Areas We Cover
Categories
C.J. Fernandes
-
Theater Review: RISING WATER (Theatre L’Acadie)
RISING WATER CAN’T FIND ITS CURRENT A powerful premise sinks under miscasting and flat pacing John Biguenet’s Rising Water, a Pulitzer-nominated drama set in the immediate aftermath of Hurricane Katrina, unfolds over a single night as a long-married New Orleans couple watches floodwater swallow their home. It’s an intimate survival story designed to ratchet tension…
-
Theater Review: STEREOPHONIC (National Tour, CIBC Theatre Chicago)
THEATER IN STEREOPHONIC A terrific docudrama about artistic temperament and the torment of creation David Adjmi’s Stereophonic, now playing at the CIBC, is an unusual piece of theater. It’s not about learning any life lessons, or coming to terms with things, and with one notable exception, none of the characters have a growth arc; further,…
-
Dance Review: GRAHAM100 (Martha Graham Dance Company at The Auditorium Theatre, Chicago)
About midway through Martha Graham’s powerful Chronicle, performed last Saturday at the Auditorium Theatre in Chicago, I realized that the elevated platform at center stage was not just a platform but a highly stylized Olympic podium. It’s an important distinction. In 1936, Graham had been invited to participate in the Berlin Olympics, hosted under the…
-
Theater Review: BIRDS OF NORTH AMERICA (A Red Orchid Theatre)
A DELICATE CHAMBER PIECE THAT WILL BREAK YOUR HEART One of the advantages of a small performance space is that, in the right hands, one can set the mood even before the play has begun. In the Chicago premiere of Anna Ouyang Moench’s Birds of North America, the seating area at A Red Orchid Theatre…
-
Theater Review: EUREKA DAY (TimeLine Theatre Company at Broadway Playhouse)
A PRIVILEGED PTA CIRCUS, THEN A VAXNADO The funniest ten minutes onstage, ever, flanked by a modestly amusing satire. In Jonathan Spector’s Eureka Day, five concerned parents gather around a table in the library of what is very obviously a wealthy and well-equipped children’s school. They form the executive board and are there to discuss…
-
Theater Review: GREEN CORRIDORS (Trap Door Theatre in Chicago)
FOUR UKRAINIAN REFUGEES NAVIGATE WAR’S AFTERSHOCKS IN A NIGHTMARE OF BUREAUCRACY Natalka Vorozhbyt’s darkly funny, deeply bruising play finds Trap Door Theatre at its most urgent—and most human. Four women push mobile doorjambs around the stage as the audience filters in. Their movement is slow and halting, as if moving through fog. Once the theatre…
-
Theater Review: SHERLOCK HOLMES AND THE CHRISTMAS CLOWNS (City Lit Theater)
A HOLIDAY MYSTERY WITH VICTORIAN MISCHIEF ON ITS MIND Chesterton by way of Conan Doyle, wrapped in Wodehouse-style tomfoolery Arthur Conan Doyle wrote only one Christmas-themed Sherlock Holmes mystery, The Adventure of the Blue Carbuncle — coincidentally, the first Holmes story I ever read — which was adapted into a charming play by Michael Menendian…
-
Theater Review: GASLIGHT (Northlight Theatre)
A THRILLER THAT OUTLASTS ITS TWIST Even when we know what’s coming, the tension holds Let’s talk about the cojones required to mount a production of Gaslight nowadays. Even if we assume — a tall order, that assumption — that most of the audience has not seen, or does not know, the plot of George…
-
Dance Review: CHRISTOPHER WHEELDON’S NUTCRACKER (The Joffrey Ballet at Lyric Opera House)
A FAIRYTALE REBORN ON THE SOUTH SIDE Wheeldon’s Chicago-set Nutcracker still casts a decade-long spell Ten years in, Pyotr Tchaikovsky and the World’s Columbian Exposition are still a match made in ballet heaven. It’s December 24, 1892, in Jackson Park, a working-class neighborhood on Chicago’s South Side. A young girl (Amanda Assucena), accompanied by her…
-
Theater Review: A CHRISTMAS CAROL (Goodman)
THE OG CHRISTMAS GHOST STORY The Goodman puts the chills back in the chestnuts ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ In some ways, it is remarkable that Goodman Theatre’s annual production of Charles Dickens’ A Christmas Carol has persisted as a theatrical tradition during the holidays. Theatre is expensive as a…
-
Theater Review: THE BEATRIX POTTER HOLIDAY PARTY (Chicago Children’s Theatre)
