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Broadway Opening: THE TAP DANCE KID; THE LIFE; INTO THE WOODS (Encores! at New York City Center)
New York City Center’s 2022 Encores! season has been announced and — starting at $35 — tickets are now on sale. You can purchase online at NYCityCenter, by calling 212.581.1212, or at the City Center Box Office. New York City Center is located at 131 W 55th St between Sixth and Seventh avenues. The next…
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Theater Review: CAGES (Woolf and the Wondershow, DTLA)
CAGES : AND THE FUTURE OF THEATER In late September, the long-delayed Tony Awards proudly announced: “Broadway’s Back!” Yet even before Christmas, theaters from The Great White Way to L.A. have canceled performances — even closed shows early — due to an upward surge of Omicron, the latest COVID-19 variant. This, of course, falls on…
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Music / Dance Recommendation: LA JOLLA MUSIC SOCIETY (2022 Lineup)
EMANUEL AX, WYNTON MARSALIS LEAD STAR-STUDDED EVENTS AT LA JOLLA MUSIC SOCIETY IN JANUARY 2022 La Jolla Music Society (LJMS) opens 2022 with a star-studded lineup of live performances at its world-class venue, The Conrad Prebys Performing Arts Center. From international superstars like Emanuel Ax, Wynton Marsalis, and Lang Lang to global artists, dance, jazz, National…
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Film Festival: DANCE CAMERA WEST (20th Anniversary in L.A.)
20TH ANNIVERSARY Dance Camera West Film Festival JANUARY 6 – 15, 2022 LIVE IN PERSON AND VIRTUAL SCREENINGS +++ 75+ FILM PREMIERES IN 11 SCREENINGS 2 WEEKENDS AT 2 LOS ANGELES VENUES THE WORLD PREMIERE OF 6 DANCE CAMERA WEST COMMISSIONED FILMS! POP-UP PERFORMANCES DJ DANCE AFTER PARTIES 2022 DCW FESTIVAL OVERVIEWEach film will…
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Broadway Opening: THE MUSIC MAN (with Hugh Jackman and Sutton Foster at The Winter Garden)
THE MUSIC MAN OPENS TONIGHT! Tonight at 8:00 p.m., the curtain will rise on the first preview performance of the hugely anticipated revival of Meredith Willson’s The Music Man, starring Hugh Jackman as Professor Harold Hill, and Sutton Foster as Marian Paroo, at Broadway’s Winter Garden Theatre (1634 Broadway) for a sold-out audience. Opening Night is scheduled…
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Theater Review: DISHWASHER DREAMS (Writers Theatre)
WASHING AWAY DOUBTS ABOUT GREAT THEATER And now for something completely different for the holiday entertainment season, a one-man show called Dishwasher Dreams performed by a Bangladesh actor and playwright named Alaudin Ullah. For about 90 continuous minutes at the Writers Theatre, Ullah escorts the audience on a memory trip through his life as a…
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Theater Review: KISS ME, KATE (Marriott Theatre)
AN UPDATED AND STILL OUTDATED KISS In William Shakespeare’s 16th-century comedy The Taming of the Shrew, a wandering fortune hunter named Petruchio does battle with a fiery independent woman named Katherine. The woman’s wealthy father, weary of dealing with his bumptious daughter, hires Petruchio to woo and wed Katherine for a considerable reward. Petruchio proceeds…
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Theater Review: PRETTY WOMAN, THE MUSICAL (National Tour)
Pretty Woman: The Musical is an adaption of the 1990 motion picture that made a star of Julia Roberts as Vivian, a Hollywood prostitute who wants out of her life on the streets. Providentially, and illogically, Vivian meets starchy unmarried billionaire business man Edward Lewis and turns his cold heart to love in time for…
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Theater Review: MR. DICKENS’ HAT (Northlight Theatre in Skokie)
English novelist Charles Dickens once actually used his hat to carry water to victims of a train wreck in Victorian England. Playwright Michael Hollinger uses that odd historical incident as the slender reed that’s the core of his comedy Mr. Dickens’ Hat at the Northlight Theatre. The Hollinger play runs about 95 minutes without an…
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Dance Review: MORE FOREVER (Conrad Tao, piano/composer; Caleb Teicher, choreographer/dancer)
DANCING ON SAND It was clear within minutes, when a piano emerged from the shadows of the blackened Zellerbach Hall stage and pianist Conrad Tao played the first few delicate bars of a haunting melody that More Forever — the collaboration between Tao and choreographer/tap dancer extraordinaire Caleb Teicher — was going to be much more…
