Areas We Cover
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New York
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Broadway Review: DEATH BECOMES HER (Lunt-Fontanne)
DEATH BECOMES HER IS NOT FOR PURITANS OR VICTORIAN GRANDMOTHERS. BUT HOW MANY OF THEM ARE AROUND TODAY? Death Becomes Her, the new musical based on the eponymous 1992 black comedy/fantasy and gay cult classic, starring Meryl Streep and Goldie Hawn, is boisterous, loud and crass. It’s filled with tasteless one-liners and bawdy slapstick. And…
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Off-Broadway Review: BABE (The New Group)
A GENERATIONAL GAP AND A PLAYWRITING GAP As a result of the #MeToo movement, there has been much brought to light about women working in America. But here’s a note to the younger generations about life for women in the 80s: if you were homosexual, you were considered a pervert and treated as such; when…
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Off-Broadway Review: THE BIG GAY JAMBOREE (Orpheum)
JUST AS PROMISED, IT’S BIG! IT’S GAY! IT’S JAMBOREEING! Yes, there is a way to escape the post-election blues for 90 minutes: The Big Gay Jamboree at the Orpheum Theatre is the sublimely ridiculous remedy we need. Marla Mindelle — who co-wrote the book with Jonathan Parks-Ramage and the songs with Philip Drennen — definitely has a…
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Dance Review: WONDERLAND (GALLIM at The Joyce)
YOU’LL WONDER WHY THIS PIECE DOESN’T LAND When watching the dancers of Brooklyn-based GALLIM perform Wonderland tonight, it became exceedingly apparent that the landscape of movement executed was anything but. Miller’s Wonderland could be described with an amalgam of adjectives; if “wonder” was to be one of them, then the sentiment did not gleam with…
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Off-Broadway Review: SLEEP NO MORE (Punchdrunk Theatre Company at McKittrick Hotel; Closes on January 5, 2025)
SOMETHING WICKED THAT WAY GOES No plague can kill a great show. It came back after COVID. In a rare clash of film noir, performance art, an awesome murder mystery party, and Shakespeare, Punchdrunk’s Sleep No More is the ultimate voyeuristic thrill. Audience members don Venetian masks and explore the depths of the 1930s-style McKittrick…
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Off-Broadway Review: KING LEAR (The Kenneth Branagh Theatre Company at The Shed)
A NEOLITHIC AND LEAN LEAR Shakespeare’s works can be read in many ways and I have witnessed so many diverse stage interpretations that I never know what I am about to see when I venture towards one of his plays. This time it was King Lear, which opened tonight at The Shed, directed by Rob Ashford, Kenneth Branagh,…
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Off-Broadway Review: THE Z TEAM (Theatre Row)
THE ZZZZzzz TEAM The Z Team, currently playing at Theatre Row, is a new work by father-and-son team Jeff and Jacob Foy. Directed by Jeff Whiting, it’s advertised to be uproarious: “If The Office and The Bad News Bears had a baby, it would be The Z Team.” Times like this call for lighthearted comedies, so…
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Broadway Review: MAYBE HAPPY ENDING (Belasco Theatre)
THERE’S NO ‘MAYBE’ ABOUT IT HAPPINESS HAS LANDED AT THE BELASCO When Avenue Q ran against Wicked at the Tonys for Best Musical, it was often compared to the American folktale The Little Engine That Could vs. the big corporate multi-million-dollar musical. One was a small contender with lots of heart; the other a huge…
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Dance Review: PAUL TAYLOR DANCE COMPANY (Fall Season Programs at David H. Koch Theater at Lincoln Center)
Modern dance was born as a protest, a reaction to the rigid structure of classical ballet. As is evident from my review of the dazzling program Extreme Taylor at the Joyce in June, I couldn’t wait to see the company again, to explore more of their movement vocabulary. Now, the Paul Taylor Dance Company is back with…
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Broadway Review: A WONDERFUL WORLD: THE LOUIS ARMSTRONG MUSICAL (Studio 54)
HELLO, SATCHMO! THANK GOODNESS LOUIS IS BACK IN TOWN; WE NEED HIM MORE THAN EVER There’s a new jukebox musical in town. But don’t run in the other direction. A Wonderful World, which opened at Studio 54 tonight, November 11, is the bio-musical of Louis Armstrong, aka the Ambassador of Blues, the King of Jazz,…
