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Theater Review: CHARLIE AND THE CHOCOLATE FACTORY (Palm Canyon Theater)
A SUGAR RUSH WITHOUT THE GOLDEN TICKET Palm Canyon Theatre kicks off its 39th season with David Greig‘s musical adaption of Roald Dahl’s Charlie and the Chocolate Factory, a production that’s as colorful and sugary as a Wonka Bar — but often hollow once you bite in. Directed by Se Layne, the production bursts with…
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Off-Broadway Review: THE HONEY TRAP (Irish Repertory Theatre)
SWEET LIES, STICKY MEMORIES, BITTER GUILT; THE HONEY TRAP STINGS AT IRISH REP In Northern Ireland, The Troubles only ended some 25-30 years ago, though their tensions and legacies reach far deeper into time. Today, Leo McGann‘s play The Honey Trap, now at the Irish Repertory Theatre, reminds us that it was never a tidy…
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Dance Review: GRAHAM100 (Martha Graham Dance Company at The Soraya)
GRAHAM100 DANCES THE CENTURY AWAKE Every analysis of 20th century American arts puts Martha Graham in a small class of visionaries who changed the world, with several calling her the “Picasso of Dance.” And since Martha Graham began her dance life in Los Angeles in 1911, it’s not a surprise that the Martha Graham Dance Company…
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Theater Review: DIAL M FOR MURDER (Drury Lane Theatre in Oakbrook Terrace)
A KILLER REVIVAL Drury Lane’s Dial M for Murder may be set in 1950s London, but under Adam Immerwahr‘s taut direction, the suspense feels freshly sharpened. Playwright Jeffrey Hatcher’s adaptation keeps the bones of Frederick Knott’s 1952 thriller intact while daringly reimagining one key element: Margot Wendice’s affair is now with another woman. It’s a…
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Theater Review: ANTHROPOLOGY (Rogue Machine Theatre)
WHEN GRIEF MEETS THE ALGORITHM The terrible beauty of grief is that it makes us do irrational things with the most rational tools. In Lauren Gunderson‘s anthropology, now in its North American premiere at Rogue Machine Theatre, a Silicon Valley software engineer named Merril uses artificial intelligence to resurrect her missing sister Angie, only to…
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Theater Review: JAJA’S AFRICAN HAIR BRAIDING (Mark Taper Forum)
BRAIDS AND BELONGING Some plays don’t announce themselves with spectacle. They invite you in through a metal grate, into a cramped Harlem salon where the air smells of braiding gel and the television plays Nollywood movies on loop. Before you know it, you’re laughing, aching, realizing how invested you’ve become in the fate of women…
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THE BIG SCREEN VS. THE BETTING SCREEN: DEPICTIONS OF ONLINE CASINO IN FILM
From glamorous Monte Carlo scenes to neon-lit poker tables, Hollywood has long had a love affair with gambling. Casinos have served as perfect backdrops for tension, glamour, and the psychology of risk. But as the world has shifted from physical tables to digital screens, cinema is now faced with a fascinating question: how do you…
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POT ODDS REQUIRE JUST THREE SECONDS FOR PROS TO CALCULATE
Professional poker players calculate pot odds within three seconds during live gameplay, a skill that separates elite players from amateurs. This rapid mathematical processing allows them to make profitable decisions based on the relationship between the current pot size and the bet they face. The calculation forms the foundation of poker decision-making at high stakes…
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iPHONE 17 CASE GUIDE: WHICH ONE ACTUALLY DESERVES YOUR MONEY?