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Theater Review: ALWAYS… PATSY CLINE (North Coast Rep)
CRAZY FOR LOVIN’ ALWAYS PATSY CLINE Is it a musical? A play with music? A tribute act? A duo cabaret act? Always:Patsy Cline is a little of each, coming together sweetly to be something unto itself. APC tells the true story of Louise Seger (Becky Barta), a devoted fan of country-music legend Patsy Cline, adoring…
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Off-Broadway Announcement: AT THE WEDDING (Lincoln Center)
LINCOLN CENTER THEATER/LCT3 TO PRODUCE AT THE WEDDING A NEW PLAY BY BRYNA TURNER DIRECTED BY JENNA WORSHAM CAST TO FEATURE REBECCA S’MANGA FRANK, KEREN LUGO, CAROLYN McCORMICK, WILL ROGERS, HAN VAN SCIVER, MARY WISEMAN PERFORMANCES BEGIN SATURDAY, FEBRUARY 12 OPENING NIGHT IS MONDAY, FEBRUARY 28 FOR SIX WEEKS ONLY THROUGH SUNDAY, MARCH 27 AT THE CLAIRE…
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Theater Review: WHEN HARRY MET REHAB (Greenhouse)
A SOBERING EXPERIENCE When Harry Met Rehab is a new play at the Greenhouse Theater Center that takes on the uninviting subject alcoholism. The title may suggest that the play intends a light-hearted view of the topic, and there are plenty of laughs scattered throughout the 90-minute production. But the show comes to grips with…
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Theater Review: TICK, TICK… BOOM! (Up Next Productions at the Thymele Arts Atlas Space)
SEASONS OF TICK, TICK… BOOM! One of the fortunate effects of the world spiraling into madness and postponing what was supposed to be Up Next Productions’ thirty-year anniversary tick, tick… BOOM!, slated for Spring 2020, is prodigious timing. The recent passing of Stephen Sondheim (a looming presence throughout the work), a year-and-change of having to…
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THE MOST UNUSUAL CINEMAS IN THE WORLD
The cinema we are used to is a place with lots of seating and a large screen opposite, but some of them create such a magical atmosphere in which you want to immerse yourself. Let’s see at the most unusual cinemas around the world. Electric Cinema in Notting Hill. For sirs and madam. It is…
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Theater Review: GEORGIANA AND KITTY: CHRISTMAS AT PEMBERLEY (Marin Theatre Company)
CHRISTMAS AT PEM-BAH-LEY Let me start off by saying that I belong to that camp that would like to see a moratorium on all things Jane Austen and an edict to return to her novels would be the best way to start to do that. I happen to feel that, good intentions towards one side,…
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Theater Review: FROZEN (North American Tour)
THIS SHOW STAYS FROZEN The Walt Disney animated film Frozen grossed about $1.28 billion dollars during its international run, and when there is a commercial success like that, reworkings and adaptations cannot be far behind. The franchise has included an animated short in 2015, an animated featurette in 2017, and a feature-length sequel, Frozen II,…
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Theater Review: THE BAND’S VISIT (National Tour)
LOST IN THE DESERT Winner of 10 Tony Awards including Best Musical of 2018, Itamar Moses’s The Band’s Visit is one of the most highly-awarded shows in musical theater history. And yet, those expecting the razzmatazz of a Big Broadway Musical in The Band’s Visit’s “post-shutdown” North American Tour are likely to be at least somewhat…
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Review: THE NUTCRACKER SUITE (American Contemporary Ballet in Hollywood)
DON’T SEE THE NUTCRACKER SUITE — LIVE IT There are certain new concepts in theatre of which one has learned to become wary: “color-blind casting”, “gender-blind casting” and most frightening of all, “age-blind casting” are now accepted and inescapable, if often confusing for an audience attempting to discern family lineage. But as the list grows,…
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Broadway Opening: THE MINUTES (Steppenwolf at Studio 54)
Previews begin March 19, 2022 Opens officially Thursday, April 7, 2022 The cast of Steppenwolf’s production of The Minutes, the new American play by Tracy Letts, directed by Anna D. Shapiro, is now complete. Noah Reid (Emmy Award-winning Schitt’s Creek) will join original Broadway company members Tony Award nominee Ian Barford (Linda Vista, August: Osage County), Tony Award winner Blair Brown (The Parisian Woman, Copenhagen), Cliff Chamberlain (Superior…
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