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Gregory Fletcher
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Off Broadway Interview: SINAN ÜNEL – writer and director of A MAD PERSON’S CHRONICLE OF A MISERABLE MARRIAGE
THE LONG TERM RELATIONSHIPS OF SINAN ÜNEL AND LEO TOLSTOY Cheryl King’s intimate Stage Left Studio on Manhattan’s West 30th Street specializes in showcasing one-to-two-person plays. Through November 22, Sinan Ünel’s A Mad Person’s Chronicle of a Miserable Marriage joins the eclectic repertoire of solo gems. Embodying both Leo Tolstoy and his wife, Sonya, John…
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Interview: SANTINO FONTANA (Starring in ‘Sons of the Prophet’ at Roundabout’s Laura Pels Theatre)
HIS BRILLIANT CAREER (SO FAR) Still in his twenties, Santino Fontana has performed in quite a respectable number of productions that many actors would hope to accomplish in a life time: most recently The Importance of Being Earnest (Clarence Derwent Award), the short lived Brighton Beach Memoirs (Drama Desk Award for Best Featured Actor), Billy…
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Off-Broadway Theater Interview: CARLO ALBAN (writer and performer of INTRINGULIS)
THE UNDOCUMENTED Intringulis, an autobiographical play written and performed by Carlo Alban, is now in production at Off Broadway’s INTAR. Stage and Cinema caught up with Carlo recently to discuss the evolution of the project and the plight of undocumented workers in the United States. * * * * * * * * * *…
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Off Broadway Theater Review: CRANE STORY (The Cherry Lane Theatre)
ARCANE CRANE Jen Silverman’s Crane Story borrows storytelling stage conventions from both east and west. A raised empty platform acts as the main acting area surrounded by wooden paneling. There are drums, puppets, small musical instruments, and an ensemble of seven performers who act as characters, puppeteers, musicians, and stage crew. Such eastern stage traditions…
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Off Broadway Theater Review: HERO – THE MUSICAL (David H. Koch Theater at Lincoln Center)
KOREAN BROADWAY (SORT OF) Hero: The Musical starts off with a bang. Literally. Several loud gunshots tear holes into the front curtain, which cinematically transforms into a stellar Big Dipper that emblazons a rich blue sky. The constellation rises and the astonishingly exquisite beauty of a forest in 1909 appears. A soaring, powerful male ensemble…
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Off-Broadway Theater Review: OLIVE AND THE BITTER HERBS (Primary Stages)
THE BITTERER, THE BETTER There are two brands of Charles Busch plays: the ones he stars in, which are filled with campy homoeroticism and often performed in downtown theatre dives, and the ones he does not star in, which are safe, commercial and mainstream, and usually performed uptown. As a performer, Mr. Busch is a…
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Theater Review: THE GREAT GATSBY (National Tour)
by Lynne Weiss | July 12, 2026
in Boston, TheaterOff-Broadway Review: PORTRAITS OF GAYS IN DESPAIR (HB Playwrights Theatre)
by Kevin Hautigan | July 11, 2026
in New York, TheaterOff-Broadway Review: GIULIA: THE POISON QUEEN OF PALERMO (PAC NYC)
by Gregory Fletcher | July 10, 2026
in New York, TheaterTheater Review: CRAZY FOR YOU (Goodspeed Opera House / East Haddam, CT)
by Rob Lester | July 10, 2026
in Regional, TheaterTheater Review: SUFFS (First National Tour)
by Emma S. Rund | July 9, 2026
in Chicago, Theater, Tours
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