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Los Angeles / Orange County Theater Review: CIRCLE MIRROR TRANSFORMATION (South Coast Repertory in Costa Mesa)
GAMES PEOPLE PLAY Sometimes a play comes along that is so different from any play that has preceded it that, while it may have people scratching their heads, wondering what it is they have just seen – or even dismissing it out of hand because of its unfamiliarity – it is exactly the kind of…
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EMILY’S SONG by Chet Holmes – Hudson Backstage in Hollywood – Los Angeles Theater Review
THIS SONG IS WRONG, LONG, AND GETS THE GONG Prior to curtain up at Emily’s Song, Chet Holmes’ stultifying new musical at the Hudson Theatre, his daughter, co-composer and associate producer, Amanda, entertained us with original songs that brought to mind Norah Jones. When gorgeous, sweet-voiced Amanda finished her acoustic set and introduced the show…
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ROOM SERVICE by John Murray & Allen Boretz – Open Fist Theatre Company – Los Angeles Theater Review
YOU’LL WANT TO TIP THIS ROOM SERVICE Extra! Extra! Read all about it! Depression-era Broadway producer Gordon Miller (Derek Manson) discovers swell script by greenhorn scribe from Oswego (Dustin Eastman). Miller runs up huge hotel bill while rehearsing show on 19th floor. Hotel proprietor and brother-in-law (Phillip William Brock) in a panic – boss and…
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ADVERTISEMENT – The Birthday Present 2050
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ME, AS A PENGUIN / FREE / CAVALIA / LOVING REPEATING / MLLE. GOD – Los Angeles Theater Reviews
SHORT TAKES 2011 has arrived and, with it, a flurry of activity in the theater. Here’s a sample of some of the plays that have opened in recent weeks. ME, AS A PENGUIN by Tom Wells This odd and delightfully quirky play offers the little pleasures that come with discovering a new playwright. His name…
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Los Angeles Theater Preview: ONE TOUCH OF VENUS (Musical Theatre Guild)
YOU CAN GO BACK AGAIN The award-winning Musical Theatre Guild, a company of professional performers who present concert-staged readings of seldom seen musicals, will continue its 15th season with Kurt Weill and Ogden Nash’s rarely-produced classic One Touch of Venus (1943). I have been attending MTG for years and their one-night stands are more professional…
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BLOOD FROM A STONE by Tommy Nohilly – The New Group – Acorn Theatre – Off Broadway Theater Review
THEY MAKE OTHER DYSFUNCTIONAL FAMILIES SEEM DOWNRIGHT SEMI-FUNCTIONAL The New Group’s Blood From a Stone is an unsatisfying portrait of an already fractured family in Connecticut that continues to crumble over a few days, much like the dilapidated house that they grew up in. Â A writin g debut from playwright Tommy Nohilly, this production is…
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Los Angeles Theater Review: TO KILL A MOCKINGBIRD (The Production Company at the Lex in Hollywood)
TO SAVE A MELODRAMATIC SCRIPT Harper Lee’s 1960 story about lawyer Atticus Finch, who defends Tom Robinson, a black man wrongfully accused of rape in 1935 Alabama, has lost none of its appeal. Although some have argued that many of the poor white Southerners and victimized black characters are one-dimensional (and that Atticus’ daughter, six-year-old…
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Circus Theater Reviews: TRACES; CAVALIA; CIRQUE BERZERK (North America Tours)
THIS CITY HAS BECOME A CIRCUS Erica Jong said, “Every country gets the circus it deserves. Spain gets bullfights. Italy gets the Catholic Church. America gets Hollywood.†And what does Hollywood get? Three circus-themed diversions of derring-do opening in the same week: Traces, which is a terrifically tantalizing titillation by seven convivial yet streetwise twenty-somethings…
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Los Angeles Theater Review: CYCLOPS: A ROCK OPERA (Psittacus Productions)
MORE PHALLUS, PLEASE I don’t know about you, but if I were a 5th century Greek who had just witnessed three back-to-back tragedies at the Festival Dionysus, only one thing could lift my spirits: Party! The Greeks loved to party as much as they loved theatre, so why not combine the two? The “party†became…
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STORIES BY HEART – with John Lithgow – Mark Taper Forum – Los Angeles Theater Review
STORIES BY AND FOR THE HEART At the start of the second half of Stories By Heart, John Lithgow tells us that, originally, the first half was all there was; but his audience, like children, having heard one story, wanted “more.†In this instance, more proves to be less. If I had left at intermission,…
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Los Angeles Theater Review: DADDY (Hudson Theatre)
OH, DADDY, POOR DADDY, SOMEONE’S TAKEN ADVANTAGE OF YOUR GOOD NATURE (AND GUESS WHO IT IS?) When you watch Dan Via, the actor, play the part of a wise-cracking, heart-lonely “best friend,†you will get an idea of what the style of Dan Via, the playwright, consists. He acts earnestly and straight-forwardly and totally without…
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Theater Review: CIRCLE MIRROR TRANSFORMATION (South Coast Rep)
REVIEWER ATTENDS AN ACTING CLASS (A TEACHER leads an acting class for reviewers.) TEACHER: OK, Tony, imagine you’re writing a review. It has been three days since you have seen Circle Mirror Transformation at South Coast Rep. What do you feel? TONY: Nothing. TEACHER: Oh, come on. You can dig deeper than that. TONY: OK….