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Off-Broadway: HOLD ON TO ME DARLING (written by Kenneth Lonergan; starring Adam Driver; Lucille Lortel)
Kenneth Lonergan’s Hold on to Me Darling is playing through Dec. 22, starring Adam Driver, at the Lucille Lortel Theatre. Joining Driver as Strings McCrane are Heather Burns as Nancy, Adelaide Clemens as Essie, Keith Nobbs as Jimmy, CJ Wilson as Duke, and Frank Wood as Mitch. On learning of his mother’s death, country music icon Strings McCrane (Driver) finds himself in an existential tailspin. The only way out,…
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Dance Review: LIMÓN DANCE COMPANY (The Joyce Theater)
MISSA BRAVOS The Limón Dance Company celebrates its 78th season at the Joyce Theater with an epic program that reflects José Limón’s humanist aesthetic: Limón’s The Traitor, Scherzo, Missa Brevis; Doris Humphrey’s Two Ecstatic Themes; and the world premiere of Kayla Farrish‘s The Quake that Held Them All. I enjoyed every minute of it. Even if you’re not a fan of…
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Theater Review: GATZ (Elevator Repair Service at The Public)
GREAT F. SCOTT! Elevator Repair Service’s justifiably heralded Gatz returns to The Public, opening tonight for a final New York City encore, and it’s congenial, unforgettable theater. Directed by John Collins, this single 6 1/2-hour production (more than 8 hours with the breaks) terrorized me at first because I can’t sit still for such a long time,…
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Off-Broadway Review: VLADIMIR (Manhattan Theatre Club at New York City Center)
There’s an eponymous and ominous presence onstage at New York City Center Stage I. You can’t see him. But his evil, autocratic and tyrannical nature permeates every scene in Erika Sheffer’s riveting play, Vladimir, from the moment we see a drunk Boris Yeltsin resign to the play’s tragic ending. That man, of course, is Vladimir…
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Dance Review: CRIME AND PUNISHMENT (World Premiere by American Ballet Theatre at Lincoln Center)
ABT’S NEW NARRATIVE BALLET MAY NOT BE A CRIME, BUT IT SOMETIMES FEELS LIKE PUNISHMENT Last night, October 30th, at Koch Theater, American Ballet Theater presented its world premiere of Helen Pickett‘s ballet Crime and Punishment, a production that is at once charming and abstruse (it plays through Sunday). The combination of ballet and literature…
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Off-Broadway Review: BAD KREYÒL (Signature Theatre + Manhattan Theatre Club at at Pershing Square Signature Center)
EVERYTHING KREYÒL IS NEW AGAIN Seemingly caught between differing identities and life paths, Simone is at a crossroads. Half African American and half Haitian, this early thirties, native New Yorker recently left a potentially successful career in finance because it didn’t suit her more humanistic values. Looking to help heal the world and herself, Simone…
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Broadway Opening: GOOD NIGHT, AND GOOD LUCK (A New Play by George Clooney and Grant Heslov at the Winter Garden)
STARRING GEORGE CLOONEY IN HIS BROADWAY PREMIERE Good Night, and Good Luck, a new play by George Clooney and Grant Heslov, and directed by Tony Award winner David Cromer, will premiere on Broadway at the historic Winter Garden Theatre (1634 Broadway). Performances will begin on Wednesday, March 12, with an opening night set for Thursday, April 3, 2025. Clooney…
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Off-Off-Broadway Review: WHORE’S EYE VIEW (Tour@HERE)
Whore’s Eye View is a unique event, more of a lecture on the history of women’s sexuality than the personal monologue one would expect from a sex-worker. Now at HERE Arts Center as part of an international tour, and directed by Katherine Wilkinson, writer/performer Kaytlin Bailey literally starts from the Fertility Goddesses and biblical Lilith,…
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Off-Broadway Review: RAWSHOCK (Manhattan Rep)
OUR SHOCKING HEALTH CARE SYSTEM Rawshock, a new drama by Rita Lewis which opened last night for a limited run by Manhattan Rep at the Chain Theatre, is set in a psychiatric hospital. As is often the case in this genre of plays and films, the people outside the mental health facility are more disturbed…



















