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Kevin Vavasseur
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Film Review: THE AUTOMAT (directed by Lisa Hurwitz)
CHOOSE YOUR PLEASURE AT THE AUTOMAT The Automat is a well-directed and well-researched love letter to that once ubiquitous symbol of East Coast life — that distillation of Democratic ideals into cafeteria service — The Automat. The film is book-ended by footage of now rusted and forgotten front walls of the adored Automat food delivery…
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Off-Broadway Review: PRAYER FOR THE FRENCH REPUBLIC (Manhattan Theatre Club)
A PRAYER GRANTED FOR THE THEATER “Exquisite” is probably a devalued and over-used descriptive at this point is our society. However, Manhattan Theatre Club’s current production of Prayer for the French Republic deserves this particular adjective. Painstakingly written by Joshua Harmon, this three-hour exploration of Jewish identity and human cruelty via multiple generations of a…
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Broadway Review: SKELETON CREW (Samuel Friedman Theatre)
A GREAT CREW OF ACTORS BRING THIS SKELETON TO LIFE There is a family onstage in Dominique Morisseau’s expertly crafted new play Skeleton Crew, which had its Broadway opening at the Samuel J. Friedman Theater last night. There’s a focused, worried Father figure — Reggie. There’s an experienced, solid Mother or maybe Grandmother or maybe…
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Off-Broadway Review: CRAZY MESHUGGA HURRICANE EARTHQUAKE (New Yiddish Rep at Theater for the New City)
A PLAY TO MAKE YOU KVELL AND KVETCH Crazy Meshugga Hurricane Earthquake by Amy Coleman is a play about parallels. Parallel religious practices. Parallel childhoods. Parallel abuses. Parallel fathers. Parallel lives. And Ms. Coleman’s attempt to bring all these parallel situations together is both the strength and weakness of her play. While Ms. Coleman has…
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Broadway Review: HARRY POTTER AND THE CURSED CHILD (The Lyric Theatre)
A MUST-SEE MARVEL OF MAGIC Harry Potter, named “The Boy Who Lived” by the wizarding world, is alive and well and back on Broadway at the Lyric after having been shuttered by the evil world of COVID. But behind the scenes, someone’s wand has been reworking the epic two-part play (which had required separate admissions)…
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Interview: DAVID SERERO (director of “Tovah,” a documentary about Tovah Feldshuh)
by Shari Barrett | August 31, 2026
in Film, Interviews, Los AngelesMusic Preview: PACIFIC JAZZ ORCHESTRA BENEFIT CONCERT (October 10, 2026 | L.A.)
by pwsadmin | August 30, 2026
in Los Angeles, MusicTheater Review: ADOLESCENT SALVATION (Theater Wit / Chicago)
by Croydon Fernandes | August 29, 2026
in Chicago, TheaterDance Preview: GLORYA KAUFMAN PRESENTS DANCE AT THE MUSIC CENTER 2026–27 (L.A.)
by pwsadmin | August 28, 2026
in Dance, Los AngelesTheater Preview: KAIJU (The Road Theatre Company & BroadStage / Los Angeles)
by pwsadmin | August 28, 2026
in Los Angeles, TheaterDance Preview: DRACULA, A DARK SHADOW (State Street Ballet / Santa Barbara)
by Gregory Bernard | August 28, 2026
in Dance, Los Angeles, RegionalTheater Review: BEING PIAF (Odyssey Theatre Ensemble / Los Angeles)
by Ernest Kearney | August 27, 2026
in Los Angeles, Theater