NO GROWN-UPS ALLOWED — SORT OF CCT’s Beatrix Potter party charms kids, critics, and everyone in between ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ “Channel your inner three-year-old, not your adult,” was the advice given to me as I settled into my seat at Chicago Children’s Theatre. To which my immediate unspoken…
-
Theater Review: THE LONG CHRISTMAS DINNER (TUTA Theatre at Bramble Arts Loft)
THE LONGER CHRISTMAS DINNER In Wilder’s meditation on time, the actors have to do the heavy lifting ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ “Only time, only the passing of time can help…” TUTA Theatre’s remounting of Thornton Wilder’s The Long Christmas Dinner opens with Keith Parham’s handsome set featuring an upper-middle-class…
-
Theater Review: A YEAR WITH FROG AND TOAD (Young People’s Theatre of Chicago)
TOAD-ALLY DELIGHTFUL Ribbiting from start to finish, this Year goes by in a flash. ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ Arnold Lobel’s Frog and Toad series has delighted generations of young readers for decades, beginning in 1970. In 2000, his daughter Andrea Lobel (a well-regarded theatrical scenic designer in her own…
-
Theater Review: THE TAMING OF THE SHREW (Court Theatre)
THERE IS NO TAMING THIS PRICKLY AND INVIGORATING SHREW ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ I won’t deny it: I squealed in excitement when I received the invitation to review Court Theatre’s new production of The Taming of the Shrew. Not because it’s one of Shakespeare’s best (it isn’t), or even…
-
Theater Review: JACOB MARLEY’S CHRISTMAS CAROL (Lifeline Theatre)
THE OTHER CHRISTMAS CAROL A clever, moving tale of a ghost searching for grace ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ Boy does it suck to be Jacob Marley. You die a lonely death, are doomed to perdition, and come back as a tortured ghost laden with chains to warn your former…
-
Theater Review: THE REAL HOUSEWIVES OF THE NORTH POLE (Hell in a Handbag Productions)
A WIG-PULLING, EYE-SCRATCHING BAUBLE OF HOLIDAY CHEER ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ When The Real Housewives of Orange County premiered on Bravo in 2006, I doubt anyone could have predicted the “reality” television juggernaut it would become. Over the next nineteen years the franchise has launched ten series, and assorted…
-
Theater Review: RAPORNZEL (Pride Arts)
COARSE, HAIRY FUN ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ The Christmas pantomime, or “panto”, as it is colloquially called, is a longstanding English holiday theatre entertainment that’s never made much inroads outside the Commonwealth, more’s the pity. Drawing on the commedia dell’arte tradition, they’re usually based on fairy tales and incorporate…
-
Theater Review: HELL’S KITCHEN (National Tour)
HELL’S ON FIRE Hell’s Kitchen, a jukebox musical featuring the music of R&B superstar Alicia Keys (with several new songs) and a book by Kristoffer Diaz, took Broadway by storm in 2024, racking up thirteen Tony nominations. And now, a little over a year later, its first national touring production has arrived in Chicago at…
-
Theater Review: DEATHTRAP (MadKap Productions at Skokie Theatre)
MURDER, MAYHEM, AND A MANUSCRIPT TO DIE FOR Sometimes uncontrollable forces work in your favor. How fortunate then for MadKap productions that on the opening night of their production of Ira Levin’s Deathtrap, Chicago was plunged with little warning into its first winter storm of the season, with sub-zero temperatures, gale-force winds, and heavy snow….
-
Theater Review: SUPERIOR DONUTS (TheArtistic Home at The Den Theatre)
GO ON AND BITE INTO THIS DONUT– YOU’VE EARNED IT It must have been quite a shock to Tracy Letts fans when Superior Donuts premiered at Steppenwolf in 2008. Chicago Theatre’s favorite adopted son had been coming off a streak of intense, gripping dramas, with his most recent one, August, Osage County, cleaning up at…
Theater Review: (RE)DRESSING MISS HAVISHAM (Boston Playwrights’ Theatre)
by Lynne Weiss | May 20, 2026
in Boston, TheaterTheater Review: BRIGADOON (Pasadena Playhouse)
by Michael Landman-Karney | May 18, 2026
in Los Angeles, TheaterTheater Review: OEDIPUS EL REY (Huntington Theatre Company / Boston)
by Lynne Weiss | May 18, 2026
in BostonTheater Review: EXIT THE KING (A Noise Within / Pasadena)
by Ernest Kearney | May 17, 2026
in Los Angeles, Theater



















