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Bernard Welt
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Theater Review: THE MERRY WIVES OF WINDSOR (Shakespeare Theatre Company)
THE WIVES HAVE NEVER BEEN MERRIER The point of The Merry Wives of Windsor was to give Jack Falstaff a bit more time on the stage, beyond the bounds of Shakespeare’s history plays, where his comic genius is hemmed in by the serious matter of battles for land and succession. The character is a big…
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Theater Review: A WRINKLE IN TIME (Arena Stage)
CAST TRAVELS LIGHT-YEARS, SCORE FINDS A NEW UNIVERSE, THE BOOK GETS LOST IN SPACE. CAN THE WRINKLES IN THIS NEW MUSICAL BE IRONED OUT? Round about a lifetime ago, in the shadow of the Iron Curtain and the Cold War, Madeleine L’Engle wrote a fable for precocious children that she was pretty sure no one…
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Theater Review: BAD BOOKS (Round House Theatre)
BAD BOOKS IS GOOD NEWS Nothing beats the thrill of watching great performers bring a playscript to life, moment to moment, right before your eyes, sharing their space as they breathe the same air you are breathing into their lines. The good news is that Bad Books at Round House Theatre in Bethesda, MD, is fueled…
Theatre Review: HYMN (Odyssey Theatre Ensemble)
by Ernest Kearney | May 3, 2026
in Los Angeles, TheaterDance Review: GISELLE (Los Angeles Ballet)
by Shari Barrett | May 3, 2026
in Dance, Los AngelesOff-Broadway Review: KENREX (Lucille Lortel)
by Carol Rocamora | May 1, 2026
in New York, TheaterDance Review: MERE MORTALS (SF Ballet)
by Chuck Louden | April 30, 2026
in Dance, San Francisco
(Bay Area)Theater Review: BLUE KISS (Ruskin Group Theatre)
by Ernest Kearney | April 30, 2026
in Los Angeles, TheaterMusic Review: NELLIE McKAY (City Vineyard)
by Rob Lester | April 29, 2026
in Cabaret, New York


