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  • GIVING A SONG A VISUAL LIFE WITHOUT A FULL PRODUCTION CREW

    A good music video has much in common with a stage performance. Both ask the audience to follow an emotional arc while sound, movement, light, and timing work together. The scale may be different, but the central problem is the same: what should the viewer feel at each point in the song? Independent musicians often…

  • Theater Review: IPHIGENIA IN SPLOTT (Shotgun Players / Berkeley)

    SACRIFICE WITHOUT SENTIMENT Alicia Mason delivers a fearless performance in a modern tragedy that refuses easy sympathy Gary Owen‘s Iphigenia in Splott transplants Euripides’ Iphigenia in Aulis from ancient Greece to working-class Wales, where the gods have been replaced by poverty, bureaucracy, and institutional neglect. In Shotgun Players’ first-ever solo production, directed by Michelle Talgarow,…

  • Theater Review: THE OUTSIDERS (National Tour)

    STAY GOLD, GREASERS This gripping musical adaptation honors its beloved source while finding an emotional life all its own S.E. Hinton’s first novel, The Outsiders, written while she was still in high school and published when she was just 18, has inspired artists across multiple mediums for nearly six decades. It became a cult film…

  • FROM RIVERS AND LAKES TO THE BIG SCREEN: THE 2026 CINEMATIC EVOLUTION OF FISHING

    For decades, the cinematic approach to fishing has been to treat it as little more than a gentle backdrop. We’ve mainly seen characters show patience and contemplate life while gently casting their line. However, one of the most fascinating trends in modern filmmaking sees this activity taking a more active role in driving narrative momentum….

  • HOW THE 2026 WORLD CUP IS WATCHED ACROSS SOUTHEAST ASIA

    The World Cup is never just a tournament in Southeast Asia. It becomes a daily routine. People check kick-off times, arrange late-night viewing, message friends during matches and watch highlights before work. The time zones are not always friendly, but that rarely stops fans. In Malaysia, Singapore, Indonesia, Thailand, Vietnam and the Philippines, football is…

  • Theater Review: MARBLE (The Gift Theatre / Copernicus Center / Chicago)

    A CRACK IN THE ORDINARY Four remarkable performances make the leap from surrealism to domestic drama worthwhile Marina Carr’s Marble, now in its Chicago premiere at the Copernicus Center as part of The Gift Theatre‘s 25th Anniversary “Homecoming” season, opens with a delicious premise. Two old friends, Ben (John Gawlik) and Art (Paul D’Addario), are…

  • Theater Review: CITY OF ANGELS (Ogunquit Playhouse / Ogunquit, Maine)

    DOUBLE VISION DONE RIGHT A stellar cast, stylish staging, and a jazzy score make this rarely produced musical well worth revisiting Despite winning six Tony Awards and eight Drama Desk Awards when it premiered in 1990, City of Angels is rarely produced. It’s a demanding show, requiring multiple settings and a large cast. Ogunquit Playhouse’s…

  • Theater Review: THE SAVIORS (Atlantic Theater Company / New York)

    SACRED GROUND, SHIFTING FOOTING Bubba Weiler’s quietly affecting drama finds two boys questioning far more than their faith For generations, serving as an altar boy has been one of the most visible ways young Catholics participate in the life of the Church. Altar boys assist the priest by preparing for Mass, ringing bells, burning incense,…

  • Theater Preview: MYSTIC PIZZA (National Tour)

    A FRESH SLICE OF NOSTALGIA The cross-country tour is ready to win over a whole new crowd When Mystic Pizza played La Mirada Theatre in 2024, Stage and Cinema found it charming, energetic, and heavy on laughs, buoyed by a terrific trio of leading ladies and a soundtrack packed with irresistible ’80s and ’90s hits….

