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Theater Review: EXCEPT MYSELF (Broadwater Black Box)
ALL IN ONE AND ONE IN ALL With Except Myself at the Broadwater Black Box, playwright Drew Petriello has achieved a clever, slick, and absolutely entertaining deconstruction of the solo show concept. Using the template of the classic absurdist play Six Characters in Search of an Author by Luigi Pirandello, Petriello has fashioned his own “five…
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TOP 8 MOST POPULAR GAMES AT JOKAROOM CASINO
Introduction Jokaviproom Casino stands as a vibrant hub in the online gaming world, known for its diverse selection and engaging player experience. Navigating the vast landscape of online casino games can be overwhelming, but that’s where this guide comes in. Drawing from extensive experience observing player preferences and game performance, this article cuts through the…
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Theater Review: THE GOOD RUSSIAN (Stephanie Feury)
THE GOOD ANDREW BYRON CREATES A LONG AND WINDING RUSSIAN Andrew Byron frames his one man show The Good Russian within the historical context of 2018, when Sergei Skripal, a Russian expatriate who had worked as a double agent for MI6, the British Intelligence Agency, was found poisoned along with his daughter in his home in…
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Theater Review: DO YOU FEEL ANGER? (Marin Theatre)
I DON’T FEEL YOUR PAIN Corporate life—or working in an office—has a very specific subculture that goes along with it. Sharing confined spaces with others in a 9-to-5 structure can be chaotic, or at least confusing, especially now, post-COVID. People are having to readjust to “playing well with others” all over again. The Bay Area’s tech culture in…
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Concert Review: NIGHT OF A THOUSAND JUDYS (13th Annual Benefit at Joe’s Pub for The Ali Forney Center)
A FUN FUNDRAISER FOR THE GLORY OF GARLAND & GAY RIGHTS What a night! So very, very varied – even though there was a specific theme. Night of a Thousand Judys is a loving valentine to the legendary Judy Garland, timed for the second night of Pride Month. It’s a program stuffed with examples of…
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Book Review: WHATEVER HAPPENED TO ORSON WELLES? (Joseph McBride)
ALL’S WELLES THAT ENDS WELLES Another book about Orson Welles? Why? With very good reason as it happens. Unlike most previous biographies, Whatever Happened to Orson Welles? by Joseph McBride focuses on the last fifteen years of the great director’s life, from his return to Hollywood in 1970 after a long exile in Europe, until…
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Cabaret Interview: ANDY CLEMENTS aka DREW SEBASTIAN (Performing in “It Had to Be Drew”)
A HARD ACT TO FOLLOW Drew Sebastian doesn’t just step into the spotlight—he claims it. Known to many for his work in adult film, and to just as many for his fearless authenticity, Drew is now bringing his full self to the stage in his new cabaret, It Had to Be Drew at The Roost in…
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Dance Review: SWAN LAKE (Miami City Ballet)
NO MIST, NO MERCY, JUST SWAN LAKE Forget what you think Swan Lake is. Forget the gauzy tragedy, the white tutus, the endless fluttering. At Segerstrom Hall tonight, Miami City Ballet, under Alexei Ratmansky‘s choreography, has cracked open the windows. Something sharper moves through the air now. The story’s cruelty remains intact. It is a…
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Theater Interview: ROB MADGE (“My Son’s a Queer (But What Can You Do?)” at New York City Center)
APPARENTLY, YOU CAN DO A LOT My Son’s a Queer (But What Can You Do?) is a joyous, autobiographical solo show from social media sensation Rob Madge, charting their journey as a queer child with one dream: to stage a full-scale Disney parade in their living room. With wit, heart, and seven easy steps, Madge…
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Theater Review: PARADE (National Tour, Ahmanson Theatre)
NEITHER FOOLS NOR COWARDS Michael Arden is a Renaissance artist. He approaches his work with a humanist curiosity, an intricate yet organic perfectionism, and a keen eye for composition, movement, and light. He’s a two-time Tony Award-winning director, the first of which was for his 2023 Broadway revival of Parade. This production is now on…
