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John Todd
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San Diego Theater Review: SAM BENDRIX AT THE BON SOIR (La Jolla Playhouse at Martini’s Above Fourth)
THANK GOD THE DRINKS ARE STRONG The secret to living in New York is knowing how to cross the street against the light. Sam Bendrix (Luke Macfarlane) recalls having been given that advice when he first arrived in the city. Now he tells us, from the cabaret stage of the Bon Soir, that he must…
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San Diego Theater Review: THE EXIT INTERVIEW (San Diego Repertory Theatre)
A PLAY THAT GROPES FOR AN EXIT William Missouri Downs’ The Exit Interview is a jumble of a play whose myriad directions are made more difficult to track by its opening pronouncement: Two exuberant cheerleaders (JoAnne Glover and Lisel Gorell-Getz), uniformed and pom-pommed, lead the audience in a spirited: “Give me an “O”! Give me an…
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San Diego Theater Review: ALLEGIANCE (Old Globe)
NEW MUSICAL TOO LUKEWARM TO PLEDGE ALLEGIANCE TO IT Following the Japanese attack on Pearl Harbor, FDR issued Executive Order 9066, authorizing “exclusion zones” which effectively allowed for the forced evacuation of persons of Japanese ancestry in California, Washington and Oregon. Two-thirds of the 120,000 internees were American citizens, and since it was indiscernible as…
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Music Review: NELLIE McKAY (City Vineyard)
by Rob Lester | April 29, 2026
in Cabaret, New YorkOff-Broadway Review: BROKEN SNOW (Theatre 71)
by Gregory Fletcher | April 28, 2026
in New York, TheaterTheater Review: THE SECRET SHARER (DNAWorks at Emerson Paramount Center)
by Lynne Weiss | April 27, 2026
in Boston, TheaterBroadway Review: JOE TURNER’S COME AND GONE (Barrymore Theatre)
by Paola Bellu | April 25, 2026
in New York, Theater
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