Areas We Cover
Categories
Gregory Fletcher
-
Theater Review: BANANAS? (The Town Hall in NYC)
QUINTUPLE THREAT NYMPHIA WIND HAS MORE THAN BANANA APPEAL I’m a bad gay. I’ve only seen one or two episodes of RuPaul’s Drag Race out of—how many seasons now? Seventeen! But after seeing Nymphia Wind’s pride-month blowout at Town Hall last night, June 26, I get the hype. The reigning queen of Season 16 isn’t…
-
Off-Broadway Review: ANGRY ALAN (Studio Seaview)
DOWN THE RABBIT HOLE OF RAGE As the inaugural production at the new Studio Seaview (formerly Second Stage on 43rd and 8th), Penelope Skinner’s Angry Alan opened June 11 for a limited run. Starring John Krasinski in a surprisingly intense and layered performance, the 85-minute play initially unfolds as a one-man show—until it isn’t. Krasinski…
-
Theater Review: A LETTER TO LYNDON B. JOHNSON OR GOD: WHOEVER READS THIS FIRST (SoHo Playhouse & Edinburgh Fringe)
WAR IS FOR CLOWNS Xhloe Rice and Natasha Roland join the thrilling ranks of clown-trained performers (Julia Masli is another) reshaping the boundaries of theatrical storytelling. A Letter to Lyndon B. Johnson or God: Whoever Reads This First is an electrifying 65-minute performance that plays only through June 29 at the Soho Playhouse (formerly the…
-
Theater Interview: ROB MADGE (“My Son’s a Queer (But What Can You Do?)” at New York City Center)
APPARENTLY, YOU CAN DO A LOT My Son’s a Queer (But What Can You Do?) is a joyous, autobiographical solo show from social media sensation Rob Madge, charting their journey as a queer child with one dream: to stage a full-scale Disney parade in their living room. With wit, heart, and seven easy steps, Madge…
-
Off-Broadway Review: PRINCE FAGGOT (Playwrights Horizon)
A RADICAL FAIRY TALE FIT FOR A KING The only marketing I saw for Jordan Tannahill’s provocative new play Prince Faggot, which opened last night at Playwrights Horizons (a co-production with Soho Rep), was the single-line tease: “Let us tell you a fairy tale about a prince.” It didn’t prepare me for the electrifying, emotionally rich, and theatrically thrilling experience waiting…
-
Off-Broadway Review: THE WASH (WP Theater)
EVENTUALLY, EVERYTHING COMES OUT IN THE WASH Woodie King Jr.’s New Federal Theatre has found a new home, relocating from the Lower East Side to the Upper West Side’s WP Theater. Their second offering, The Wash by Kelundra Smith, opened tonight—an earnest, history-minded drama recounting the overlooked 1881 labor strike by Black laundresses in Atlanta,…
-
Off-Broadway Review: JULIA MASLI: HA HA HA HA HA HA HA (Public Theater)
HA-LLELUJAH! HELP IS JUST A “HA” AWAY Julia Masli makes a slow, focused entrance onto the stage of the Anspacher Theater at The Public. Despite the surrounding moody blues, her face is lit by a pin spot attached to her arm. She pronounces “ha” in several different ways: drawn out, deliberate, hushed, questioned. She approaches…
-
Theater Review: PARADISE BLUE (Studio Theatre in D.C.)
A NIGHT OF MUSIC, MEMORY, AND MADNESS: PARADISE FOUND The Studio Theatre’s Victor Shargai stage has been strikingly transformed into a 1949 jazz club for Paradise Blue, Dominique Morisseau’s haunting and lyrical drama. Director Raymond O. Caldwell’s bold concept places the audience right inside the Paradise Jazz Club of Black Bottom, Detroit — immersing us…
-
Theater Review: KING JAMES (Round House Theatre in Bethesda, Maryland)
KING JAMES SCORES BIG AT ROUND HOUSE THEATRE Rajiv Joseph’s King James—which opened last night at Round House Theatre—isn’t a revival of the 1611 Bible translation, but a contemporary comedy named for a different kind of king: LeBron James. Structuring the play like a basketball game in four quarters, Joseph uses the rise and fall…
-
Off-Broadway Review: LUNAR ECLIPSE (Second Stage)
THIS LUNAR ECLIPSE SHINES WITH QUIET GRACE The seven stages of a lunar eclipse unfold on the Irene Diamond Stage at The Pershing Square Signature Center, produced by Second Stage. This New York premiere of Donald Margulies’s newest play, which opened tonight, mirrors the structure of a lunar eclipse. Told in seven scenes with titles…
-
Theater Review: FRANKENSTEIN (Shakespeare Theatre Company in D.C.)
