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Off-Broadway Review: BREAKING THE FIFTH WALL (Lou Wall at SoHo Playhouse and on Tour)
LOU WALL SLAYS, AND THAT’S NO LIE Whether a comedian is obligated to tell the truth in their act comes up in mainstream discourse every once and a while. Plenty of comedians start a comedy bit with “You know, a funny thing happened to me on my way over here,” knowing full well it happened…
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Theater Review: GANGSTA BABY (Open Space Arts)
NOBODY PUTS THIS BABY IN A CORNER A set doesn’t get any sparser than the one for Gangsta Baby, in the sense that there isn’t one. You step in off the street into a basement with two dozen chairs arranged along the walls. In a corner is a small built-in kitchenette, original to the building….
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Theater Review: THE MERRY WIVES OF WINDSOR (Shakespeare Theatre Company)
THE WIVES HAVE NEVER BEEN MERRIER The point of The Merry Wives of Windsor was to give Jack Falstaff a bit more time on the stage, beyond the bounds of Shakespeare’s history plays, where his comic genius is hemmed in by the serious matter of battles for land and succession. The character is a big…
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CINEMA WITHOUT BORDERS. HOW ARABIC CULTURE INSPIRES GLOBAL FILMMAKING
Film has always spoken a common tongue. From the earliest silents to this age of streaming, tales caught on screen have easily crossed national lines. True, while Tinseltown and Europe may mostly hold the world’s eye, Arabic ways have long been rising as strong wells of muse, shaping stories’ looks and even how crowds bond…
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Theater Review: WEST SIDE STORY (Los Angeles Opera)
WEST SIDE SNORING Astoundingly unsatisfying, LA Opera’s many-headed Hydra production of West Side Story, directed with no sense of urgency by Francesca Zambello, opened tonight to a crowd largely made up of donors and subscribers dressed to the nines. Oddly cast, oddly acted, and oddly staged, my head was reeling at the amount of money…
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Theater Review: SILENT SKY (Central Square Theatre)
STAR STRUCK Awe-inspiring lighting design (Eduardo M. Ramirez) and beautiful sound effects and music (Kai Bohlman with Violet Wang) elevate Lauren Gunderson’s fictionalized biography of astronomer Henrietta Leavitt (1868–1921) to a meditation on the meaning of human life in relation to the cosmos. This Brit d’Arbeloff Women in Science Production, directed by Sarah Shin, also…
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Art | Theater Review: SUBMERGE: BEYOND THE RENDER (ARTECHOUSE NYC at Chelsea Market)
DIGITAL DREAMS, SUPERCHARGED What happens when you combine a century-old boiler room, an army of graphics processing units (GPUs), and some of the most imaginative digital artists? You get SUBMERGE: Beyond the Render, a new exhibition by Artechouse. Now in its second edition, SUBMERGE is an immersive art show, part gallery and part creative experiment….
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Off-Broadway Review: AMAZE (Jamie Allan at New World Stages)
Years ago, all a magician needed was a top hat and a live rabbit. Magic has come a long way. Jamie Allan’s Amaze uses props, videos, projections and cell phones to do exactly what the title of his show predicts. But Allan does much more than simply overwhelm the audience with slights of hand and…
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WHEN CREATIVITY MEETS FINANCIAL REALITY: NAVIGATING PROBATE DELAYS
Art, music, and culture often celebrate life’s milestones, yet they can also reflect the challenges people face when circumstances take an unexpected turn. The passing of a loved one, for instance, brings not only emotional weight but also the practical responsibilities tied to settling their estate. Among court filings, property appraisals, and legal procedures, families…
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CAN YOU FIND GOLD WITH AN UNDERWATER METAL DETECTOR?