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Theater Review: RESERVOIR DOLLS: THE WOMEN OF QUENTIN TARANTINO (Broadwater Studio)
PULP FRICTION Reservoir Dolls is a witty, sharp satire of several sociological concerns currently occupying center stage in the cultural consciousness of both “tinsel town” and the nation: the exploitation of women in films and their limited access to roles in an image-driven industry; the institutional gender inequality and barriers facing women in the studio…
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Theater Review: THE CLUB OF BROKEN FASTS (Broadwater Theatre Main Stage)
SHAKESPEARE GOES BRAT PACK The trouble with tribute plays is that not all audiences are necessarily as knowledgeable about the subject of the homage as the creators are. In the case of Phil S. Gould’s faux Shakespearian The Club of Broken Fasts, the object of his retooling is the 1985 coming-of-age teen comedy-drama The Breakfast…
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Theater Review: ALL’S WELL THAT ENDS WELL (Old Globe)
WELL… The Old Globe Theatre is opening its summer Shakespeare season with the comedy All’s Well That Ends Well, one of the Bard’s least presented (and least admired) works. Completists who wish to add the play to their list of missing Shakespeare shows may want to catch the Old Globe revival while they have a…
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Theater Review: DO YOU FEEL ANGER? (Marin Theatre)
RAUNCHY AND RIDDLED Marin Theatre carries a torch for unusual and challenging productions at its Mill Valley location. This past season has seen a collection of shows, each producing a controversial “loved it/hated it” response from critics and audiences alike. The final show of their season, Do You Feel Anger? is in the same league….
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Theater Review: SMILE: THE STORY OF CHARLIE CHAPLIN (Broadwater Main Stage)
NOT A DETAILED BIO, BUT MARCEL COLE IS THE REEL THING Smile: The Story of Charlie Chaplin is wildly successful for many reasons, only not for the reasons it would succeed with me. As a major film geek, I confess to being a certified PITAP (“Pain In The Ass Purist”). For me, the show was…
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Theater Review: IRAQ, BUT FUNNY (Lookingglass in Chicago)
A FUNNY THING HAPPENED ON THE WAY TO BAGHDAD: COMEDY BUMPS INTO HISTORY TO CREATE A MASTERPIECE We sometimes forget how much the theatrical stage can be a place of true discovery—until we stumble upon islands of magic like Iraq, But Funny, a marvel now running through July 20. Written by the immensely talented Lookingglass…
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Theater Review: Woody Allen’s MR. BIG (Hobgoblin Playhouse)
THE BIG SLEEP MEETS BIG QUESTIONS IN MR. BIG “Mr. Big” is the final entry in Woody Allen’s Getting Even (1971), his first published collection of 17 tales and essays, most of which originally appeared in The New Yorker. The main character in “Mr. Big” reflects a recurring motif for Allen: Sam Spade. Kaiser Lupowitz,…
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Off-Broadway Review: PRINCE FAGGOT (Playwrights Horizon)
A RADICAL FAIRY TALE FIT FOR A KING The only marketing I saw for Jordan Tannahill’s provocative new play Prince Faggot, which opened last night at Playwrights Horizons (a co-production with Soho Rep), was the single-line tease: “Let us tell you a fairy tale about a prince.” It didn’t prepare me for the electrifying, emotionally rich, and theatrically thrilling experience waiting…
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Theater Review: THE SECOND COMING OF JOAN OF ARC (The Actors Company)
NOT ENOUGH HEAT The Second Coming of Joan of Arc is the best-known work of American playwright, author, and lesbian feminist Carolyn Gage. Loosely based, scholars will tell you, “very loosely,” on the history of the teenage “Maid of Orléans,” who led the French armies to a series of victories over those of the English…
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Opera Review: H.M.S. PINAFORE (Pacific Opera Project at Heritage Square)
THE PICNIC COMES BEFORE PINAFORE, LITERALLY AND FIGURATIVELY. WELL, SHIP HAPPENS. It’s best to approach Pacific Opera Project’s new production of W. S. Gilbert (libretto) and Arthur Sullivan’s (music) 1878 opera, H.M.S. Pinafore: the same way that many people approach going to the Hollywood Bowl — as a reason to eat, socialize, and take selfies….
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