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AMY & ELLIOT by Ryan Eggold – Gilbert Stage at the Stella Adler in Hollywood – Los Angeles Theater Review
EGGOLD SUNNY-SIDE UP Here’s a switch: in the ever-increasing saga of showcase-as-play in Los Angeles theatre, 90210 star Ryan Eggold has not only written Amy & Elliot, a genuinely funny play, but delivers a beguiling performance and manages to direct it with comical nuances that showcase the talent of his 3 co-stars. True, the sit-com…
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THE GREEN HORNET directed by Michel Gondry – with Seth Rogen – Movie Review
A SIGNPOST FOR THE DIRECTION OF SUPERHERO MOVIES When small children lay their head on the pillow each night, do they dream of running into a phone booth to change into Seth Rogen? A more popular figure in raunchy comedies than little boys’ daydreams, Rogen is one of the least likely Hollywood stars to play…
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Off-Off-Broadway Theater Review: METAMORPHOSES (The Flea Theater)
ANCIENT TALES OF WORLD WAR II Pants on Fire’s Metamorphoses is a deliciously entertaining, award-winning import from the Edinburgh Fringe Festival that the U.S. is lucky to have. Â Set in Britain during World War II, Ovid’s already colorful tales about gods, love, and creation come alive in a vivid, vaudevillian presentation that exploit’s the cast’s…
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Theater Review: LA NOUBA (Cirque du Soleil in Walt Disney World Resort, Orlando)
A KINDER, SIMPLER CIRQUE Commedia dell’arte is a form of theatre characterized by masked ’˜types,’ which began in Italy in the mid-1500s. About one hundred years later, Italian troupes (known as Comédie-Italienne) had achieved success in France where Moliére, inspired by the use of stock characters, introduced a lovelorn peasant named Pierrot in the play…
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Theater Review: HAIR (National Tour at Pantages)
MY TIE-DYED DIATRIBE ON THE TRIBE When a 1977 revival of the “American Tribal Love-Rock Musical” Hair opened on Broadway, it received more pans than Julia Childs’ kitchen. The original 1968 Hair had taken the theatre world by storm because it had given a palatable, exuberant and tuneful voice to the contentious counter-culture revolution. (It also helped that a…
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Cabaret Preview: SUTTON FOSTER (Orange County Performing Arts Center’s Samueli Hall)
SUTTON FOSTER IS READY FOR A CABARET CLOSE UP Sutton Foster, one of Broadway’s most loved and talented leading ladies, will make her Orange County Performing Arts Center debut January 6 – 9 in the star-studded Cabaret Series. I first encountered Miss Foster in the titular role of Thoroughly Modern Millie on Broadway; she was…
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Theater Interview: FRANK WOOD (Now Appearing in Signature Theatre Company’s production of ANGELS IN AMERICA)
A CHAT WITH FRANK WOOD Stage and Cinema‘s Cindy Pierre recently sat down with Tony award-winning actor Frank Wood to discuss his career, the experience of playing Roy Cohn, politics, and his favorite entertainments of 2010. Frank Wood as Roy Cohn ( © Joan Marcus) Cindy Pierre: What was your experience like at NYU?  Did you…
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