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Theater Review: THE CUTTLEFISH, OR THE HYRCANIAN WORLDVIEW (Trap Door Theatre)
PHILOSOPHY, FARCE, AND ART UNDER SIEGE Witkiewicz’s dense, absurdist text sparks to life— until unnecessary asides break the spell Gus Thomas and Venice Averyheart Theatre does not get much more high-minded than The Cuttlefish, or the Hyrcanian Worldview, now on stage at Trap Door Theatre in Bucktown. This 1922 play from Polish surrealist Stanisław I….
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WHY IS IT IMPORTANT TO GO TO THE THEATER?
Nowadays, we live in a world where everyone spends more and more time looking at their phones, and as a result, we are increasingly moving away from live and personal experiences. Theater is a great opportunity to bring balance back into our lives. Not only can we have fun in theaters, but we also enrich…
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Theater Interview: RICHARD CHANG (张德胜) (Playwright and Performer of “Ai Yah Goy Vey!”)
Playwright-Performer Richard Chang Turns Reductionism Into Multiculturalism Years ago, while riding the subway, playwright Richard Chang witnessed passengers snickering at a Chinese battery seller advertising his wares in a thick Cantonese accent. Raised in the melting pot of Malaysia, Chang considered how the American landscape reduced a marginalized stranger into a laughable spectacle. It was…
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Theater Review: GODS & MONSTERS (New Conservatory Theatre Center)
OLD HOLLYWOOD, QUEER LONELINESS, AND A LEGEND’S FINAL ACT A well-acted and atmospheric production brings James Whale’s twilight years to vivid life Jason M. Blackwell, Donald Currie, Francine Torres New Conservatory Theater’s new Artistic Director Ben Villas Randle was on hand for opening night for his first production: Gods & Monsters. If the title sounds…
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Theater Review: SEX, LIES AND HAROLD PINTER
CIVILITY ON THE BRINK OF CHAOS Jack Heller’s polished production reveals Pinter’s menace, even if it could use a bit more disorder First, a joke: “How many Harold Pinters does it take to change a light bulb?” Answer: “Change?”(pause)“A light bulb? Into what?(pause)“Ah, asparagus.” In many ways, Harold Pinter (1930–2008) was a literary assault on…
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STREAMING IN THE SHADOWS: How Telegram Clients Are Reshaping Film Culture in India
Cinema has always found ways to travel beyond the spaces designed to contain it. From early touring projectionists to pirated DVDs passed between friends, films have rarely stayed confined to theatres or official distribution channels. In India, where the appetite for cinema stretches across languages, regions, and generations, this movement has taken on new forms—some…
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Theater Review: THE COLOR PURPLE (Zephyr Theatre, Chromolume Theatre Company)
CAN ANYONE SAVE THIS MUSICAL? A committed cast and strong vocals can’t overcome a rushed, softened adaptation that drains the story’s power In their mission statement, Chromolume Theatre is “dedicated to presenting Broadway’s forgotten musical theatre gems.” So, for their current production, they’re doing The Color Purple at The Zephyr Theatre. With two major Broadway…
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Theater Review: ||: GIRLS :||: CHANCE :||: MUSIC :|| (American Conservatory Theater’s Strand Theater)
FINDING THEIR VOICE A thoughtful coming-of-age story that avoids the usual clichés American Conservatory Theater’s Strand Theater on Market Street tends to showcase new playwrights and emerging voices, in contrast to its mainstage on Geary Street, which features more traditional fare. Currently on offer is Girls: Chance: Music: by Eisa Davis, a world premiere co-production…
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Theater Review: WHITE ROOSTER (Lookingglass Theatre)
FOLKLORE, GHOSTS, AND THE WEIGHT OF THE DEAD Matthew C. Yee’s wildly ambitious world premiere dazzles, even as its larger shape remains elusive Death, and coming to terms with it, have been fertile ground for the theatre since its inception. In White Rooster, multi-hyphenate Matthew C. Yee—he writes! He directs! He acts! He composes!—examines death…
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Theater Review: MONTE CRISTO (The York Theatre)
A HANDSOME, AMBITIOUS REVENGE MUSICAL TAKES SHAPE Strong design and performances elevate Dumas’ tale, even as tonal shifts occasionally blur its focus The York Theatre’s ambitious world premiere of the new musical Monte Cristo stages Alexandre Dumas’ revenge-driven tale of Edmond Dantès (Adam Jacobs), an innocent man wrongfully imprisoned by a corrupt system and betrayed…
