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Broadway Review: THE LAST FIVE YEARS (Hudson Theatre)
IT WON’T LAST FIVE YEARS, BUT IT WAS NEVER MEANT TO (THE RELATIONSHIP AND THE BROADWAY MUSICAL) Although the traditional wedding vow includes the pledge to stay together “‘til death do you part,” sometimes the love and compatibility die first. In some old stories of romance, where marriage is the be-all and end-all, it all…
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Broadway Review: GOOD NIGHT, AND GOOD LUCK (Winter Garden Theatre)
GEORGE CLOONEY’S SENSE OF DECENCY Where are our heroes when we need them?! It takes a Hollywood actor to give us one in these traumatic times. Trouble is, that hero comes from the 1950s. George Clooney George Clooney has had a lifelong respect for truth, justice, and “the facts.” Son of a news anchorman in…
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Theater Review: THE HOT WING KING (Cygnet Theatre)
THESE WINGS ARE FLAMING IN MORE WAYS THAN ONE In our divided nation, there are still a few universals that bring us together. Puppies. Mother’s Day. Pizza. And, tagging close behind on the pizza bandwagon: the deep-fried delight known as “chicken wings.” But the folks at the Anchor Bar in Buffalo who first served them…
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POPULAR MOVIES IN ONLINE POKIES
Playing online pokies always brings a great variety. There are classic fruit themes, safari themes, bandits looking for gold, and almost everything under the sky. But everyone’s favourites must be movie-themed pokies, as they let you engage in a cinematic experience. Let’s take a look at those pokies on Online casino Australia and other online…
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BRINGING VISUAL ART INTO THEATER – THE ROLE OF WALL MURALS IN STAGE DESIGN
If you’re someone who loves theater, you know that the magic of a performance doesn’t just come from the actors — it’s also in the atmosphere. And one of the best ways to bring a show to life is through stage design. Popular Wall Murals Tapeko can really make a difference, creating a backdrop that…
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Theater Review: CROWNS (Moonbox at Arrow Street Arts)
SIT BACK AND LET THIS CAST TAKE YOU TO CHURCH Aptly described as a powerful mix of gospel music and “hattitude,” Moonbox Production’s Crowns—which opened last night at Arrow Street Arts—indeed hits on many levels. Regina Taylor’s adaptation of the eponymous coffee table book by Michael Cunningham and Craig Marberry flows easily between music and…
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Theater Review: A MIDSUMMER NIGHT’S DREAM (Actors’ Shakespeare Project)
HALCYON AND ON AND ON Director Maurice Emmanuel Parent’s vibrant, pulsing production of Shakespeare’s A Midsummer Night’s Dream transforms the woods outside Athens into a 1990s dance floor. With throbbing club beats (sound design by Mackenzie Adamick), fairies dressed in glitter and leather (costumes by Seth Bodie), and a gender-fluid aesthetic of hedonism, this Dream…
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Theater Review: IN THE BAR OF A TOKYO HOTEL (Tennessee Williams at the Hudson Backstage Theatre in Hollywood)
TENNESSEE WILLIAMS’ SELDOM SEEN PLAY SHOWS WHY IT’S SO SELDOM SEEN It can be a curse to start one’s literary or dramatic career with a masterpiece. Doing so serves to intensify the expectations of one’s readership or audience while inflating the artist’s creative anxieties. Towards the end of his life, author of the classic antiwar…
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Off-Broadway Review: IRISHTOWN (Irish Rep)
FIERCE CRAIC A really enjoyable, light-hearted, raucous comedy just opened at The Irish Repertory Theatre: the world premiere of Irishtown by Ciara Elizabeth Smyth, directed by Nicola Murphy Dubey. In a building on the outskirts of Dublin, The Irishtown Players, three actors, a playwright and a director, are rehearsing a new play, a sexual assault…
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Cabaret Review: SUSPENDED IN TIME LIVE (Rondi Charleston, Fred Hersch, Kate McGarry, Gabrielle Stravelli at Joe’s Pub NYC)
A REWARDING TIME SPENT SUSPENDED WITH THE ARTISTS OF SUSPENDED IN TIME Some musical performances—in concert or on recordings—while unquestionably or undemandingly enjoyable, may go in one ear and out the other. Others linger in that place in between the ears and might stay in the heart. Here’s an example of the kind that sticks…
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Dance Review: BROKEN LOVE (“Broken Wings” & “Marguerite and Armand” | San Francisco Ballet)
