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Jason Rohrer
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Los Angeles Theater Review: FAILURE: A LOVE STORY (Coeurage Theatre Company at GTC in Burbank)
SUCCESS You have had at least one dream in which the universe of potential joy is realized in a moment. The moment is ethereal and tangible, in the way of dreams. For me this dream is always of a kiss. In the dream I am young and the girl I am going to kiss is…
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Los Angeles Theater Review: ASTRO BOY AND THE GOD OF COMICS (Sacred Fools)
SYNTHETICS AND STRUCTURE Excelling at stage picture, Jaime Robledo sets a lot of toys in motion in Sacred Fools’ latest offering, recently extended into August. Robledo’s direction of Natsu Onoda Power’s 2011 spectacle Astro Boy and the God of Comics features scrims and screens, puppets, projections, live actors and plain old pen and paper, all interacting…
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Los Angeles Theater Review: SHIV (The Theatre @ Boston Court in Pasadena)
RHYMES WITH SIEVE In her play Shiv, the third part of an immigrant-experience trilogy first workshopped in 2013, Aditi Brennan Kapil writes of a character (played by Monika Jolly) named after a Hindu god most widely known as an agent of destruction. The girl’s troubled relationship with her poet father, and her subsequent involvement with…
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Los Angeles Theater Review: AUGUST: OSAGE COUNTY (Theatricum Botanicum in Topanga)
THE AMERICANS Tracy Letts wrote a bleak comedy in 2007 that sold a lot of tickets, won a bunch of prizes and ensured his writing career at least a footnote in the big books. August: Osage County is about three generations of a familiarly fucked-up American family – you got your moral weakness, your addiction,…
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Los Angeles Theater Review: KINKY NEON ROCKER (Hollywood Fringe Festival)
THESE, OUR PLAYWRIGHTS Kinky Neon Rocker is one of those rally-round-the-flag excuses theater people use to put on shows: A beautiful old curved-wood rocking chair, painted in day-glo motley, features six times in six skits. Although six members of the Alliance of Los Angeles Playwrights (ALAP) wrote a skit each, the writing is fairly consistent,…
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Los Angeles Theater Review: GLITCHES IN REALITY (Hollywood Fringe Festival)
HITCHES IN EXECUTION In his latest one-hour act, Simon Coronel divides the world into three categories: people who want to know how a magic trick is done, people who don’t want to know, and people who don’t care. I’m in category two: I want the suspension of my disbelief to be total and continuous. I…
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Los Angeles Theater Review: THE HOMECOMING (Pacific Resident Theatre in Venice)
HAROLD THE CONQUERING HERO Harold Pinter wasn’t an Ivory Tower practitioner who won a Nobel for writing twenty-nine shocking plays about morality and five or six books of rather precious poetry. He was a professional writer who also typed up (get my salts!) almost thirty movies, including some of the gold standard screenplays for literacy…
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Los Angeles Theater Review: THE UNEXPECTED MAN (Two Roads Theater in Studio City)
THE UNEXPECTED CUE Yasmina Reza is the most internationally popular playwright France has produced in a long time; certainly since Jean Genet, possibly since Molière. Her 1994 play Art, in which three friends debate the value of a white canvas, ran for eight years in London; when’s the last time Tartuffe did that? 2007’s adults-are-just-big-children…
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Los Angeles Theater Review: URBAN DEATH (Zombie Joe’s Underground in North Hollywood)
THEATER OF WHAT THE FUCK As an impresario and creative force, the man who calls himself Zombie Joe is the envy of the North Hollywood arts scene. Largely on the remarkable popularity of Urban Death, its signature show now in the tenth incarnation since 2005, Zombie Joe’s Underground Theatre Group operates year-round out of an…
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Los Angeles Theater Review: UN-RULE-LEE (Elephant Theatre Lab in Hollywood)
RULIER THAN THOU I came to this show in a bad mood and left in a better one, which is as much praise as I can heap on a one-woman show about identity issues. There’s no theatrical fauna I want more sincerely to see on the endangered list, and none that looks less likely to…
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Los Angeles Theater Review: CHEKHOV UNSCRIPTED (Impro Theatre at The Lab on Vermont)
