Areas We Cover
Categories
New York
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Off-Broadway Review: A SIGN OF THE TIMES (The York Theatre Company at New World Stages)
FOR THOSE WHO THINK “RESCUE ME” AT JUKEBOX MUSICALS, “I KNOW A PLACE” WHERE A NEW 60s MUSICAL WILL CHANGE THAT “When you’re alone, and life is making you lonely, you can always go downtown,” or to be exact you can always go to New World Stages, where the delightful, timely musical A Sign of…
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Concert/Theater Review: CHILDREN OF EDEN IN CONCERT (Manhattan Concert Productions, Lincoln Center)
AN EDENIC PRODUCTION AT LINCOLN CENTER Full disclosure, I’d never heard of Stephen Schwartz’s 1991 musical Children of Eden before seeing this one-night only, concert performance at Lincoln Center‘s David Geffen Hall. As a lifelong devotee of American musical theater (aka Musical Theater Queen), that’s surprising. Though if I had to choose any production as first…
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Off-Off-Broadway Review: THE ORDER OF THE GOLDEN SCRIBE: INITIATION TEA (Caveat, Manhattan’s Lower East Side)
YOUR GOLDEN TICKET TO HIGH ADVENTURE …AND HIGH TEA What could entice a typical New Yorker to get up fairly early on a Saturday or Sunday morning and make the trip to a narrow side street in the Lower East Side? The answer to this question is simple: The Order of the Golden Scribe, a…
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Theater Review: BETWEEN TWO KNEES (PAC NYC)
GULPING FOR BREATH BETWEEN TWO-HUNDRED LAUGHS What a unique, congenial, brilliantly imaginative show! You will laugh for a very long time and, if you are a European descendant, you will feel guilty but in the right way. Don’t fall for insecure people who think of history and facts as “woke” matters. Between Two Knees, at…
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Off-Broadway Review: FIVE, THE PARODY MUSICAL (Five Musical LLC at Theater 555)
FUNNY FIVE SENDS-UP SIX To the worldwide fanbase of the Toby Marlow and Lucy Moss’s Six, fear not — the new Off-Broadway parody Five pays loving homage to the girl-power musical sensation that brings the six wives of Henry VIII together for a competition to decide which one had it worse. In Six, each queen…
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Off-Broadway Review: THE APIARY (Second Stage at Tony Kiser)
A STICKY SCRIPT Bees, those often annoying little creatures who have a knack for showing up at just the right time to ruin any number of outdoor activities, serve an important function. Namely, pollination — an act that is vital for our survival as human beings. So, like it or not, we need bees. However,…
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Off-Broadway Review: WARRIOR SISTERS OF WU (Pan Asian Repertory Theatre; Mezzanine Theatre at A.R.T./New York)
WARRIOR THEATER It’s the beginning of the Year of the Dragon, and one of the best ways to celebrate it is seeing a classic Chinese epic. The Pan Asian Repertory Theatre is presenting Warrior Sisters of Wu, directed by Jeff Liu, a delightful romantic comedy at A.R.T/New York Theatres. Nancy Ma, Kim Wuan The play takes place during the tumultuous end-years of China’s Han Dynasty; Lord…
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Highly Recommended Theater: ULYSSES (Elevator Repair Service at The Fisher Center at Bard, Annandale-on-Hudson, NY)
ELEVATOR REPAIR SERVICE’S ULYSSES, A WORLD PREMIERE, IS PART OF SUMMERSCAPE 2024 AT FISHER CENTER (JUNE 20 – AUGUST 18, 2024) Elevator Repair Service (ERS) has mastered the art of staging modernist literature with their highly-acclaimed productions Gatz (see Stage and Cinema’s review), The Sound and the Fury (review), and The Select (The Sun Also Rises)….
