Gregory Fletcher

COME FOR THE PROJECTIONS, STAY FOR THE… PROJECTIONS (AND HAVE AN EDIBLE) A dazzling design team conjures Henry Darger’s imagination while the script drifts somewhere offstage I suppose when Martha Clarke proposes an idea for a theater production at this point in her illustrious career, the powers that be must grant her every blessing: no…

A BELOVED CLASSIC REBORN WITH BELL CHOIRS, SNOWFALL & HEART ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ Are you fond of bell choirs, Christmas carols, indoor snow, and classic holiday tales? Then you’ll want to make your way to the PAC, where the Old Vic’s production of A Christmas Carol opened last…

GOTTA SEE THIS SHOW! ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ I’ve been a fan of American Dance Machine since I was a kid in the 1980s—a company devoted to restaging Broadway choreography with museum-level precision and theatrical verve. Part artifact, part history lesson, and wholly a celebratory toast to Broadway’s golden-age…

A PLAY HELD TOGETHER BY BANDAGES: SCALPAL, PLEASE Colt Coeur’s world premiere of The Surgeon and Her Daughters, written by Chris Gabo, is a play of ideas—debates volleyed across generations, races, and cultures. Yet for all its verbal sparring, very little actually happens over the course of its two hours. It isn’t until the end…

“TOWN OF NASTY” AND OTHER THINGS WE BLURT OUT FOR FREE SPEECH Immersive pulp fiction where the audience writes the filth The world premiere of Dirty Books is an immersive play written and directed by Mara Lieberman, which opened November 13 at Bated Breath Theater—a decidedly Off-Off-Broadway adventure. Part art installation, part scripted play, part…

THE MARATHON OF MAKING ART A process piece that asks as much of the audience as the ensemble Perhaps the title of Nazareth Hassan’s new play Practice, which opened at Playwrights Horizons tonight, was inspired by the old joke: “How do you get to Carnegie Hall? Practice, practice, practice.” Fittingly enough, the play follows a…

THE ONLY THING STRAIGHT IN THIS ROOM IS THE LINE TO THE CREDENZA Messy White Gays—which opened November 2 at Off-Broadway’s Duke on 42nd Street—is a contemporary drawing-room comedy, a modern spin on the comedy of manners, built on witty exchanges, social commentary, and the absurdities of its characters. Classic models include Oscar Wilde’s The…

A SPELLBINDING CAULDRON BOILS OVER, SUMMONING THEATER’S WILD GODS Suffice it to say, there’s nothing else in New York quite like Anne Washburn’s new play The Burning Cauldron of Fiery Fire, now at the Vineyard Theatre in collaboration with The Civilians. For anyone bored by the constraints of realism and naturalism—and instead drawn to theater…

A LOVE LETTER TO THE OBAMAS THAT BRINGS THE WHITE HOUSE DOWN The biggest surprise of the season for me has been 44 – The Musical, which opened last night at the Daryl Roth Theatre. Billed as a satirical look at the rise and presidency of Barack Obama—and the eccentric characters he met along the…

NOSTALGIA IN THE SPOTLIGHT, MODERNITY IN THE WINGS At a time when most new musicals chase novelty, Reunions looks lovingly backward. Conceived as a pair of one-act chamber pieces performed back-to-back without intermission, the evening runs about an hour and forty minutes and draws its stories from early-20th-century plays. Both feel distinctly old-fashioned (but, in…