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Theater Review: AIN’T TOO PROUD (Ogunquit Playhouse / Ogunquit, Maine)
TRAGEDY AND TEMPTATIONS The rise and fall of a hit machine Ain’t Too Proud tells the story of the rise of The Temptations, a musical group comprised of young Black men who came together in Detroit to form what became the most successful R&B band in history. The story begins like this: Following a six-month…
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Theater Review: ASCENT (Skylight Theatre / L.A.)
REACHING FOR THE AMERICAN DREAM Henry Ong’s final play transforms one man’s remarkable life into a timely cautionary tale Ascent is a small gem. It is not ostentatious enough to be affixed to the crown of some monarch, nor sumptuous enough to be a gaudy piece of “bling” dangling about some rapper’s neck, but it…
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Theater Review: TARTUFFE, OR, THE CHARLATAN (The Conspirators / Chicago)
PUNK, PRAYER, AND PURE CHAOS The Conspirators’ neo-commedia take on Molière finds fresh mischief in a timeless satire What could be better than a saucy, irreverent, seventeenth-century French farce? How about a saucy, irreverent, seventeenth-century French farce performed in the twenty-first century, that marries a punk aesthetic to a modern interpretation of a sixteenth-century Italian…
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Opera Review: ZORRO (Pacific Opera Project / San Gabriel Mission Playhouse)
THIS ZORRO NEVER LEAVES A MARK Pacific Opera Project’s lavish production can’t rescue an opera that rarely catches fire Pacific Opera Project gave composer-librettist Héctor Armienta’s 2022 opera, Zorro, a lavish Los Angeles premiere last weekend at San Gabriel Mission Playhouse. Alas, strong production value was not enough to put life into this instantly forgettable…
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Theater Review: CARLOTA: ALHAJERO DE SECRETOS (Latino Theater Company / LATC)
LORCA IN DRAG, WITH HIS CLAWS INTACT Rodrigo García and Ugho Badú reimagine a Spanish classic without dulling its edge Lorca wrote for women’s voices and then watched the world go silent on him. Carlota: Alhajero de Secretos (Carlota: Jewelry Box of Secrets) hands those voices to men, and the swap is the honest move….
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Theater Review: THE TARGETED (A Red Orchid Theatre / Chopin Theatre / Chicago)
SIGNALS IN THE STATIC A Red Orchid’s compelling world premiere favors empathy over satire, sometimes at the expense of deeper exploration Thus far, 2026 has been an uncommonly good year in Chicago for new work, bringing forth plays and musicals that push against the boundaries of theatre, in terms of both narrative and construction. The…
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Theater Review: PIPPIN (Signature Theatre / Arlington)
CORNER OF THE SKY, CENTER OF THE RING Signature’s dazzling revival embraces Pippin‘s whimsy, darkness, and enduring search for meaning A sort of ninth-century, one-ring circus crammed with presentational glee, Pippin has always been an unusual musical. Premiering in 1972 with music and lyrics by Stephen Schwartz and a book by Roger O. Hirson, it…
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Broadway Review: CELEBRITY AUTOBIOGRAPHY (Shubert Theatre)
READING BETWEEN THE LINES OF FAME Broadway’s funniest staged reading proves that truth is often stranger —and funnier—than fiction Yevgeny Yevtushenko famously wrote, “A poet’s autobiography is his poetry. Anything else is just a footnote.” Judging by the material on display at the opening night of Celebrity Autobiography, many celebrities probably should have stopped at…
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Review: CHICAGO LINE CRUISES ARCHITECTURE TOUR (Chicago River)
A CITY BUILT TO BE SEEN FROM THE WATER Chicago’s celebrated architecture tour transforms familiar landmarks into a living history lesson For tourists, cruising the Chicago River on a top-rated architectural tour brings together history and the majesty of spectacular buildings to tell the story of a great city. For Chicago residents, the same tour…
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Kenia Hallow Continues to Establish Herself as a Distinct Voice in Contemporary Independent Cinema
In an entertainment industry increasingly prioritizing emotionally authentic storytelling and character-driven narratives, actress Kenia Hallow has solidified her place as a respected professional within independent film. Through award-recognized performances, theatrical training, and a steadily expanding body of work across film and commercial media, Hallow has become known for her emotionally intelligent performances and commitment to…
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BEST DELTA 9 GUMMIES FOR SLEEP IN 2026: TOP THC SLEEP EDIBLES RANKED BY REAL EFFECTS
Facing midnight sleep struggles? Melatonin alone won’t do much to improve it! When your insomnia runs deep, you need a stronger, more relaxing, and comforting formula, with stacked sleep compounds like Delta 9, CBN, chamomile, and L-Theanine. That’s why our top 5 best Delta 9 gummies for sleep picks in 2026 are worth every try! …
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WHICH AI VIDEO GENERATOR SHOULD FILMMAKERS USE IN 2026?
