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Kevin Vavasseur
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Film Review: THE AUTOMAT (directed by Lisa Hurwitz)
CHOOSE YOUR PLEASURE AT THE AUTOMAT The Automat is a well-directed and well-researched love letter to that once ubiquitous symbol of East Coast life — that distillation of Democratic ideals into cafeteria service — The Automat. The film is book-ended by footage of now rusted and forgotten front walls of the adored Automat food delivery…
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Off-Broadway Review: PRAYER FOR THE FRENCH REPUBLIC (Manhattan Theatre Club)
A PRAYER GRANTED FOR THE THEATER “Exquisite” is probably a devalued and over-used descriptive at this point is our society. However, Manhattan Theatre Club’s current production of Prayer for the French Republic deserves this particular adjective. Painstakingly written by Joshua Harmon, this three-hour exploration of Jewish identity and human cruelty via multiple generations of a…
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Broadway Review: SKELETON CREW (Samuel Friedman Theatre)
A GREAT CREW OF ACTORS BRING THIS SKELETON TO LIFE There is a family onstage in Dominique Morisseau’s expertly crafted new play Skeleton Crew, which had its Broadway opening at the Samuel J. Friedman Theater last night. There’s a focused, worried Father figure — Reggie. There’s an experienced, solid Mother or maybe Grandmother or maybe…
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Off-Broadway Review: CRAZY MESHUGGA HURRICANE EARTHQUAKE (New Yiddish Rep at Theater for the New City)
A PLAY TO MAKE YOU KVELL AND KVETCH Crazy Meshugga Hurricane Earthquake by Amy Coleman is a play about parallels. Parallel religious practices. Parallel childhoods. Parallel abuses. Parallel fathers. Parallel lives. And Ms. Coleman’s attempt to bring all these parallel situations together is both the strength and weakness of her play. While Ms. Coleman has…
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Broadway Review: HARRY POTTER AND THE CURSED CHILD (The Lyric Theatre)
A MUST-SEE MARVEL OF MAGIC Harry Potter, named “The Boy Who Lived” by the wizarding world, is alive and well and back on Broadway at the Lyric after having been shuttered by the evil world of COVID. But behind the scenes, someone’s wand has been reworking the epic two-part play (which had required separate admissions)…
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Theater Review: HANGMEN (Long Beach Playhouse)
by Michael Landman-Karney | September 19, 2026
in Los Angeles, TheaterTheater Review: THE HUMANITIES (Victory Gardens Theater / Chicago)
by Croydon Fernandes | September 19, 2026
in Chicago, TheaterTheater Review: BEGIN AGAIN (World Premiere Musical / The Old Globe / San Diego)
by Milo Shapiro | September 19, 2026
in San Diego, TheaterTheater Review: JEKYLL & HYDE (Kokandy Productions / Broadway Playhouse / Chicago)
by Emma S. Rund | September 19, 2026
in Chicago, TheaterTheater Review: MARISOL (Open Fist Theatre Company / Los Angeles)
by Lawrence Lucero | September 18, 2026
in Los Angeles, TheaterTheater Review: THE VISIT (Pasadena Playhouse)
by Michael Landman-Karney | September 17, 2026
in Los Angeles, TheaterTheater Review: THE BIRTH OF THE PILL (TimeLine Theatre / Chicago)
by Croydon Fernandes | September 17, 2026
in Chicago, TheaterCabaret Review: JEFF HARNAR – THE 1959 BROADWAY SONGBOOK (Birdland / New York)
by Rob Lester | September 17, 2026
in Cabaret, New YorkTheater Review: A CASE FOR THE EXISTENCE OF GOD (Rogue Machine / Los Angeles)
by Michael Landman-Karney | September 17, 2026
in Los Angeles, TheaterTheater Review: DEAR EVAN HANSEN (Cygnet / San Diego)
by Milo Shapiro | September 17, 2026
in San Diego, Theater




