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Kevin Vavasseur
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Film Review: BANG BANG (directed by Vincent Grashaw; World Premiere at Tribeca Film Festival)
HEAVYWEIGHT FILM ABOUT FEATHERWEIGHT BOXER Life inside the boxing ring is hard. And, apparently, life outside the boxing ring is even harder. At least it is for Detroit-based, former featherweight boxer, Bernard “Bang Bang” Rozyski who is the main focus of director Vincent Grashaw’s new sports drama Bang Bang. Though many years past his winning…
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Film Review: LIZA: A TRULY TERRIFIC ABSOLUTELY TRUE STORY (Directed and Written by Bruce David Klein | World Premiere at Tribeca Film Festival)
YEP — TRULY TERRIFIC “It’s Liza with a “Z” not Lisa with an “S” cause Lisa with an “S” goes:” If you know the remainder of that lyric, you’re definitely a fan of Miss Liza Minnelli. What you may not know are the multiple mentors needed to turn the precocious daughter of silver screen icons…
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Film Review: HACKING HATE (Directed by Simon Klose; World Premiere at Tribeca Film Festival)
In Hacking Hate, the latest documentary from director Simon Klose premiering at this year’s Tribeca Film Festival, a well-respected and awarded Swedish journalist examines the connection between far right extremism and social media. The film’s subject, My Vingren, has spent most of her career covering the workings of white supremacists and their ideologies, even in…
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Film Review: THE WASP (Directed by Gulliem Morales; World Premiere at Tribeca Film Festival)
WASP TRAP Heather and Carla, two English girls who were friends in middle school, reunite after years apart. Now in their thirties, Heather is living a very posh life with a nice house and handsome husband in the picturesque town of Bath in England. Carla also lives in Bath, though on the decidedly wrong side…
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TV | Film Review: TIM BURTON DOCUSERIES (World Premiere Directed by Tara Wood at Tribeca Film Festival)
BURTON RAISER Acclaimed movie director Tim Burton is either a massively talented artist, a deeply disturbed individual or some combination of the two. Seems to depend on whom you speak with. The one person you definitely won’t be speaking with is Mr. Burton himself, who approved of this film but did not participate. The apparently…
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Off-Broadway Review: TITANIC (Encores! at City Center)
IT DOESN’T JUST FLOAT, IT SOARS New York City Center’s Encores! describes itself, “This series of concert stagings revisits the archives of American musical theater. Centered around The Encores! Orchestra, these revivals are produced with limited runs and rehearsal schedules, spotlighting the vocal talents of star-studded ensembles.” And, boy, does it ever in its current…
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Film Review: THEY ALL CAME OUT TO MONTREUX (directed by Oliver Murray | Tribeca Film Festival)
Festivals promote diversity, they bring neighbors into dialogue, they increase creativity, they offer opportunities for civic pride, they improve our general psychological well-being. In short, they make cities better places to live. — David Binder, Artistic Director of BAM in Brooklyn Montreux July 14, 2008 MONTREUX JAZZ FESTIVAL 75th Anniversary Celebration Claude Nobs with Quincy…
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Off-Broadway Review: DAVID – A NEW MUSICAL (AMT Theatre)
A SLINGSHOT IN THE DARK Poor King David. What a life. If the blonde-haired King of Israel isn’t being duped by the local townspeople to fight Goliath, he’s embarrassing himself at a cocktail party at King Saul’s palace. If he isn’t making war against other desert people, he’s cutting backroom deals with the enemy of…
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Cabaret Review: NIGHT OF A THOUSAND JUDYS (12th Annual Benefit at Joe’s Pub for The Ali Forney Center)
JUSTIN, JUDY, JUSTIN, & JAMMING AT JOE’S At the start of the 12th Annual Night of a Thousand Judys benefit for The Ali Forney Center, the excited audience was addressed by the Center’s President and Executive Director Alex Roque. In his brief time at the mic, Mr. Roque thanked everyone for their support but also…
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Broadway Review: HOME (Roundabout at Todd Haimes Theatre)
COME HOME In the lovely Broadway revival of writer Samm-Art Williams’ Tony-nominated play Home, an African-American man named Cephus Miles contemplates life or, more to the point, his life. Sitting in a rocking chair on the front porch of his farmhouse, with an expanse of cornfields reaching to the North Carolina sky just behind him,…
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Off-Broadway Theater Review: THE COMEDY OF ERRORS (The Public Theater’s Mobile Unit Touring the Five Boroughs)