The filmmaking landscape has transformed dramatically over the past few years, and 2026 marks a pivotal moment for content creators. Whether you’re a seasoned director or an independent creator working from your bedroom, the technology available to you has never been more powerful or accessible. One of the most exciting developments is the rise of…
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BEST KRATOM GUMMIES IN 2026: TOP 5 KRATOM GUMMY BRANDS REVIEWED
Kratom’s naturally bitter taste has kept most people away from it for years. The best kratom gummies change that completely. Pre-dosed, genuinely flavorful, and easy to carry anywhere, gummies are now the fastest-growing format in a kratom market that is projected to hit $1.89 billion by 2030. Over 15 million Americans have tried kratom, and…
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Theater Review: COVENANT (Goodman / Chicago)
THE DEVIL WENT DOWN TO GEORGIA York Walker’s Southern Gothic keeps its secrets close and its audience on edge “Everybody got a secret” That is the line that opens Covenant, the gripping play by York Walker, now playing on the Owen stage at the Goodman. It is about as tight a summation as can be…
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Concert Review: LOUIS ARMSTRONG, A CELEBRATION OF THE FATHER OF JAZZ (Kaye Playhouse at Hunter College)
WHAT A WONDERFUL WORLD Hunter College’s American Voices series salutes the musician who changed the sound of America When it comes to American music few artists are as iconic and representative as Louis Armstrong, the famous trumpeter and vocalist whose career spanned five decades and influenced many genres including jazz, rhythm and blues, and rock…
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Theater Review: (RE)DRESSING MISS HAVISHAM (Boston Playwrights’ Theatre)
GREAT EXPECTATIONS, OR GREAT DECEPTIONS? Miranda Jonte and playwright John Minigan turn Dickens into the subject of a witty and compelling literary cold case Despite the broken air-conditioning on a hot and sticky night, Miranda Jonte kept me engaged and curious with her spirited portrayal of both a literary sleuth and one of literature’s iconic…
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Theater Review: PICTURES FROM HOME (Marin Theatre / Mill Valley)
SAY CHEESE—AND PASS THE TRAUMA Sharr White’s adaptation of Larry Sultan’s memoir turns one California family into a deeply recognizable portrait of memory, regret, and love Now making its West Coast debut at Marin Theatre is a story with roots here in Marin County. Bay Area photographer Larry Sultan assembled a series of family photographs…
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Theater Review: LA CAGE AUX FOLLES (Theatre Rhinoceros / San Francisco)
WE ARE WHAT WE ARE Theatre Rhinoceros turns its intimate Castro venue into a joyous explosion of feathers, farce, and fierce self-acceptance Since 1977, Theatre Rhinoceros has produced theater celebrating the LGBTQ community. This month, they’re presenting the classic Broadway musical La Cage Aux Folles. Originally written as a French play by Jean Poiret in…
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Theater Review: SCARAMOUCHE (City Lit Theater / Edgewater Presbyterian Church / Chicago)
EN GARDE, YOU FOOLS A spirited cast and plenty of swashbuckling fun can’t quite compensate for a forgettable score “He was born with a gift of laughter and a sense that the world was mad.” That terrific sentence opens Rafael Sabatini’s 1921 novel Scaramouche. A smash hit on publication, this swashbuckling adventure has been adapted…
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