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Boston

  • Theater Review: THE BEAUTY QUEEN OF LEENANE (Theater UnCorked / Boston)

    AN IRISH MOMMIE DEAREST A darkly comic exploration of the links between intimacy and violence What does it mean to take care of someone? That might be one of the questions raised in Theater UnCorked’s production of The Beauty Queen of Leenane, Martin McDonagh’s Tony Award-winning study of a fraught mother-daughter relationship. Directed by Sheriden…

  • Concert Review: THE HEAVENLY LIFE (Symphony by the Sea / The Cabot / Boston)

    MAHLER’S FOURTH TAKES A BOW IN HEAVEN Symphony by the Sea explores the innocence, intimacy, and unexpected complexity of Mahler’s Fourth Symphony Gustav Mahler (1860–1911) was an Austrian Jewish composer and conductor best known for his 10 symphonies. Largely written between 1899 and 1901, Mahler’s Symphony No. 4 remains one of his more controversial pieces,…

  • Theater Review: THE WASH (Front Porch Arts Collective / Boston)

    WASHING OUT INEQUALITY In a stirring account of the 1881 Atlanta Washerwomen’s Strike, collective action becomes a powerful force for change It is the hot summer of 1881, and Atlanta, Georgia, is preparing to host the International Cotton Exposition. A major business convention on the scale of the World’s Fair, the cotton expo is meant…

  • Theater Review: THE WASH (Front Porch Arts Collective / Boston)

    SISTERS DO IT FOR THEMSELVES In 1881, as today, Black women of Georgia were changing history There were no automatic washing machines in 1881, yet people had more clothes than ever before, thanks to industrialization of the textile industry. While people in the more industrialized North could have their clothes and linens washed in commercial…

  • Theater Review: I AND YOU (Umbrella Stage Company / Concord, MA)

    I AND YOU CONTAINS MULTITUDES —AND A PLOT TWIST Two classmates discover the unexpected connections between their lives in Lauren Gunderson’s intimate drama “For every atom belonging to me as good belongs to you.” — Walt Whitman, “Song of Myself“ Pronouns take on new meaning when viewed through the lens of Walt Whitman. Under Michelle…

  • Opera Review: A STREETCAR NAMED DESIRE (Boston Lyric Opera)

    THE KINDNESS OF STRANGERS, THE CRUELTY OF FAMILIARS Previn’s jazz-inflected score gives Williams’s tragedy another voice With tense and exciting direction by Patricia Racette, Daniella Candillari leads the orchestra in a beautiful and enthralling A Streetcar Named Desire at Boston Lyric Opera through Sunday. This new co-production with Opera Theatre of Saint Louis brings its…

  • Film Festival Recap: 12TH ANNUAL GLOBEDOCS (Boston)

    WHEN THE FILMMAKER DISAPPEARS From Sonia to Playing POTUS, Boston’s documentary festival explores the art of storytelling—and the conversations that continue after the credits roll The Boston Globe’s 12th annual GlobeDocs documentary film festival offered an eclectic mix of stories about social justice and activism, creative and political identity, and intimate portraits of everyday people….

  • Theater Review: DR. JEKYLL AND MR. HYDE (Merrimack Repertory Theatre / Lowell, MA)

    FOUR HYDES ARE BETTER THAN ONE A clever adaptation explores the many faces of evil and the desires that bring them to life Adapted in 2008 from Robert Louis Stevenson’s 1886 gothic horror novella Jeffrey Hatcher‘s Dr. Jekyll and Mr. Hyde is an exploration of a well-known tale about how humanity, desire, and temptation interact….

  • Theater Review: PHANTOM (North Shore Music Theatre / Beverly, MA)

    WHO COULD EVER HAVE DREAMED UP YOU? Yeston and Kopit’s alternative to Andrew Lloyd Webber’s musical gives familiar characters new depth and humanity Growing up singing along to Andrew Lloyd Webber’s The Phantom of the Opera, it wasn’t until recently that I learned there was a second musical adaptation of Gaston Leroux’s story: Maury Yeston…

  • Theater Review: THE SITAYANA (OR, “HOW TO MAKE AN EXIT”) (CHUANG Stage in Boston)

    HER SIDE OF A VERY OLD STORY A woman’s perspective on an ancient classic of Indian literature The Sitayana (or, “How to Make an Exit”), written by the late, beloved, and influential Chicago playwright Lavina Jadhwani, reimagines the events of the classic Ramayana as they might have been experienced by Sita, the wife of Prince…