NOT THE MONSTER YOU EXPECT: VICTOR FRANKENSTEIN IS THE VILLAIN Based on Mary Shelley’s iconic novel, a bold retelling of Frankenstein opened last night at STC’s Klein Theater in Washington D.C. It’s not the story you might expect — and in this case, that’s a good thing. This ambitious adaptation by Emily Burns refreshes the…
-
Off-Broadway Review: BLOOD, SWEAT, AND QUEERS (Untitled Theater Company No. 61 at Bohemian National Hall)
A FORGOTTEN CHAMPION RECLAIMED Rehearsal for Truth International Theater Festival, an annual showcase of contemporary European theater, is unfolding under the banner of Perseverance at Bohemian National Hall—a charming all-purpose venue on the Upper East Side with a pull-out proscenium stage at one end. While the space lends itself well to intimate storytelling, be advised:…
-
Theater Interview: KEVIN MAMBO (currently in “We Are Gathered” at Arena Stage, D.C.)
Kevin Mambo’s journey to the stage reads like a global prelude to a richly textured career. Born in Zimbabwe, raised in Canada, and educated in Los Angeles at USC, Mambo’s trajectory launched the moment he graduated. He was cast in the long-running soap The Guiding Light and relocated to New York City to inhabit the…
-
Off-Broadway Review: CRACKED OPEN (Theatre Row)
A WELL-INTENTIONED LOOK AT MENTAL ILLNESS Dream Big World Theatre, Inc. opened Gail Kriegel’s Cracked Open tonight at Off-Broadway’s Theatre Row, tackling the complex and often stigmatized subject of mental illness—especially in young adults. The play approaches this sensitive topic with sincerity and directness, portraying the heartbreak and helplessness that can ripple through a family…
-
Off-Broadway Review: BOWL EP (Vineyard Theatre)
A SURREAL, SKATER-RAP FEVER DREAM I’m not going to lie—I am not the intended audience for Bowl EP. But make no mistake: this is a well-mounted, undeniably audacious performance that resonated strongly with the younger, hipper crowd around me on opening night. Here’s what I know—and here’s what I saw. Oghenero Gbaje and Essence Lotus…
-
Concert Review: MYSTIC RHYTHMS & SACRED CHANTS FOR SEVEN BLACK MADONNAS (Cathedral of St. John the Divine)
EXALTING, EXCITING, EXULTANT & EXUBERANT Last night, May 16, Alessandra Belloni and John T. La Barbera led a transcendent 90-minute concert titled Mystic Rhythms & Sacred Chants for 7 Black Madonnas at the Cathedral of St. John the Divine. More than a performance, it was a ritual journey—spiritual, historical, and profoundly musical—tracing the veneration of…
-
Off-Broadway Review: THE LAST BIMBO OF THE APOCALYPSE (The New Group)
GOES FROM A Y2K POP TO GEN ZZZZZZZZ There was a buzz of anticipation in the air as the house lights blacked out at the Alice Griffin Jewel Box Theater—an audible fandom of excitement. Had clips already surfaced on TikTok? Had a cast recording dropped early? Or was it a lure of past performances: America’s…
-
Broadway Review: JOHN PROCTOR IS THE VILLAIN (Booth)
JOHN PROCTOR GETS CANCELLED In an honors English classroom at a county high school in northeast Georgia, seven juniors are cracking open Arthur Miller’s The Crucible. Mr. Smith (Gabriel Ebert), a charismatic and respected teacher, leads the discussion. He poses a deceptively simple question: “Why are the girls dancing in the woods in the first…
-
Off-Broadway Review: THE ALGORHYTHMS (Monday Night Musicals at Magnet Theater)
MATH APPEAL The Monday Night Musicals series at the intimate Magnet Theater offers a vibrant platform for new work that blends comedic storytelling with musical innovation. Stripped down to the essentials — music, lyrics, and performance — the series feels like both a showcase and a springboard, providing a glimpse of shows that could thrive…
-
Off-Broadway Review: THE END OF ALL FLESH (Monday Night Musicals at Magnet Theater)
FLESHING IT OUT OF THE PARK The Monday Night Musicals series at the intimate Magnet Theater is serving up a theatrical amusement for those who like their bluegrass pickin’ with a side of post-apocalyptic patriarchy. Produced by Theater of Apes, this one-act musical runs through June on Mondays. The series spotlights new works that blend…
Off-Broadway Review: MILK AND HONEY (J2 Spotlight Theatre Company at AMT, NYC)
by Rob Lester | April 17, 2026
in New York, TheaterFilm Review: BRUTE 1976 (Directed by Marcel Walz)
by Allen Tellis | April 16, 2026
in FilmCabaret Review: MARILYN MAYE (54 Below, NY)
by Rob Lester | April 16, 2026
in Cabaret, New YorkComedy Club Review: GREENPOINT COMEDY CLUB (Brooklyn)
by Alex Simmons | April 15, 2026
in Cabaret, New York, TheaterTheater Review: REVENGE OF THE SOY BOY (FRIGID New York City Fringe Festival)
by Alex Simmons | April 14, 2026
in New York, TheaterTheater Review: WHAT THE CONSTITUTION MEANS TO ME (Greater Boston Stage Company)
by Lynne Weiss | April 14, 2026
in Boston, TheaterBroadway Review: BECKY SHAW (Helen Hayes)
by Carol Rocamora | April 14, 2026
in New York, Theater



