The search for gold has fascinated people for centuries, from early prospectors panning in rivers to today’s hobbyists exploring new frontiers. Technology has made the hunt easier and more exciting, especially with the rise of Underwater Metal Detectors. These machines allow enthusiasts to go beyond dry land and explore lakes, rivers, and even the ocean…
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CHASING ADRENALINE BETWEEN CONSOLE GAMES AND POKIES
The thrill of console gaming now spills into the world of gambling, as real money online casino in Australia attracts players who chase high-octane moments. Online casino Australia platforms are nicking tricks from smash-hit video games, building a crossover that snares both old-school punters and the younger gamer crowd. The local market’s going gangbusters —…
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HIGH FLYER CASINO: STRAIGHT TALK FOR CANADIAN PLAYERS
If High Flyer casino has been on your radar, you’re probably looking for a clear picture before you spend a single dollar. This site runs under the Ontario iGaming framework and also carries an international license from Alderney. That mix means the casino is operating above board, with rules in place that Canadians can rely…
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TOP 8 ONLINE KASIN V ČESKU 2025: KOMPLETNÍ PRŮ VODCE
Online kasina v Česku zažívají v roce 2025 boom. Mobilní aplikace, rychlé výběry a živé kasino s reálnými dealery jsou dnes samozřejmostí. Český trh spojuje silné domácí značky s licencí a mezinárodní giganty, kteří přinášejí širší nabídku her a atraktivní bonusy. 1. Mostbet Czech – univerzální lídr Mostbet Czech je globální značka, která si v…
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PLAYNOW CASINO CANADA REVIEW
PlayNow Canada isn’t some offshore mystery site—it’s run directly by the BCLC and tied to government oversight in Manitoba and Saskatchewan too. That setup is rare in the online casino scene. It makes the whole operation feel less like a gamble with your data and more like a straightforward place to play. Licensing and Oversight…
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Theater Review: LES MISÉRABLES (National Tour in San Diego)
A FAR CRY FROM MISERABLE (UNLESS YOU’RE ONE OF THE CHARACTERS) There’s a lot to gripe about in the world in 2025, but you know what? Spend a little time in 1815 France and you’re going to feel a lot better about your week. Victor Hugo’s novel takes us in deep, and the musical version…
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Theater Review: ONE MAN, TWO GUVNORS (A Noise Within)
ONE MAN, TWO HOURS TOO LONG Ask yourself how much you liked The Play That Goes Wrong series. That’s a pretty good indicator as to your enjoyment of Richard Bean’s 2011 play, One Man, Two Guvnors, now running at A Noise Within. If you liked it, stop reading and go. You’ll have a great time….
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Theater Review: THE RESERVOIR (Berkeley Repertory Theatre)
AN AUTHENTIC, FUNNY ACCOUNT OF SOBRIETY, STUMBLES, AND SURVIVAL Recovery from substance abuse isn’t just about putting down the drug of choice and living happily ever after. The “recovery” part then starts. It involves dealing with who you are in the world without being drunk, stoned or high. It becomes a lifelong process of self-examination….
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Theater Review: RAGTIME (Actors’ Repertory Theatre of Simi Valley at the El Portal)
Ragtime is the epic musical by Terrence McNally (book), with music by Stephen Flaherty and lyrics by Lynn Ahrens (based on the novel by E.L. Doctorow). It weaves together stories of a Jewish immigrant, a Harlem pianist, an upper-class white woman, and historical figures — all pursuing the American Dream amidst societal change, prejudice, and…
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WHICH CASINOS INVEST IN THEATER: BLENDING DRAMA WITH GAMING CULTURE
When thinking of casinos, a busy lobby filled with slot machines and poker tables is the first thing that comes to your mind. Over the last decade, many casinos have changed their approach to product development. So they decided to use new forms of entertainment like the theater. Investing in live performances helped them attract…
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Off-Broadway Review: THE WILD DUCK (Theatre for a New Audience at Polonsky Shakespeare Center)
THE WILD DUCK TAKES FLIGHT: TRUTH, LIES AND QUACKING DELUSIONS While Shakespeare agonized over “to be or not to be,” Henrik Ibsen was more concerned with “why is everyone being so fake?” It’s existential dread versus emotional fraud, and I thought of these two drama kings because The Wild Duck, Ibsen’s play on delusion and…
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