A VISCERAL DOUBLE BILL OF PASSION, PAIN AND POETIC MOVEMENT The San Francisco Ballet’s Broken Love program dives headfirst into the tempestuous territory of heartbreak and transformation through two emotionally charged ballets: Annabelle Lopez Ochoa’s Broken Wings, and Sir Frederick Ashton’s Marguerite and Armand. It’s a double bill that traverses both the intimate and the…
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HOW TO REGISTER AT GATORAMA CASINO; STEP-BY-STEP GUIDE
Registering at Gratorama casino is a straightforward process that opens the door to an exciting world of online gaming. To get started, visit the registration page where you will need to provide basic information such as your email address, preferred username, and password. After filling out the required fields, it’s essential to confirm your age,…
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Theater Review: REGENCY GIRLS (Pre-Broadway World Premiere at The Old Globe)
A RIOTOUS CARRIAGE RIDE THROUGH TIME Somewhere between empire waistlines and leather harnesses, Regency Girls carves out a raucous, messy, and strangely moving place for itself onstage at The Old Globe. This new musical, with a book by Jennifer Crittenden and Gabrielle Allan, takes the stiff-backed decorum of Austen-era England and smashes it headfirst into…
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Theater Review: HAIRSPRAY (Desert Theatricals)
TRY TO FIND A HAIRSPRAY WITH BETTER HOLD; THIS ONE WORKS FROM HEAD TO NECK! As I was driving to the Rancho Mirage Amphitheatre I noticed that the regular Friday Night Stress was lifting from my shoulders. I already loved Hairspray and Desert Theatricals can be quite stylish and classy, but I soon discovered that…
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TIPS FOR BEGINNERS–HOW TO START PLAYING AT 9FGAME CASINO
Starting your gaming journey at 9f Casino can be exciting yet overwhelming. To ease into the experience, begin by familiarizing yourself with the wide range of games available, including slots, table games, and live dealer options. Set a budget before you start playing to manage your bankroll effectively. Take advantage of welcome bonuses and promotions,…
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Broadway Review: SMASH (Imperial Theatre)
MAKING THE IMPLAUSABLE APPLAUSEABLE, SMASH IS A WILD, WACKY, WONDERFUL WOW “S” is for “splashy”; “M” is for “Marilyn Monroe”; “A” is for “audience-pleasing”; “S” is for “snarky”; “H” is for “hilarious.” Put ’em all together and that’s Smash, the broad Broadway musical comedy and the story of the Broadway musical comedy within that Broadway…
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Theater Review: HER PORTMANTEAU (Central Square Theater and Front Porch Arts Collaborative in Cambridge, MA)
THE THINGS THEY CARRIED The fourth episode in Mfoniso Udofia’s ambitious nine-episode Ufot Family Cycle, Her Portmanteau, takes us deeper into the fascinating story of a very specific Nigerian-American family whose struggles remain universal. Gripping performances by Patrice Jean-Baptiste, Jade Guerra, and Lorraine Victoria Kanyike create an immersive and emotionally charged one-act play that kept…
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Cabaret Review: SONGBOOK SUNDAYS: RODGERS & HART (Nikki Renée Daniels, Debby Boone & Charles Turner at Dizzy’s)
You probably did not attend the opening of a Broadway revue called Garrick Gaieties, since this year of 2025 marks the 100th anniversary of that show. It presented the first Broadway production for which a certain pair of talented songwriters had contributed the full score. They’d go on to much success, creating many standards that…
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Dance Review: AMOUR, ACIDE ET NOIX (Daniel Léveillé Dance at NYU Skirball)
THE NAKED TRUTH In Amour, Acide et Noix, Canadian choreographer Daniel Léveillé presents a stark and unflinching meditation on the human form—one that reduces dance to its most essential components. Staged on a bare black floor under austere white lighting, the 60-minute modern dance work is minimalist in both visual and choreographic design. Gone are…
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Off-Broadway Review: SMILE (J2 Spotlight at AMT Theater)
GRINS, GOWNS, AND GRIT: A WINNING SMILE SASHAYS BACK ONSTAGE In the year 1919, the Ziegfeld Follies on Broadway featured an ode to female finery as a bevy of beauties graced the stage to the strains of the Irving Berlin song “A Pretty Girl Is Like a Melody.” The next year, Congress ratified an amendment…
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