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Music Review: SCHUMANN AND SCHEHERAZADE (LA Phil with Guest Conductor Tianyi Lu; Pianist Sunwook Kim at Disney Hall)
BIG, MAGICAL & CLIMACTIC For the first Los Angeles Philharmonic performance of British composer Anna Klein’s This Midnight Hour, guest conductor Chinese-born New Zealander Tianyi Lu in a sparkly blouse conducted precisely and clearly but with incredible elegance, oftentimes pulling notes out of the instrumentalists like a single thread; her gestures reminded me like those…
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Off-Broadway Review: THE GOODBYE GIRL (J2 Spotlight Musical Theatre Company at Theatre Row)
ARE WE EVER GOING TO SAY GOODBYE TO GOODBYE GIRL? The 1977 film The Goodbye Girl, written by Neil Simon and directed by Herbert Ross, was the first romantic comedy to earn over $100 million at the box office. So it should come as no surprise that it didn’t take long for Simon to turn…
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Theater Review: XANADU (San Diego Musical Theatre)
XANA-DOOZY OF A MUSICAL Playwrights of musicals have frequently, with varying degrees of success, taken a successful non-musical movie and worked it into a staged musical. Billy Elliott, Waitress, and Mean Girls are among many movies given a whole new life on stage through song and dance. What makes 1980s’ Xanadu a very different case,…
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Theater Review: THE CHRONICLES OF KALKI (Moxie Theatre in San Diego)
VISHNU WERE HERE First, a little history lesson: In the Hindu religion, the god Vishnu incarnated ten times as different “avatara,” which can be interpreted different ways, including “descendent.” The final incarnation, calling himself Kalki, came to end a long period of darkness, degeneration, and chaos. While knowing this is not critical to following Aditi…
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Opera Review: OTELLO (LA Opera)
EXQUISITE MUSIC BROUGHT TO LIFE BY LA OPERA Giuseppe Verdi’s opera Otello is a timeless masterpiece that showcases the composer’s genius in capturing the dramatic intensity and emotional complexity of William Shakespeare’s tragic play. The opera, which premiered in 1887, has become one of Verdi’s most powerful and musically captivating works, blending intricate vocal lines,…
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Extras / Film: 10 ACTORS WHO PRACTICED PLAYING CARDS FOR THEIR ROLES
In cinema, actors often go to great lengths to prepare for their roles, immersing themselves in the intricacies of their characters’ lives. One fascinating aspect of this dedication is the time and effort some actors put into mastering specific skills to bring authenticity to their performances. This comprehensive article will delve into the captivating realm…
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Theater Review: AVAAZ (South Coast Rep in Costa Mesa)
A TRAILBLAZING VOICE EMERGES It is tough to capture what Avaaz is in writing. On the surface, it is a one-person play in which author Michael Shayan plays his mother, Roya, a Jewish-Iranian woman who is quite a character. The narrative journey can be traced back to Roya’s father, Shayan’s grandfather, who was jailed for…
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Extras / TV: How Are Slot Game Developers Using Sound, Color, and Animation to Keep Players Engaged?