  • Theater Commentary: BROADWAY IS ONE STOP, NOT THE DESTINATION, FOR THE MODERN AMERICAN MUSICAL

    Two Chicago-born musicals are rewriting the conventional wisdom about what it means for a show to succeed. The Notebook had its world premiere at Chicago Shakespeare Theater in 2022 and is now enjoying a national tour following its Broadway run. Illinoise made its major-theater debut at Chicago Shakespeare in 2024, traveled Off-Broadway and then to…

  • Theater Review: A MIDSUMMER NIGHT’S DREAM (Commonwealth Shakespeare Company / Boston)

    SOME ENCHANTMENT REQUIRED Thirty years on, Commonwealth Shakespeare still knows how to charm a crowd A lot is unknown about William Shakespeare, including the order and dates in which he wrote Romeo and Juliet and A Midsummer Night’s Dream. What is clear, however, is that the two plays serve as mirrors to one another: in…

  • Theater Review: URINETOWN: THE MUSICAL (Ray of Light Theatre / San Francisco)

    WHERE THERE’S A WILL, THERE’S A PAY TOILET This irreverent musical entertains while refusing to let its audience off the hook After more than 25 years of producing fun, hip musicals all over San Francisco, Ray of Light Theatre is still in its honeymoon phase of finally having its own theater, The Barbary Stage, downtown…

  • Off-Broadway Preview: A GHOST IN YOUR EAR (Audible Theater / New York)

    SOMETHING WICKED THIS WAY SOUNDS Audible Theater’s immersive headphone horror transforms the oldest ghost story trick into a chilling theatrical experience Imagine listening to an audiobook through headphones when the story begins listening back. That’s the unnerving premise behind A Ghost in Your Ear, the acclaimed London horror hit making its American premiere this fall…

  • Cabaret Preview: MALTBY & SHIRE: OUR STORY GOES ON (Merkin Hall / New York)

    THE STORY GOES ON—AND IT SHOULD The American Songbook Association celebrates Richard Maltby, Jr. and David Shire while reaffirming why America’s great songwriting tradition deserves to endure Few songwriting partnerships have enriched the American musical theater canon quite like Richard Maltby, Jr. and David Shire. On Monday, October 5, the American Songbook Association (ASA) celebrates…

  • THE RISE OF AMERICAN ANIME IN FILM AND TELEVISION

    For decades, anime reached American viewers mainly as an import: dubbed television episodes, subtitled tapes and late-night programming that felt strikingly different from domestic cartoons. Today, the exchange runs in both directions. U.S. creators draw openly from anime’s visual language, while global studios, streaming platforms and international production teams blur the old boundaries between national…

  • THE UNDERDOG ARC: WHY SPORTS STORIES KEEP WINNING ON STAGE AND SCREEN

    Sports movies rarely feature the best team on paper, and audiences keep buying tickets anyway because the story rewards someone who was never supposed to win. Theater found the same formula long before sports movies became a genre of their own, casting boxers, coaches, and bench players in productions built around a single turn of…

  • DISCOVER SAN FRANCISCO’S VIBRANT INDEPENDENT ARTS AND ENTERTAINMENT SCENE

    San Francisco pulses with creative energy found nowhere else. From boundary-pushing art collectives to late-night performance spaces, the city’s independent arts and entertainment scene reflects its reputation as a sanctuary for visionaries and innovators. Dive into a world where artistic freedom, cultural diversity, and bold experimentation shape every experience. Nightlife, Performance, and Alternative Entertainment As…

  • WHY PLANE MOVIES STILL KNOW HOW TO BUILD SUSPENSE

    Plane movies have one simple advantage. Once the aircraft is in the air, there are not many places the story can go. That sounds like a limit, but it is also why the genre works. A plane is a closed space. The passengers cannot leave. The pilot cannot pull over. If something bad happens or…

  • Off-Broadway Review: THE PASS (La MaMa E.T.C.)

    NO PASSING THE TRUTH John Donnelly’s drama examines the devastating cost of repression, secrecy, and the life that might have been The American premiere of John Donnelly‘s The Pass (originally produced at London’s Royal Court Theatre) is smartly directed by Max Hunter, who infuses both the play and its performances with energy, theatricality, and genuine…

  • Dance Preview: FALL FOR DANCE FESTIVAL (New York City Center)

    A WORLD OF DANCE IN TEN DAYS Eleven premieres and an extraordinary range of artists make New York City Center’s annual festival one of the season’s most rewarding events. For more than two decades, New York City Center’s Fall for Dance Festival has been one of New York’s most welcome annual traditions, offering audiences the…

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