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Gregory Bernard
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Off-Broadway Review: AS TIME GOES BY (Out of the Box Theatrics at 154 Christopher Street)
Danny Brown’s two-hander opens with an orgasm and closes with a cathartic cleansing. Between these bold bookends lies 90 minutes of small talk—covering everything from sex and relationships to the kitchen sink. Adam (Ephraim Birney) hosts David (Joel Meyers) in his Upper West Side studio for what he hopes will be a quick, no-strings-attached encounter….
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Theater Interview: KEVIN CSOLAK (Currently Starring as ‘Tulsa’ in Gypsy with Audra McDonald)
KEVIN CSOLAK HAS HIS HOPES HIGH, NOT TO MENTION THE TIME AND THE PLACE AND HE’S GOT RHYTHM Kevin Csolak (pronounced SO-lack) is currently playing Tulsa in Gypsy with Audra McDonald. One of the highlights of the production is his song-and-dance number, the iconic “All I Need Is the Girl.” The night I attended, applause…
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Off-Broadway Review: SUMO (The Public Theater)
FOR ALL IT’S GIRTH Sumo is a Japanese sport in which two bulky Japanese wrestlers clutch and grab at each other within a circular ring. The goal is to either eject the opponent from the ring or knock him on his back. The typical match runs a few seconds and rarely as long as a…
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Off-Broadway Review: ON THE EVOLUTIONARY FUNCTION OF SHAME (Second Stage at Pershing Square)
A SHOUTING SHAME On the Evolutionary Function of Shame—which Second Stage Theater opened on February 26 at The Pershing Square Signature Center—ambitiously tackles complex themes of identity, family, and the moral dilemmas surrounding gender dysphoria, transphobia, and eugenics. While undeniably thought-provoking and timely, its execution at times overwhelms with excessive dramatics and shouting. Elizabeth Ramos…
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Off-Broadway Review: SAFE HOUSE (St. Ann’s Warehouse)
IT’S SAFE TO DRAW YOUR OWN CONCLUSIONS AT HOUSE St. Ann’s Warehouse, in association with New York’s Irish Arts Center, presents Safe House, a one-person song cycle originally produced at Dublin’s Abbey Theatre. Running for a limited engagement through March 2, this haunting and esoteric production has a pile-driving performance by Kate Gilmore. Walsh describes the…
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Broadway Review: REDWOOD (Nederlander Theatre)
A DESIGN AS IMPRESSIVE AS A REDWOOD ITSELF The new Broadway musical Redwood, which opened on February 13, is a master class in tech theater. Set designer Jason Ardizzone-West makes this clear from the outset, enclosing the stage in a semi-circle of pinkish-white screens that extend beyond the proscenium arch, even covering the house-right and…
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Off-Broadway Review: GARSIDE’S CAREER (Mint Theatre Company at Theatre Row)
MADELINE SEIDMAN IS REMARKABLE IN GARSIDE’S CAREER Since 1995, the invaluable Mint Theatre Company has been unearthing lost, neglected plays from yesteryear. With artistic director Jonathan Bank at the helm, he has overseen the production of 60 revivals of worthy plays. Harold Brighouse’s Garside’s Career, which opened tonight, is the latest praiseworthy play to be produced…
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Broadway Opening: REAL WOMEN HAVE CURVES: THE MUSICAL (James Earl Jones Theatre)
Based on the play by Josefina López and HBO’s Real Women Have Curves (screenplay by Josefina López and George LaVoo), Real Women Have Curves: The Musical is set to begin performances on April 1 at the James Earl Jones Theatre, ahead of an opening night on April 27, 2025. Broadway newcomer Tatianna Córdoba will make her…
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Off-Broadway Review: MINDPLAY (Greenwich House Theater)
MIND FOR GOLD Vinny DePonto, the Brooklyn-based mentalist, is undeniably a master showman—and a strikingly handsome one at that (I’ll draw a comparison to Jake Gyllenhaal). Like all magicians, the heart of his one-man show lies not in the tricks themselves (though they are breathtaking) but in his thought-provoking interaction with the audience. With Mindplay,…
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Theater Opening: BAD DOG (World Premiere, Miami New Drama)
A Bold & Hilarious New Play Exploring Art, Identity, and Power Miami New Drama in Miami Beach is presenting the world premiere of Bad Dog, a wildly entertaining and provocative play written by Harley Elias and directed by Miami New Drama’s Artistic Director, Michel Hausmann. The production will open at the historic Colony Theatre on…
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Broadway Review: EUREKA DAY (Manhattan Theatre Club at the Samuel J. Friedman Theatre)
WAKING US UP TO WOKENESS Playwright Jonathan Spector makes an impressive Broadway debut with Eureka Day, a strikingly relevant and well-crafted production that convincingly captures the complexities and contradictions of contemporary cultural debates. His ability to balance humor and drama to address divisive issues such as political correctness resonate strongly well after the 100-minutes are…
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Broadway Review: DEATH BECOMES HER (Lunt-Fontanne)
