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Theater Review: THE UNDERSTUDY (Hub Theatre Co. of Boston)
THE SHOW BEHIND THE SHOW A well-done backstage farce is always a good time, especially for theatre lovers. But a well-done backstage farce with something to say, with layers and depth—that is harder to come by, and even more of a good time—thespian or no. Hats off to Hub Theatre Company of Boston‘s The Understudy…
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Off-Broadway Review: THE WEIR (Irish Repertory Theatre)
GHOSTS POURED NEAT Conor McPherson’s The Weir, a beloved staple for Irish Rep, returns for its fourth production under the intimate, finely tuned direction of Ciarán O’Reilly. This unusual and deeply human play walks you into a small, wind-battered pub in rural County Donegal for “just a quick pint,” only to watch you stumble out…
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London Theatre Review: OLIVER! (Gielgud Theatre)
BOURNE AGAIN: A MUSICAL RECLAMATION IN GLORIOUS MINOR KEY After a long absence from the West End, Oliver! has returned with the force of a Victorian street gang bursting through fog-shrouded London alleys. Matthew Bourne‘s revival of Lionel Bart‘s beloved musical at the Gielgud Theatre is nothing short of theatrical gold, a production that honors…
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Theater Review: REEL TO REEL (Rogue Machine & HorseChart)
LIFE ON REWIND In a co-production with HorseChart Theatre, Rogue Machine Theatre continues its astounding season with John Kolvenbach‘s gem of a play, Reel to Reel, a heart-warming, but definitely not sappy, time-jumping story of a 55-year marriage between the determined Maggie Spoon (Alley Mills Bean), a sound and performance artist, and her more reticent…
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Theater Review: DOLORES (Stephanie Feury Studio Theatre)
A KNOCK AT THE HEART With her staging of Dolores, Edward Allan Baker’s two-woman drama about domestic violence, director Stephanie Feury—at the theatre that bears her name—has placed on display a small gem of immense worth. Deedee Woche is Sandra, the married sister struggling to hold her lower-middle-class Providence family together. Davonna Dehay is the…
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WHY ZOOME CASINO IS GAINING POPULARITY AMONG CANADIAN PLAYERS
For players in Canada who crave a fast, secure, and rewarding Legit online casino in Canada experience, Zoome has quickly become a standout choice. This modern platform delivers not only in terms of visual appeal, but also through its functionality, ease of use, and player-friendly features. Casino Best Bonus Mention Lucky Rebel 200% match up…
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EVOLUTION OF iGAMING: HOW CINEMA IS REVOLUTIONIZING THE INDUSTRY
The world of iGaming has undergone significant transformations over the years, driven by advances in technology, changing player preferences, and the rise of new trends. One of the most exciting developments in recent times is the convergence of iGaming and cinema. This fusion is not only enhancing the gaming experience but also redefining the boundaries…
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HEAVENLY SOUND, ZERO GLITCHES: CHURCH AUDIO SOLUTIONS THAT WORK
In today’s world, crystal-clear sound isn’t just a luxury—it’s a necessity for any church looking to connect meaningfully with its congregation. Whether you’re delivering the weekly sermon, leading worship with a live band, or streaming to viewers at home, the quality of your audio can either uplift the experience or distract from it. Church leaders…
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Dance Review: MARK MORRIS DANCE GROUP (The Joyce)
PLEASE, SIR, I WANT SOME MORRIS Mark Morris Dance Group kicks off its 45th anniversary season with a two-week sprint at the Joyce Theater. I caught Program A in which the eclectic choreographer revisits three of his works, The Muir (2010), Silhouettes (1999), and Mosaic and United (1993), and then presents a world premiere: You’ve…
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London Opera Review: SEMELE (Royal Opera House)
THE SERVANT PROBLEM: OLIVER MEARS STRIPS HANDEL’S SEMELE TO ITS DISEASED CORE There’s something deeply unsettling about watching gods behave badly in a conference hotel. Oliver Mears‘ production of Handel’s Semele at the Royal Opera House at Covent Garden, which conquered Paris earlier this year, doesn’t just update the myth; it performs surgery on it,…