LA COMEDIA DE THE COMEDY OF ERRORS Full disclosure, I don’t speak Spanish. Oh, I’ve picked up a few phrases over the years and still remember a bit of what Mr. Sanchez taught us in high school but for all intents and purposes, I am not bilingual. Luckily, that proved to not be much of…
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Broadway Review: HELL’S KITCHEN (Shubert Theatre)
SOMETHING WONDERFUL IS COOKING IN HELL’S KITCHEN What else can be said about Alicia Keys‘ new Broadway musical Hell’s Kitchen, that its recent thirteen Tony Award nominations, including one for Best Musical, haven’t already said (or implied)? Currently running at the Shubert Theatre and presented by multiple producing entities including The Public Theatre – the show…
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Broadway Review: THE WIZ (Marquis Theatre)
HOW GOOD YOU GOT IT There’s an old saying that goes, “If it ain’t broke, don’t fix it.” But is “fixing” always a bad thing? What if that fix is not about correcting what’s wrong but more about deepening, exploring, and re-emphasizing what’s right? The creative team behind the current Broadway revival of the ’70s…
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Broadway Review: DOUBT: A PARABLE (Todd Haimes Theatre)
Doubt is an uncomfortable condition, but certainty is a ridiculous one. ’• Voltaire The Merriam-Webster dictionary defines parable as, “…a usually short, fictitious story that illustrates a moral attitude or a religious principle”. This same resource defines doubt as, “…to call into question the truth of; to be uncertain”. So celebrated playwright John Patrick Shanley certainly…
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Off-Broadway Review: PERICLES (Fiasco Theatre at Classic Stage Company)
PERICLES AT CLASSIC STAGE: A CLASSIC STAGING OF PERICLES Pericles by William Shakespeare is not a drama. Or comedy. It’s a Romance. A lovely romance that touches upon incest, forced prostitution, abduction by pirates, a murderous foster mother, a widowed young king, a shipwreck, famine, mental illness (arguably), grief, separation and beheadings for not being able…
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Concert/Theater Review: CHILDREN OF EDEN IN CONCERT (Manhattan Concert Productions, Lincoln Center)
AN EDENIC PRODUCTION AT LINCOLN CENTER Full disclosure, I’d never heard of Stephen Schwartz’s 1991 musical Children of Eden before seeing this one-night only, concert performance at Lincoln Center‘s David Geffen Hall. As a lifelong devotee of American musical theater (aka Musical Theater Queen), that’s surprising. Though if I had to choose any production as first…
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Off-Broadway Review: THE APIARY (Second Stage at Tony Kiser)
A STICKY SCRIPT Bees, those often annoying little creatures who have a knack for showing up at just the right time to ruin any number of outdoor activities, serve an important function. Namely, pollination — an act that is vital for our survival as human beings. So, like it or not, we need bees. However,…
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Off-Broadway Review: THE REFUGE PLAYS (Laura Pels Theatre at the Harold and Miriam Steinberg Center)
TAKING REFUGE IN THEATER Where does one find refuge? Is it somewhere in this physical world or on the spiritual plane? Or is there some intersectional vortex where the two meet and handily co-exist? Possibly in a hand-hewn house with no address, maybe off the grid and deep in the Illinois woods? In Nathan Alan…
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Off-Broadway Review: DRACULA: A COMEDY OF TERRORS (New World Stages)
DRAC-OOH-LA-LA Beware ladies and gentlemen and every other gender expression currently walking the planet. There’s a new Dracula in town and he is HAWT! Looking much more like a young Dolph Lundgren than an old Bela Lugosi, the tall, blonde, Aryan ideal at the center of Dracula: A Comedy of Terrors is on the prowl for…
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Broadway Review: PURLIE VICTORIOUS: A NON-CONFEDERATE ROMP THROUGH THE COTTON PATCH (The Music Box Theatre)
A VICTORY LAUGH Purlie Victorious, written by the late Ossie Davis, is a brilliant, funny, moving play that premiered on Broadway in 1961, with Mr. Davis in the title role. The initial production was a hit that ran for 261 performances before touring nationally (the 1970 musicalized version, Purlie, largely utilizing Davis’s play, ran for…
Music Review: NELLIE McKAY (City Vineyard)
by Rob Lester | April 29, 2026
in Cabaret, New YorkOff-Broadway Review: BROKEN SNOW (Theatre 71)
by Gregory Fletcher | April 28, 2026
in New York, TheaterTheater Review: THE SECRET SHARER (DNAWorks at Emerson Paramount Center)
by Lynne Weiss | April 27, 2026
in Boston, TheaterBroadway Review: JOE TURNER’S COME AND GONE (Barrymore Theatre)
by Paola Bellu | April 25, 2026
in New York, Theater



















