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Kevin Vavasseur
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Theater Review: BROADWAY BY THE YEAR: “FROM ZIEGFELD TO MOULIN ROUGE!” (The Town Hall)
Scott Siegal’s latest installment in his ongoing homage to commercial Broadway, appropriately titled Broadway By The Year, is an entertaining and enjoyable production that starts down memory lane but thrillingly winds its way back to our Broadway present. Featuring solid and familiar Broadway performers, a chorus of synchronized Rockettes and a stunning eighteen-year-old newcomer, Mr….
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Off-Broadway Review: EXCEPTION TO THE RULE (Roundabout)
EXCEPTIONAL EXCEPTION High school is a time of many rules, sometimes excessively so. How to dress, who to hang with, what’s in, what’s out, where to go, what to listen to — do you identify with the group or be true to yourself? And that’s just from one’s peers. Run afoul of authority figures and…
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Off-Broadway Review: …WHAT THE END WILL BE (Roundabout)
QUE SERí, SERí Those of us of a certain age may remember the now classic opening credits of the popular, seventies, television sitcom The Odd Couple. Right before the catchy theme music would commence, a deep voiced announcer would state the show’s simple premise, “Can two divorced men share an apartment – without driving each other…
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Off-Broadway Review FAT HAM (The Public Theater)
WHAT A PIECE OF WORK IS FAT HAM The Father/Son relationship can often be difficult. It can be hard even when the father and son like, let alone love, each other. In Shakespeare’s Hamlet, the young prince is so enamored of his recently deceased father, King Hamlet, he refers to him as a “Hyperion.” In…
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Off-Broadway Review: A CASE FOR THE EXISTENCE OF GOD (Signature Theatre)
DOES GOD MAKE A CASE? I liked Samuel D. Hunter‘s A Case for the Existence of God. I didn’t love it, just liked it. Admittedly, I’m in the minority opinion on this one, as many people unabashedly love this well-executed production, currently performing at Signature Theater. Of course, what I like or love is immaterial…
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Off-Broadway Review: THE VAGRANT TRILOGY (The Public)
LIKE A ROLLING STONE I imagine that some time back, the Theater Gods were sitting around talking. They had the idea to collaborate on a stupendous theatrical event. They thought to combine the best of film, stage and television production techniques with flawless acting, inspired direction, artful lighting and brilliant sound — all in support…
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Off-Broadway Review: ¡AMERICANO! (New World Stages)
AS ¡AMERICANO! AS APPLE PIE The Merriam-Webster dictionary (remember dictionaries?) lists two definitions for the word dreamer. The first is simply “one that dreams.” The second definition is “a person living in the United States without legal status who arrived as the child of someone who did not have the documentation required for legal entry…
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Broadway Review: A STRANGE LOOP (Lyceum Theatre)
FINALLY IN THE LOOP A Strange Loop, the new Broadway musical that currently towers above the rest, is a Brilliant show. With book, music and lyrics by Michael R. Jackson, this Brilliant show is also a Personal show. And a Troubling show. And a Pulitzer Prize-winning show. And a Thoughtful show. And a Silly show….
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Off-Off-Broadway Review: AUNT SUSAN AND HER TENNESSEE WALTZ (Theater for the New City)
WALTZING AROUND AUNT SUSAN Aunt Susan & Her Tennessee Waltz by Toby Armour is one play in two acts that feels more like two, one-act plays on the same bill. The acts have little in common, other than being dramatizations of two early champions of Women’s Suffrage – Susan B. Anthony and Carrie Chapman Catt….
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Broadway Review: FUNNY GIRL (August Wilson)
FUNNY, HOW IT KINDA WORKS On the Internet exists a theater-centered, YouTube channel called “Staged Right”. And there’s an episode on Staged Right called Fanny & Barbra and the Legacy of Funny Girl. This thirty-minute documentary explores the real Fanny Brice, how the original stage production of Funny Girl came to be and how the…
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Broadway Review: BIRTHDAY CANDLES (Roundabout at American Airlines Theater)
TASTY BIRTHDAY CAKE NEEDS MORE LAYERS In playwright Noah Haidle’s new play Birthday Candles, currently running at the American Airlines Theatre, television star Debra Messing ages before our very eyes. When she first enters the stage, Ms. Messing is 17. Then she’s 18. Then she’s 38. We know that because it is in the dialogue….