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Concert Review: JAZZ, LOVE AND GERSHWIN: A CENTURY OF RHAPSODY IN BLUE (The New York Pops at Carnegie Hall)
IT’S VERY CLEAR: GERSHWIN IS HERE TO STAY The centerpiece of The New York Pops‘ Jazz, Love, and Gershwin: A Century of Rhapsody in Blue was quite obviously Gershwin’s iconic orchestral piece. And at the top of the evening, Musical Director Steven Reineke told the audience it would be “a thrilling performance, I promise you.” If…
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Music Recommendation: ENSEMBLE CONNECT (Carnegie Hall)
Ensemble Connect is made up of extraordinary young professional classical musicians residing in the US who take part in a two-year fellowship program created in 2007 by Carnegie Hall, The Juilliard School, and the Weill Music Institute. The program prepares fellows for careers that combine musical excellence with teaching, community engagement, advocacy, entrepreneurship, and leadership by…
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Off-Broadway Review: EDDIE IZZARD’S HAMLET (Greenwich House Theater)
THIS TOO TOO SOLID HAMLET RESOLVES ITSELF INTO A HIT It must be the Season of different takes on the Bard in New York; Greg Mullavey is appearing in a shortened King Lear, and Patrick Page’s All the Devils Are Here is an unforgettable solo voyage into Shakespeare’s abyss, and Suzie Eddie Izzard, at Greenwich…
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Off-Broadway Review: JONAH (Roundabout at the Laura Pels Theatre at the Harold and Miriam Steinberg Center)
A mysterious coming-of-age story that focuses on women’s sexuality, written and directed by two talented artists like Rachel Bonds and Danya Taymor, was unquestionably the reason I wanted to see Jonah, presented by Roundabout Theater. Sexuality is an important bio-psycho-social development that starts during adolescence and this story appropriately begins with young, bright Ana (Gabby Beans) attending…
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Highly Recommended Off-Broadway: BECOMES A WOMAN (Streaming Free from Mint Theater Feb 19-March17, 2024)
Mint Theater Company will continue its hybrid programming of live performances along with the FREE on-demand streaming of acclaimed previous productions. Beginning Monday February 19, 2024 (from 7pm) through March 17 only, Mint will be streaming the three-camera archival recording (filmed in HD) of last year’s World Premiere of one of its most exciting discoveries…
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Interview: GREG MULLAVEY (Now Playing King Lear in Frog + Peach’s Production Off-Broadway)
KING LEAR, KING LEAR Gregory Mullavey stars in the Frog + Peach Theatre Company’s production of Shakespeare’s King Lear through Feb. 18, 2024. Mr. Mullavey performs the iconic tragic character who, nearing the end of his reign, challenges his three daughters in a most unusual way to determine who will reign over his kingdom. Mr….
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Off-Broadway Review: THE FOLLOWING EVENING (PAC NYC)
ALIVE AND KICKING: MADDOW AND ZIMET AT PAC/NYC New York City, 1947: Julian Beck and Judith Molina found The Living Theatre, the oldest experimental group in the United States, giving life, with other artists, to Off- and Off-Off-Broadway theater. 16 years later, director Joseph Chaikin leaves the group to co-found The Open Theater, where Ellen…
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Off-Broadway Review: ARISTOCRATS (Irish Repertory Theater)
IRELAND’S GENTRY IS DISINTEGRATING IN FRIEL’S ARISTOCRATS, BUT SO IS THE DRAMA The mid-19th century, with its changing class dynamics, marked the decline of the power of aristocracy in Europe and Russia. Rural landowners, who owned large estates, saw their wealth, power, and mansions disintegrate generation after generation. Brian Friel’s Aristocrats, playing at the Irish Repertory…
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Off-Off-Broadway Review: THE ANIMAL KINGDOM (U.S. Premiere at Connelly Theater Upstairs)
A KINGDOM DIVIDED Sam (Uly Schlesinger) is a bright, articulate and sincere young man. But he is also nervous, sensitive and bitter. In fact, he has recently attempted suicide. Actress Ruby Thomas’s first play, The Animal Kingdom, explores what family relationships might lead to such an act. The play, making its U.S. premiere at the…
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Broadway Review: DAYS OF WINE AND ROSES (Studio 54)
LET’S RAISE OUR GLASSES AND CHEER DAYS OF WINE AND ROSES There is an old Irish proverb that goes “A man takes a drink, the drink takes a drink, the drink takes the man.” Based on a JP Miller’s 1958 play, and the brilliant 1962 film adaptation directed by Blake Edwards, Days of Wine and…
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Off-Broadway Review: ONCE UPON A MATTRESS (Encores! at New York City Center)
A MATTRESS THAT REVIVES AND RENEWS When Encores! announced Once Upon a Mattress as part of their season’s concert series reviving American musicals, my first thought: Does this nutty chestnut need reviving? After all, there have been numerous in-your-neighborhood productions (for decades, Mattress was one of the most-produced musicals in high schools, colleges, and community…
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Dance Review: SOL INVICTUS (Compagnie Hervé KOUBI at The Joyce Theater)
HEART AND SOL A man perambulates around the stage, sunlight dancing on his bare chest or back, depending which way he faces. Then, the sun disappears, and in the plain, unnuanced light, the rest of the dancers of Compagnie Hervé KOUBI – eighteen in total – begin: Flip. Handspring. Cartwheel. Flip. Handspring. Cartwheel. Repeat. The dancers…



