DEATH BECOMES HER BECOMES BROADWAY I had opposite opinions this week between the opening of the film version of Wicked and the new Broadway musical comedy Death Becomes Her. Wicked outsoared the Broadway version; the movie gave me more heart, warmth, and laughs than I ever got from the original (still running since October of…
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Broadway Review: MAYBE HAPPY ENDING (Belasco Theatre)
THERE’S NO ‘MAYBE’ ABOUT IT HAPPINESS HAS LANDED AT THE BELASCO When Avenue Q ran against Wicked at the Tonys for Best Musical, it was often compared to the American folktale The Little Engine That Could vs. the big corporate multi-million-dollar musical. One was a small contender with lots of heart; the other a huge…
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Broadway Review: A WONDERFUL WORLD: THE LOUIS ARMSTRONG MUSICAL (Studio 54)
HELLO, SATCHMO! THANK GOODNESS LOUIS IS BACK IN TOWN; WE NEED HIM MORE THAN EVER There’s a new jukebox musical in town. But don’t run in the other direction. A Wonderful World, which opened at Studio 54 tonight, November 11, is the bio-musical of Louis Armstrong, aka the Ambassador of Blues, the King of Jazz,…
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Off-Broadway: HOLD ON TO ME DARLING (written by Kenneth Lonergan; starring Adam Driver; Lucille Lortel)
Kenneth Lonergan’s Hold on to Me Darling is playing through Dec. 22, starring Adam Driver, at the Lucille Lortel Theatre. Joining Driver as Strings McCrane are Heather Burns as Nancy, Adelaide Clemens as Essie, Keith Nobbs as Jimmy, CJ Wilson as Duke, and Frank Wood as Mitch. On learning of his mother’s death, country music icon Strings McCrane (Driver) finds himself in an existential tailspin. The only way out,…
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Broadway Opening: GOOD NIGHT, AND GOOD LUCK (A New Play by George Clooney and Grant Heslov at the Winter Garden)
STARRING GEORGE CLOONEY IN HIS BROADWAY PREMIERE Good Night, and Good Luck, a new play by George Clooney and Grant Heslov, and directed by Tony Award winner David Cromer, will premiere on Broadway at the historic Winter Garden Theatre (1634 Broadway). Performances will begin on Wednesday, March 12, with an opening night set for Thursday, April 3, 2025. Clooney…
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Recommended Off-Broadway Opening: LOVE IN IDLENESS (Actors Temple Theatre)
Love In Idleness, a new musical comedy about a pharmaceutical scientist who invents the title drug to reignite passion in his long-term relationship with a drag performer is set for a limited Off-Broadway engagement this fall at Actors Temple Theatre, opening November 21, 2024. Liam Searcy in the new musical comedy Love In Idleness (Photo…
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Off-Broadway Opening: WE HAD A WORLD (Manhattan Theatre Club World Premiere by Josh Harmon at NY City Center)
Manhattan Theatre Club has announced initial casting and the venue for the world premiere of We Had A World, written by the amazing Joshua Harmon (Prayer for the French Republic, Bad Jews, Significant Other) and directed by Tony Award nominee Trip Cullman (Cult of Love). This is MTC’s first production at NY City Center Stage II (131 West 55th Street) since the…
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Broadway Opening: SMASH (Imperial Theatre)
SMASH TO OPEN ON BROADWAY THURSDAY, APRIL 10, 2025 PREVIEWS BEGIN MARCH 11 AT IMPERIAL THEATRE Starring Robyn Hurder as “Ivy” Brooks Ashmanskas as “Nigel” Krysta Rodriguez as “Tracy” John Behlmann as “Jerry” Kristine Nielsen as “Susan” Caroline Bowman as “Karen” Jacqueline B. Arnold as “Anita” Bella Coppola as “Chloe” Casey Garvin as “Charlie” The company will include Wendi Bergamini, Sarah Bowden, Jacob Burns, Deanna…
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Broadway Opening: JUST IN TIME (Starring Jonathan Groff at Circle in the Square Theatre)
BRILLIANT. COMPLICATED. DARIN. Priority Access Pre-Sale begins Monday, October 21, 2024 at Just in Time Broadway General on-sale begins Wednesday, October 23, 2024 Exclusive Night Club Floor Seating Available Jonathan Groff will return to Broadway in the new musical Just in Time this spring. Performances begin at the Circle in the Square Theatre on March 28, 2025, ahead of…
Theater Review: DEAD GIRL’S QUINCEAÑERA (Goodman Theatre / Chicago)
by Croydon Fernandes | October 22, 2026
in Chicago, TheaterBroadway Review: 860 (Billy Crystal / Imperial Theatre)
by Paola Bellu | October 22, 2026
in New York, TheaterTheater Review: A STRANGE LOOP (Raven and About Face / Chicago)
by Croydon Fernandes | October 22, 2026
in Chicago, TheaterTheater Review: THE CURIOUS CASE OF BENJAMIN BUTTON (The Public Theater / New York)
by Gregory Bernard | October 21, 2026
in New York, TheaterOff-Broadway Review: MACHINE LEARNING (Little Engine Theater)
by Alex Simmons | October 21, 2026
in New York, TheaterOff-Broadway Review: COPPERFIELD! (The Duke on 42nd Street)
by Rob Lester | October 20, 2026
in New York, TheaterOpera Review: CARMEN (LA Opera)
by Michael Landman-Karney | October 20, 2026
in Los Angeles, Music, TheaterTheater Review: CONVENTION (The Industry Loft / Los Angeles)
by Ernest Kearney | October 20, 2026
in Los Angeles, TheaterDance Review: OSCAR (Australian Ballet / Cal Performances / Berkeley)
by Chuck Louden | October 19, 2026
in Dance, San Francisco
(Bay Area), Tours



