  • Theater Review: TO KILL A MOCKINGBIRD (The Huntington / Boston)

    THE COURT OF PUBLIC PREJUDICE Aaron Sorkin’s adaptation benefits from thoughtful acting and restrained staging More than six decades after Harper Lee published To Kill a Mockingbird, its questions about racial injustice, moral responsibility, and respect remain painfully relevant. In Aaron Sorkin’s stage adaptation, director Loretta Greco brings those questions into sharp focus at The…

  • Theater Review: OPERATION MINCEMEAT (National Tour / Emerson Colonial Theatre / Boston)

    BRINGING A DEAD MAN TO LIFE A brilliantly directed tale of brilliant misdirection The Tony and Olivier award-winning Operation Mincement: A New Musical, like the wartime operation it depicts, is the result of a group effort, with book, lyrics, and music by David Cumming, Felix Hagan, Natasha Hodgson, and Zoë Roberts, a foursome calling themselves…

  • Theater Review: DRACULA: A COMEDY OF TERRORS (Actors’ Shakespeare Project, Watertown)

    A BLOODY HILARIOUS DRACULA A stellar cast vamps it up and camps it up to breathe life into a horror classic about the undead Dracula: A Comedy of Terrors, by Gordon Greenberg and Steve Rosen, is a lovingly constructed farce that, per the script, is “very loosely based on the novel Dracula by Bram Stoker.”…

  • Theater Review: ALL MY SONS (Lyric Stage, Boston)

    WHAT’S BIGGER THAN THE FAMILY? Lyric Stage’s intimate production of Arthur Miller’s classic asks how far our responsibility extends beyond those we call our own Arthur Miller’s All My Sons is a haunting psychological American drama that takes place in 1947, capturing the postwar tension. The play is, first and foremost, a study of human…

  • Theater Review: BAT BOY: THE MUSICAL (Umbrella Stage Company, Concord, MA)

    BATTY AS HELL Excellent performances struggle against muddled storytelling and sound problems in this production of the cult musical The entire time I watched Bat Boy: The Musical at Umbrella Stage in Concord, I was trying to place it within what I know of the theatrical tradition. It’s like Pygmalion, I thought, as mom Meredith…

  • Theater Review: COVENANT (SpeakEasy Stage Company / Boston)

    THE DEVIL IS IN THE DETAILS Strong performances and eerie stage effects cannot entirely clarify a mystery that depends on carefully controlled deception A terrific performance by Crystin Gilmore as the stern, Bible-thumping, yet guilt-ridden Mama, along with evocative special effects, makes Covenant, a Southern Gothic about the battle between good and evil, a riveting…

  • Theater Review: WICKED (National Tour)

    SOMETHING WICKED GOOD THIS WAY COMES The national tour lands in Boston with enough brains, heart, and theatrical magic to remind us why this musical continues to defy gravity It’s appropriate that the national tour of Wicked has returned to Boston—it’s the home territory for author Gregory Maguire, whose novel is the foundation for one of…

  • Theater Review: PURPOSE (Huntington Theatre Company / Boston)

    THE POLITICAL IS PERSONAL Purpose is an exciting and morally complex opening to the Huntington’s 2026-2027 season Playwright Branden Jacobs-Jenkins‘ Purpose is an intriguing family drama that gives us a narrator with unconventional sexuality and social needs in the context of a prominent and deeply troubled family of origin. Omari K. Chancellor shines as Nazareth…

  • Theater Review: COME FROM AWAY (North Shore Music Theatre / Beverly, MA)

    WHEN YOU’RE HOPING FOR A HARBOR A stirring in-the-round production finds hope, humor, and humanity in the strangers who became a community Director Kevin P. Hill’s production of Come From Away lands at North Shore Music Theatre as a timely reminder of human grace and community in the face of adversity. Irene Sankoff and David…

  • Music Review: BAY STATE HOT JAZZ FESTIVAL (Medford, MA)

    HOT JAZZ, COOL COMMUNITY Eight bands, two days, and a lively crowd keep traditional jazz swinging in Medford Now in its fourth year, the Bay State Hot Jazz Festival brought eight traditional jazz acts to the banks of the Mystic River for two days at the end of August. Organized by Annie Linders, band leader…

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