Slots and gambling are something addictive in essence, but that doesn’t mean the developers of slot games and other casino games don’t need to make an effort to profit and attract more players. It’s too difficult to stay on the market on such a competitive basis as gambling. If you analyze popular crypto slot games, they…
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Theater Review: SHE LOVES ME (Palm Canyon Theatre)
I LOVES SHE LOVES ME Palm Canyon Theatre closed their 22/23 season this past week with a warm-hearted, inspired mounting of She Loves Me, one of the most romantic musicals ever written. She Loves Me is the 1963 melt-your-heart musical based on Hungarian playwright Miklós László’s Parfumerie and features one of the most adorable pairs…
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Interview: ETHAN JOSEPH (Now Appearing at The Metropolitan Opera in “Champion”)
JOSEPH AND THE AMAZING TECHNICOLOR CAREER With the dynamic production of Champion at the Metropolitan Opera, directed with flair by James Robinson, and choreographed with a festive revelry by Camille A. Brown, three male singers play the protagonist Emile Griffith — the international prize-winning boxer of the 1960s and 70s, who also happened to be…
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Theater Recommendation: GREAT BROADWAY LINE-UP (Segerstrom Center in Costa Mesa)
2023–24 Broadway SeasonSUBSCRIBE
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Book Recommendation: I’LL DRINK TO THAT! BROADWAY’S LEGENDARY STARS, CLASSIC SHOWS, AND THE COCKTAILS THEY INSPIRED (Laurence Maslon, Author; Joan Marcus, Photographer)
CHEERS! If there’s anything better than a cocktail before or after a Broadway show, it’s a cocktail in a Broadway show. So, I’d like to propose a toast … slide your coffee table book to the side (mine is of Broadway posters), and make room for that new cocktail table book: I’ll Drink to That!,…
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Interview: ANGEL SIGALA (Now Appearing in “New York, New York” on Broadway )
AN ANGEL IN NEW YORK, AND NEW YORK, NEW YORK Angel Sigala was born and raised near Mexico City. His parents moved the family to the U.S. when he was ten years old, and he quickly dove into learning English. Eight years later, he attended Temple University and majored in Theater, Film and Media Arts,…
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Off-Broadway Theater: 2023 QUEERLY FESTIVAL (UNDER St. Marks & The Kraine Theater)
QUEERILY, WE ROLL ALONG From June 15-July 3, 2023, the 9th annual Queerly Festival hits The Kraine Theater (85 E 4th St) and UNDER St. Marks (94 St Marks Pl), Most performances will also be available to livestream from home. Tickets ($25 in-person; $20 streaming) are available for advance purchase at Frigid. Founded in 2014,…
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Theater Review: ASSASSINS (Long Beach Landmark Theatre, First Congregational Church of Long Beach)
ASSASSINS SINGS! BUT THE COMPEXITY OF ITS THEMES GO MISSING ALONG WITH THE GUNS Assassins, with music and lyrics by the late Stephen Sondheim and a book by John Weidman, opened Off-Broadway at the Playwrights Horizon in the winter of 1990 and played seventy-three performances. Reviews were mixed to poor, applauding the music but questioning…
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Theater Review: ANGELS IN AMERICA: PART ONE (Bedlam and Central Square Theater in Cambridge, MA)
THE MILLENNIUM HAS COME AND GONE, BUT THE THEMES REMAIN THE SAME Central Square Theater’s collaboration with Bedlam of Tony Kushner’s still-relevant masterpiece Angels in America: A Gay Fantasia on National Themes is thrilling. Despite the three-hour run time, the intensity of Part One: Millennium Approaches is inspiring and moving. The acting is terrific. Eddie Shields…
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Cabaret Review: NO ONE IS ALONE: MELISSA ERRICO REMEMBERS STEPHEN SONDHEIM (CVRep)
ISN’T IT BLISS? Striding onto the CVRep stage last night, Broadway star Melissa Errico, in a black dress draped in silver sequins, dazzled the eyes looking as if she had just stepped off of the steps of a recent Met Gala in New York. Over the next 90 minutes, she dazzled the ears as well….
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Theater Review: JOY & PANDEMIC (Huntington Theatre Company in Boston)
FAITH, HOPE AND SCIENCE I found myself thinking of Henrik Ibsen and Lucille Ball as I watched this world premiere of acclaimed playwright and performance artist Taylor Mac. Ibsen and Ball are not two names normally associated in my mind, but the early twentieth-century interior setting (Philadelphia, not Norway) — in which the commanding figure…
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Broadway Review: THE SIGN IN SIDNEY BRUSTEIN’S WINDOW (James Earl Jones Theatre)
A GOOD SIGN FOR BROADWAY First-rate performances and Anne Kaufman’s near-flawless direction work well to conceal the few shortcomings in Lorraine Hansberry’s thoughtful and compelling The Sign in Sidney Brustein’s Window, making this revival — which recently moved from BAM to Broadway’s James Earl Jones Theater — rich with energy, emotion and life. Ms. Kaufman’s dynamic…
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Broadway Review: NEW YORK, NEW YORK — A NEW MUSICAL (St. James Theatre)
NEW YORK, NEW YORK SOARS ABOVE ITS OWN MATERIAL So apparently it’s still up to you New York — with a healthy assist from Susan Stroman and Lin-Manuel Miranda – to bring Martin Scorsese’s underrated 1977 film New York, New York to Broadway. But this new production, New York, New York – A New Musical,…
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