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Broadway Review: THE LITTLE PRINCE (The Broadway Theatre)
NOT SO LITTLE ANYMORE Once upon a time there was an aviator. One day, the aviator’s plane crash landed in the Sahara Desert. The aviator survived but his plane was damaged. After landing, the aviator soon met a little prince from another planet — a planet so small it only held a rose, some shrubs,…
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Broadway Review: TAKE ME OUT (Second Stage’s Hayes Theater)
PLAY BALL! Get your popcorn and peanuts and Cracker Jack. Grab your Empires pennant and Empires cap and maybe your Empires team jacket. Then head on down to the ballpark or, in this case, the Helen Hayes Theater on Broadway. For inside is now housed a locker room, a dugout, a field of dreams and…
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Off-Broadway Review: GONG LUM’S LEGACY (Woodie King Jr.’s New Federal Theatre at Theatre @ St. Clements)
GONG WITH THE WIND In Charles L. White’s new play Gong Lum’s Legacy, currently running at Theatre @ St. Clements in New York City, things happen very quickly. A young Chinese man, a recent immigrant from China, falls in love with a young African American woman within a few minutes of meeting her. However, the…
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Off-Broadway Review: THE LAMENTABLE COMEDIE OF JANE ANGER, THAT CUNNING WOMAN, AND ALSO OF WILLY SHAKEFPEARE AND HIS PEASANT COMPANION, FRANCIS, YES AND ALSO OF ANNE HATHAWAY (ALSO A WOMAN) WHO TRIED VERY HARD (New Ohio Theatre)
A NOT SO PLAIN JANE Did you know that William Shakespeare was a narcissistic, whiny, pansexual, selfish, misogynistic, plagiarizing, womanizing fop? Scholars may debate the accuracy of this description but in playwright Talene Monahon’s riotous new comedic farce, The Lamentable Comedie of JANE ANGER, that Cunning Woman, and also of Willy Shakefpeare and his Peasant…
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Off-Broadway Review: THE CHINESE LADY (The Public Theater)
DECORATIVE CHINA Immediately upon entering The Shiva Theater within The Public Theater building, the audience for The Chinese Lady is greeted with an onstage shipping container that fills the playing space. It is a bit off-putting but mostly curious. And, as it turns out, a perfect image to start playwright Lloyd Suh’s exploration of the…
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Off-Broadway Review: MADE BY GOD (Irish Rep)
VIRGIN PLAY GETS TESTED AT IRISH REP Ciara Ní Chuirc’s new play Made By God, now being given its world premiere run by Irish Rep, is described in the show’s promotional materials thusly: Made by God features the true and tragic story of the 1984 death of Ann Lovett and her newborn baby in Granard,…
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Off-Broadway Review: THE DAUGHTER-IN-LAW (Mint Theater)
A 1913 PLAY IN MINT CONDITION In a coal-mining district in the Erewash Valley of the English Midlands, lives a young miner named Luther. Luther has been married to his hyper-critical bride Minnie for all of seven weeks. Luther’s father is dead but his domineering mother, Mrs. Gascoyne, is very much alive. His younger brother…
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Broadway Review: THE MUSIC MAN (The Winter Garden Theatre)
MUSIC MAN HATH CHARMS TO SOOTH THE SAVAGE BREAST “Oh, there’s nothing halfway about the Iowa way to treat you, when we treat you, which we may not do at all” sing the taciturn and straight-shooting citizens of River City, Iowa, shortly after the curtain rises on Meredith Willson’s classic Americana musical The Music Man….
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Off-Broadway Review: BLACK NO MORE: A NEW MUSICAL (The New Group at The Pershing Square Signature Center)
BLACK NO MORE: A NEW MUSICAL George Schuyler’s classic novel Black No More — written during the famous Harlem Renaissance of the 1920s and 30s — is a funny, absurdist, searing indictment of American White Supremacy ideology. It also pointedly skewers hierarchies based on physical appearance created during American slavery that privileged a white, European…
Theater Review: ANY REBELLION OF WILL (Trap Door Theatre in Chicago)
by Croydon Fernandes | October 14, 2026
in Chicago, TheaterOff-Broadway Review: A GHOST IN YOUR EAR (Audible Theater at Minetta Lane Theatre)
by Gregory Bernard | October 14, 2026
in New York, TheaterOpera Review: DON GIOVANNI (Lyric Opera)
by Barnaby Hughes | October 12, 2026
in Chicago, Music, TheaterTheater Review: DRACULA: A COMEDY OF TERRORS (Actors’ Shakespeare Project, Watertown)
by Lynne Weiss | October 11, 2026
in Boston, TheaterOff-Broadway Review: GOOD TIME CHARLIE (The Public Theater)
by Gregory Bernard | October 9, 2026
in New York, TheaterTheater Review: VLADIMIR (Shattered Globe Theatre, Chicago)
by Emma S. Rund | October 9, 2026
in Chicago, TheaterTheater Review: AMERICAN RHYTHM (Lamb’s Players Theatre / Coronado)
by Milo Shapiro | October 8, 2026
in San Diego, Theater



