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Theater Review: THE BEST BOARDING HOUSE IN DELAWARE (Electric Lodge)
HOME IS WHERE THE HORROR IS A boarding house of quiet menace and killer detail Writer/director Marja-Lewis Ryan is back, and her latest show arrives at The Electric Lodge in Venice with a killer premise and, thankfully, a production that knows exactly how to serve it: not with winks or indulgence, but with precision, restraint,…
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Cabaret Review: “THE WIZARD AND I” ALBUM RELEASE CONCERT (Liz Callaway Sings Schwartz [& Sondheim] at 54 Below)
TWO STEVES WITH LOVE, TWO TRIBUTES, ONE SUPREMELY SATISFYING WEEK From Schwartz to Sondheim, Callaway revisits rich collaborations with warmth, wit, and deeply felt interpretation Once upon a time in the previous century, very early in her career, on the very same day, Liz Callaway received two pieces of good news: both about being offered…
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WOMEN’S BASKETBALL IN ASIA 2026: KEY EVENTS, STARS, AND FAN TECH
Women’s basketball in Asia has a new kind of visibility in 2026: not a single “breakthrough moment,” but a steady accumulation of watchable games, recognizable players, and a digital culture that makes every tournament feel close. Some fans add odds to the routine, and online betting Philippines conversations often sit right beside the streaming link…
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Off-Broadway Review: ABOUT TIME (Marjorie S. Dean Little Theater)
GETTING OLDER NEVER SOUNDED SO GOOD A richly satisfying Maltby and Shire revue finds warmth, wit, and wisdom in growing older Lynne Wintersteller, Sally Wilfert, Allyson Kaye Daniel While it may be true that getting old (excuse me, getting older) is no picnic, a taste of that period of life is more palatable—even sweet—when accompanied…
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Theater Review: CHICAGO (Desert Theatricals)
CHICAGO IS EVEN HOTTER IN THE DESERT Desert Theatricals just wrapped up their run of Chicago at the Rancho Mirage Amphitheater, and if you weren’t there this past weekend, you truly missed out on a spectacular night under the stars. It’s one thing to see this show in a traditional theater, but there’s something about…
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Off-Broadway Review: BIGFOOT! (New York City Center Stage 1)
BIGFOOT! BRINGS DOWNTOWN MUSICAL MISCHIEF UPTOWN A raunchy, campy comedy with big laughs, big fur, and a surprisingly sharp anti-capitalist bite It’s not every day downtown theater energy comes uptown; when it does, it’s almost always sanitized and robbed of the charm and authenticity that made it so deliciously twisted in the first place. Luckily,…
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Cabaret Review: LORNA LUFT (In Residence at The Laurie Beechman Theatre)
LORNA LUFT LETS LOOSE LUSTILY AND WITH LOVE A veteran performer pushes through rough patches with grit, gratitude, and plenty of show-biz heart There’s plenty of energy and goodwill going back and forth between performer and audience when singer Lorna Luft takes the stage. Those who’ve followed her over the decades know that the trouper…
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FINDING CALM IN MOTION: HOW TO CREATE VISUAL ASMR FOR DEEP RELAXATION
Modern life demands constant attention. Screens flash with notifications, social feeds update endlessly, and the noise of daily routines can leave the mind feeling cluttered and exhausted. Finding a moment of genuine peace requires more than just closing your eyes; it often requires a gentle focal point to quiet the racing thoughts. This is where…
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SWEEPSTAKES GAMING GUIDE FOR BEGINNERS
Sweepstakes gaming has revolutionized the way players across North America experience the thrill of the casino floor from the comfort of home. Unlike traditional gambling, this unique model prioritizes social interaction and pure entertainment, allowing you to enjoy high-quality slots and table games without the financial risks associated with standard betting. By utilizing a legal…
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Dance Review: BALANCHINE: TWIN MASTERPIECES (American Contemporary Ballet)
BAD MOOD? BALANCHINE WILL FIX THAT American Contemporary Ballet’s twin masterpieces turn live strings into a reset button for the soul Two string duos. Two ballets. Both pairs similar in structure and running time, but containing glimpses of unlimited invention within fixed limitations. For their spring program, American Contemporary Ballet performs two works from George…
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