THE CRAGS OF DELIVERANCE If bad reviews are the flattest line my pen can draw, a steppe of the imagination that writes its unsurprising self, a good review is the Caucasus. To critique Impro Theatre requires ice boots spiked with inked nibs. Frankly I’ve become fearful of seeing this company scale the heights of artistry,…
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Los Angeles Theater Review: THE WOODSMAN (Coeurage Theatre Company)
LUMBER Workshopped once onstage in 2000, Stephen Fechter’s The Woodsman had its play form set aside while Fechter and director Nicole Kassell turned it into a screenplay that won the 2001 Slamdance screenwriting competition. The 2004 film was about as good as most movies starring Kevin Bacon, whose luck cruelly runs out every time he…
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Los Angeles / Chicago Theater Review: CINEASTAS (Grupo Marea at REDCAT in L.A. & MCA in Chicago)
SHOW BIZ KIDS Cineastas at least doubles the self-reflexion of your average REDCAT show. In this new Argentinian play, written and directed by Mariano Pensotti, you watch no fewer than four writer/directors make existential movies, putting themselves into their art and their art into themselves. Hell, that’s more mirrors than a Fellini dolly shot. Maybe…
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Los Angeles Theater Review: THE PITCHFORK DISNEY (Coeurage Theatre Company)
A RIDE YOU WON’T FIND IN ANAHEIM Any neighborhood with the elevated name of Silver Lake should have freshwater dolphins and interesting old hotels and a disfigured serial killer who stalks the shrubbery on the anniversary of his parasailing accident. Instead recently on a steep pavement I witnessed this conversation between an attractive pedestrian and…
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Los Angeles Theater Review: THE MISSING PAGES OF LEWIS CARROLL (The Theatre @ Boston Court)
UP THE RABBIT HOLE There’s been a good deal of speculation over the last hundred-and-something years regarding the sexuality of Charles Dodgson, an Oxford professor of mathematics more famous for his writings under the pen name Lewis Carroll. Severally, storytellers Dennis Potter and Robert Wilson have investigated the subject; so have many market-minded biographers. That Dodgson…
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Los Angeles Theater Review: ANNA CHRISTIE (Odyssey Theatre Ensemble)
SAILING THROUGH FOG The title of Eugene O’Neill’s 1921 drama Anna Christie is the nom de guerre chosen by a hard-knock 18-year-old who decides that if she’s going to get pawed, she’ll damn well get paid for it. She hates men, God damn them, especially sailors, starting with the absentee father who entrusted her upbringing…
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L. A. THEATER FAVORITES, 2014
A YEAR OF ECSTATIC MOMENTS Last year, as ever, I missed what I am told was some of the best theater that went up in Southern California. I don’t know what’s Best or Most. I saw shows that knocked me out and shows that didn’t. It is always a profound inspiration to see people do…
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Film Review: FORCE MAJEURE (directed by Ruben Östlund)
WARMTH FROM SNOW A photogenic family on a skiing holiday makes a terrible discovery during an avalanche, when one of the parents reveals a potentially dangerous lack of character. The kids are traumatized, and the family undergoes a crisis of faith. The shamed one and the frightened partner are counseled if not comforted by friends…
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Film Review: GOODBYE TO LANGUAGE (ADIEU AU LANGAGE) (Directed by Jean-Luc Godard)
EVERYTHING NEW WAVE IS OLD AGAIN I have never enjoyed watching a dog roll in shit as much as I did in the middle of Goodbye to Language. Every other time, I’ve been as horrified as any anal retentive bourgeois. But this Jean-Luc Godard essay, which won the Jury Prize at Cannes and the National…
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National Tour Review: BLITHE SPIRIT (Ahmanson)
BIRD THOU SURE AIN’T NOW Hail to thee, blithe Spirit! Bird thou never wert, That from Heaven, or near it, Pourest thy full heart In profuse strains of unpremeditated art. – P.B. Shelley, “To a Skylark” If time had not shown that Noël Coward’s 1941 comedy Blithe Spirit is a funny play, one would not find…
Music Review: NELLIE McKAY (City Vineyard)
by Rob Lester | April 29, 2026
in Cabaret, New YorkOff-Broadway Review: BROKEN SNOW (Theatre 71)
by Gregory Fletcher | April 28, 2026
in New York, TheaterTheater Review: THE SECRET SHARER (DNAWorks at Emerson Paramount Center)
by Lynne Weiss | April 27, 2026
in Boston, TheaterBroadway Review: JOE TURNER’S COME AND GONE (Barrymore Theatre)
by Paola Bellu | April 25, 2026
in New York, Theater



















