Walküre, conducted by Gustavo Dudamel during the final month of his tenure as Music and Artistic Director, should have been one of the crown jewels of the season. Instead,…
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Theater Review: THEFT OF FIRE (The Actors Company / Hollywood Fringe Festival)
BURNED BY AMBITION Sometimes the bravest artistic choice is asking for help. In Theft of Fire, Garrett Hildebrandt is presentable, well-spoken, talented, and smart. However, he’s not as talented as he believes himself to be and not smart enough to recognize that. (It’s excusable; he’s young.) Hildebrandt strides the stage at The Actors Company Let…
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Theater Review: THE DOG LOG (The Style Den / Marina Del Rey)
FROM BARK TO HEART A barking-dog complaint grows into something far more interesting I have been a fan of Richard Lucas since I reviewed his short, humorous, autobiographical novel The Dog Log, which chronicles life next door to two constantly yapping Yorkies and their hoarding, annoying owner as told through the device of a “dog…
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Theater Review: FALL OF THE ROMAN REPUBLIC… ON A SHOESTRING BUDGET (Actors Company / Hollywood Fringe Festival)
ET TU, SHOESTRING? An ambitious historical comedy collapses under its own weight— but not without flashes of promise There are many different reasons for failure. All of them sting. The Fall of the Roman Republic… On a Shoestring Budget, now striding the stage at the Actors Company’s Other Space Theatre, is a failure. But a…
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Theater Review: TRENCH (Broadwater Studio / Hollywood Fringe)
UNDER PRESSURE Ann Noble directs Ann Loud in a nicely twisted mystery set in a multi-crew submersible some 30,000 deep. Ann Loud, who penned the script and plays all five characters, skillfully captures the raw nerves of the crew and captain as they struggle to set the world’s record for longest sustained deep dive while…
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Theater Review: DAY AFTER DAY (THE LIFE AND MUSIC OF DORIS DAY) (The Broadwater Second Stage / Hollywood Fringe)
CALAMITY JANE MEETS LAS VEGAS A charming tribute delivers plenty of Doris Day favorites, even if the biography occasionally takes a back seat Day After Day (The Life and Music of Doris Day) is like a slick—very slick—lounge act, the type you’d expect to see during Vegas’s heyday. Penned by Tony Santamauro, with Christy Mauro-Cohen…
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Concert Review: BOCCHERINI & RACHMANINOFF (Pacific Symphony / Renée and Henry Segerstrom Concert Hall / Costa Mesa)
FROM STAGE TO SOUL Valentina Peleggi leads an evening that journeys from operatic spectacle to intimate confession Valentina Peleggi conducts opera for a living. She built her reputation in the pit, leading Rossini and Verdi in houses from Trieste to Seattle, and she walked onto the Segerstrom stage Friday carrying that instinct with her. The…
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Theater Review: ANASTASIA (La Mirada Theatre)
WHAT THE MUSIC BOX REMEMBERS A lavish production overcomes a book that never fully solves its own mystery A music box opens. A grandmother sings a lullaby to a five-year-old girl who will spend the evening trying to remember it. That is the show in miniature. Everything that follows turns on whether the memory is…
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Comedy Review: CLUB CLOWN (Hollywood Fringe Festival / The Broadwater Main Stage)
SEND IN THE CLOWNS. ALL OF THEM. Will Thomas McFadden assembles a joyful showcase of clowning talent and comic invention Will Thomas McFadden has created a Jackson Pollock experience, only with clowns. (Really, talented clowns.) McFadden has gathered at the Broadwater Main Stage a kaleidoscope of the city’s top chuckle-creators for nightly romps. The clowning…
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Theater Review: SOMETHING SPOOKY (Hollywood Fringe Festival / Broadwater Studio)
GHOSTS WITH HEARTBEATS Jon Schnitzer finds warmth and wonder beneath the bumps in the night Something Spooky, written and performed by Jon Schnitzer, is more about heart than haunting. Yes, there are strange goings-on, but the “investigation,” while focusing on things that go bump in the night, uncovers the spirit of an altogether different sort:…
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Dance Review: ESCAPE (DIAVOLO / Los Angeles)
DEFYING GRAVITY, DEPENDING ON TRUST DIAVOLO’s acrobatic spectacle turns movement, risk and collaboration into something exhilaratingly human DIAVOLO is currently presenting ESCAPE, a visceral, intimate work following 22 remarkably agile performers as they struggle to break free from a chaotic world. Set to music by Harry Styles, Pink Floyd and Alicia Keys, the production combines gravity-defying…
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Comedy Review: PIVOTAL NOMAD (Hollywood Fringe Festival / Broadwater Studio)
A FREQUENT FLYER OF FUNNY Mike Blaha’s globe-trotting tales land more often than they miss Mike Blaha is a tall tumbler of funny. His show, Pivotal Nomad at the Broadwater Studio, starts with a blast as he relates doing stand-up around the world while pondering whether it’s time to click those ruby loafers three times…
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Dance Review: SPECTACULAR BALANCHINE! (American Contemporary Ballet / Los Angeles)
BALANCHINE IN A BOX ACB proves intimacy can be both an asset and a liability George Balanchine said he needed nothing but a stage, some light, and dancers. He also had the New York City Ballet, a full orchestra, and the State Theater. He had, more to the point, spent forty years teaching Americans what…



