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Cabaret Review: ASHLEY PEZZOTTI (Birdland, NYC)
IN THE TRADITION OF THE GREAT JAZZ SINGERS When Ashley Pezzotti sings, it will only take a few notes for listeners new to her manner to gratefully discover that their ears will be caressed, rather than assaulted, by her timbre and talents. Some vocalists whose main asset is being long on loveliness and legato lines…
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Theater Review: 5:45 (Little Theatre at Actors Company)
OFFTIME Abi Watkinson’s one-woman show 5:45 is a poor receptacle for a great deal of talent—one that feels underdeveloped and not fully thought through. The trouble starts with the title. A good title should grab attention, pique curiosity, and function as either clue or bait to lure in a potential patron: The Hundred Years’ War…
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Theater Review: DOG OF CARNAGE (Broadwater Studio)
A TAIL OF LOVE ON A LEASH Playwright Benjamin Schwartz and director Natalie Nicole Dressel, in league with actors Callie Ott and Spencer Weitzel, have served up in Dog of Carnage one of the sharpest comedies in the Hollywood Fringe. Set in a courtroom—presided over by a grating, tonal, squawking, authoritarian judge—Ott and Weitzel are…
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Cabaret Review: MS. TUCKER WILL SEE YOU NOW (Davidson-Valentini Theater at the Los Angeles LGBT Center)
NOBODY LOVES A FAT GIRL (UNTIL SHE HAS A MIC) Laural Meade has treated the concept of the solo-bio show like an origami master, folding it over and out until it becomes something other than what it is. Meade starts with the woes of Russian-born American singer, comedian, and legendary vaudevillian Sophie Tucker (1886-1966). “The…
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Music Obituary: SIR ROGER NORRINGTON
THE METRONOME REVOLUTIONARY Sir Roger Norrington, who died on July 15th at the age of 90, spent his career making enemies of the right sort. Traditionalists loathed his brisk Beethoven. Period purists found his scholarship insufficiently dogmatic. Modern orchestras discovered, to their dismay, that he expected them to actually read what composers had written in…
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BACKSTAGE RITUALS: HOW PERFORMERS UNWIND AFTER THE FINAL CURTAIN
The audience applauds. The lights dim. The curtain falls. But for performers, the show is far from over. After hours spent on stage delivering emotionally intense scenes, belting out high notes, or dancing with precision, the body and mind need time to reset. What happens after the performance is just as important as what takes…
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LITERATURE THAT HAS BEEN SUCCESSFULLY TRANSLATED TO THE SILVER SCREEN
It is not an easy endeavor to translate books into movies, though one that has been done for decades by filmmakers. Books made into movies are just so full of great stories, characters of such depth, and worlds so richly detailed to be explored that they are ideal material to be given life on the…
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EXPLORING GAMBLING AND CASINO CULTURES IN THE PHILIPPINES (PAGCOR)
The Philippines is known for its fascinating culture and exciting entertainment options. One of the most famous forms of entertainment is gambling, especially casino games. At the heart of it all is the Philippine Amusement and Gaming Corporation (PAGCOR). It’s a government-owned agency that has regulated gambling in the country for nearly five decades. This…
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London Review: MY NEIGHBOUR TOTORO (Gillian Lynne)
WHAT THE FOREST KNOWS: TOTORO AND THE RADICAL ACT OF WONDER There’s something profoundly radical about a piece of theatre that trusts its audience to believe in wonder. The Royal Shakespeare Company’s production of My Neighbour Totoro, now enchanting audiences in its West End transfer at the Gillian Lynne Theatre after breaking box office records…
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Film Review: LES MUSICIENS [THE MUSICIANS] (Directed by Grégory Magne)
A QUARTET WORTH TUNING INTO Les Musiciens (The Musicians) is a comedy that is not afraid to be intelligent. It’s a welcome cinematic entry for discerning moviegoers who care about more than superheroes and vampires. The engaging and well-paced plot is about the creation of an impossible concert by a quartet of musicians who’ve never…
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