Let’s be real – choosing an durable iPhone 17 case feels like navigating a minefield. You’ve got a thousand options screaming “military-grade protection” and “slim design,” but what does that actually mean for your daily life? I’ve been testing these cases for weeks, and here’s the straight talk you won’t find in marketing materials. The…
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Event Review: HEXED (Terror Vault at The San Francisco Mint)
GHOULS JUST WANNA HAVE FUN A San Francisco Halloween favorite is back for its 7th annual show. Bay Area Drag Legend and performer extraordinaire Peaches Christ (Joshua Grannell) is back with his talented and scary cast of ghouls, zombies, witches and goblins. This year’s show at the Old Mint on 5th and Mission Streets (known…
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Theater Review: MACBETH (Actors’ Shakespeare Project)
SOMETHING WICKED GOOD THIS WAY COMES You’ve probably seen one or more productions of William Shakespeare’s Macbeth before, but you’ve likely never seen one like this Christopher V. Edwards-directed production by Actors’ Shakespeare Project. Despite the spooky-month run, the emphasis here is not on ghostly apparitions or the “weird sisters,” but on political corruption and…
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Theater Review: PARALLEL PROCESS (Odyssey Theatre)
GHOSTS OF WAR, SHADOWS OF BROTHERHOOD Looking back fifty years, who doesn’t wish they’d acted differently? Decisions made in a moment can have eternal consequences. Ever help your brother commit a murder? Was it self-defense? What would the police think? Is violence ever justified? Tom Jenkins and Alan McRae In Parallel Process, written and directed…
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Highly Recommended Concert: VERONICA SWIFT (Pacific Jazz Orchestra at Vibrato)
READY FOR A SWIFT MOVE? Veronica Electrifies the Pacific Jazz Orchestra Gala The Pacific Jazz Orchestra opens its 2025–26 season with a night that promises both elegance and swing: an intimate dinner and concert on Thursday, October 9 at Bel Air’s Vibrato Grill & Jazz. The evening features an extraordinary lineup—Shelly Berg on piano, Ed…
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HOW TO PROMOTE YOUR INDEPENDENT FILM ON SOCIAL MEDIA
In today’s digital age, getting your independent film noticed doesn’t require a Hollywood marketing budget — it just needs a smart social media strategy. Whether you’re promoting a short film, documentary, or your first feature, platforms like Instagram, TikTok, and YouTube can turn a small production into a viral sensation. Here’s how to make your…
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WHEN TILLY NORWOOD HITS THE SCREEN: IS THIS THE END OF HUMAN ACTORS?
Recently, the entertainment world was shaken by reports that a fully AI-generated actress named Tilly Norwood is being positioned for representation by talent agencies. The story gained traction—sparked by a BBC article—about Hollywood names voicing outrage, unions raising red flags, and the broader debate about whether this is the tipping point for AI replacing real…
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SOUND & SYMBOLISM: ICONOGRAPHY + MUSIC THEORY TO CRAFT MEMORABLE, CULTURALLY RESPECTFUL GAME WORLDS
You know that moment when you step into a game world and immediately feel transported? I’m talking about wandering through a virtual marketplace in ancient Baghdad, the gentle pluck of an oud dancing through your headphones while intricate geometric patterns guide your eye across sun-baked stone walls. And here’s another Nordic forest experience, where haunting…
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A GUIDE TO POKIE SPINS CASINO FOR AUSTRALIAN PLAYERS: A COMPLETE REVIEW
Introduction Pokie Spins emerges as a notable contender in the vibrant landscape of online casinos catering to Australian players. This review is designed to provide a detailed, unbiased analysis to help you determine if Pokie Spins is the right fit for your gaming preferences. With an increasing number of online casino options available, selecting a…
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HOW TO PROMOTE YOUR CAREER AS AN ACTOR ON SOCIAL MEDIA
In today’s entertainment industry, your online presence can make or break your career. Casting directors, agents, and producers aren’t just looking at your headshots—they’re checking your social media. Platforms like Instagram, TikTok, YouTube, and even LinkedIn are becoming modern casting tools and personal brand showcases. Whether you’re a seasoned actor or just starting out, learning…
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Theater Review: COME FROM AWAY (Paramount Theatre)
A NEWFOUND(LAND) WAY OF LOOKING AT MUSICAL THEATER It’s always a joy — and a rarity — to see a musical I’ve witnessed before reemerge as something fresher than the first time I saw it. Such is the case with the astounding production of the popular musical Come from Away at Paramount Theatre in Aurora….
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Theater Reviews: SARDINES (The Huntington’s Maso Studio) & 300 PAINTINGS (A.R.T.’s Farkas Hall)
STANDING UP FOR HUMANITY Here are my criteria for a good night of comedy: 1) It needs to be surprising. 2) It needs to make me think. 3) It needs to promote values that make us better human beings. 4) Oh, it needs to be funny. Chris Grace Both Sardines (a comedy about death) at…
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