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Marc Wheeler
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Theater Review: THE GIN GAME (Starring JoBeth Williams and Joe Spano at the Rubicon Theatre in Ventura)
DEADWOOD OR GIN? Fine actors of stage, television, and film, JoBeth Williams and Joe Spano unite their decades of work and talent to kick off a national tour of The Gin Game at the Rubicon Theatre Company in Ventura. Yet even with such names filling the stage in this intimate two-hander, D. L. Coburn’s tragicomedy…
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Theater Review: TRAYF (Geffen Playhouse in Los Angeles)
SCHISM BUDDIES “Are you Jewish?” Spoken by the leading players in playwright Lindsay Joelle’s Trayf, the question could also be relevant for the audience itself. Before you walk away dejected, know this: if you’ve never greeted anyone with “shalom” or heard of a “Mitzvah tank,” you’re probably (surprisingly) the play’s target audience – or at…
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Theater Review: THE PLAY YOU WANT (Road Theatre)
THE PLAY WE NEED What starts as a joke ends in a laugh — all the way to the bank! — in The Play You Want, a world premiere comedy by Bernardo Cubría. Directed by Michael John Garcés, the play is a product of The Road Theatre Company’s playwriting workshop, Under Construction. I don’t know…
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Theater Review: THE LEHMAN TRILOGY (Ahmanson Theatre)
DON’T MISS AT ANY COST… BANK ON IT Recently I saw a play which forced me to ask: with the amount of stellar entertainment available to us at home, why would anyone spend this much money to trek across town and see this drivel? Whatever “supporting the arts” or “supporting live theater” means shouldn’t feel…
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Theater Review: POWER OF SAIL (Geffen Playhouse)
THE KIDS AREN’T ALL RIGHT Ever heard of Godwin’s Law? If you’ve spent a sizable amount of time on social media you’ve surely experienced it. An adage from the ‘90s, Godwin’s Law states that the longer an online discussion continues the chance that someone gets compared to Hitler (or Nazis) is inescapable. The Law serves…
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Theater Review: CAGES (Woolf and the Wondershow, DTLA)
CAGES : AND THE FUTURE OF THEATER In late September, the long-delayed Tony Awards proudly announced: “Broadway’s Back!” Yet even before Christmas, theaters from The Great White Way to L.A. have canceled performances — even closed shows early — due to an upward surge of Omicron, the latest COVID-19 variant. This, of course, falls on…
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Theater Review: THE BAND’S VISIT (National Tour)
LOST IN THE DESERT Winner of 10 Tony Awards including Best Musical of 2018, Itamar Moses’s The Band’s Visit is one of the most highly-awarded shows in musical theater history. And yet, those expecting the razzmatazz of a Big Broadway Musical in The Band’s Visit’s “post-shutdown” North American Tour are likely to be at least somewhat…
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Theater Review: A CHRISTMAS CAROL (Ahmanson Theatre)
SCROOGED After a year or two since Covid shutdowns made in-person theater nearly unheard of, a new adaptation of Charles Dickens’ A Christmas Carol has made its way from London to Broadway to sunny L.A. to liven our world-weary spirits. And luckily, surprisingly : eventually : it manages to do just that, if only in…
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Virtual Theater: ALICE IN WONDERLAND (A Noise Within)
WHAT A WONDER [Editor’s Note: Just after we published Marc Wheeler’s glowing review of A Noise Within’s production of Alice in Wonderland, the theater had to go dark due to COVID. Fortunately, the amazing cast and crew reunited recently to professionally film the production specifically for high-definition streaming, which begins May 27, 2021. We are…
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Virtual Theater Review: THE PRESENT (Geffen Stayhouse a.k.a. Geffen Playhouse)
CALIFORNIA STREAMIN’ Even after postponing the remaining productions of their 2019/2020 season due to the COVID-19 pandemic, the Geffen Playhouse is forging ahead. While the UCLA-owned theater has high hopes for their upcoming 25th-anniversary season, let’s be honest: futures for any theater are being made with cautious optimism. Wearing the resilient adage “the show must…
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Theater Review: ALICE IN WONDERLAND (A Noise Within in Pasadena)
WHAT A WONDER Childhood whimsy is seen through the looking-glass of adult sophistication at A Noise Within. Based on Lewis Carroll’s Alice’s Adventures in Wonderland (1865) and Through the Looking-Glass and What Alice Found There (1871), this 1932 stage adaptation — co-written by Eva Le Gallienne and Florida Friebus — faithfully honors its source materials,…
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Theater Reviews: GHOSTS, NEVER SWIM ALONE and LANDSCAPE (Inkblots “A” &”B” of Open Fist’s Rorschach Fest)
OUR INKBLOT INTERPRETATIONS: SPLAT, SPLAT, SPLAT, SPLAT, SPLENDID Theater isn’t just what it brings to us, it’s also what we bring to it. At least, that’s the general idea behind Open Fist Theatre Company’s Rorschach Fest, a series of five experimental one-act plays from risk-taking playwrights: John O’Keefe, Harold Pinter, Daniel MacIvor, and Caryl Churchill….
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Theater Review: FOUND (IAMA Theatre Company)
LOST … AND FOUND Found: A New Musical is determined to find its way. After a run off-Broadway at the Atlantic Theatre Company in 2014, this reworked West Coast premiere — now playing at the Los Angeles Theatre Center in Downtown L.A., stumbles through its first act with vague ambitions, disconnection, and cloying clichés, only…
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Theater Review: FRANKENSTEIN (Four Larks & Wallis)
MONSTER MASH In an effort to strip away the centuries, Mary Shelley’s Frankenstein has gone under the knife. Revitalizing the 200-year-old classic is the Beverly Hills-based performing arts center, The Wallis, which has commissioned a reimagining by Four Larks, an innovative L.A.-based theater company known for their interdisciplinary stylings. In this intimate world premiere production…
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Theater Review: THE $5 SHAKESPEARE COMPANY (The 6th Act at Theatre 68 in North Hollywood)
LIFE IMITATETH ART In Christopher Guest’s brilliant 1996 mockumentary Waiting For Guffman, the smalltown residents of Blaine, MO, come together to put on a show. But what if instead the residents in the film made the movie themselves? That’s the level of ironic self-unawareness permeating The $5 Shakespeare Company, a woeful work by Matthew Leavitt…
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Theater Review: THE FATHER (Pasadena Playhouse)
PAPA, CAN YOU HEAR ME? Every once in a while a play reminds us what – and how exciting – theater can be. In The Father (Le Père), French playwright Florian Zeller doesn’t just present a man with dementia, he makes us feel as if we have it, too. Electrifying Southern California with Zeller’s genius…
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Theater Review: FUN HOME (Chance Theater)
TAKE A CHANCE WITH FUN When a newly “out” lesbian learns her closeted father has taken his life mere months after revealing to him her sexuality, she has a lot to process. Being an artist, she attempts to make sense of her trauma through storytelling – that’s the power of art. More specifically, that’s the…
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Theater Review: I DECIDED I’M FINE: A ROACH PLAY (The Attic Collective at Studio/Stage in Hollywood)
PASS THIS ROACH After a convoluted build-up, there’s a late scene in I Decided I’m Fine: A Roach Play that actually works. In it, Ellen (Veronica Tjioie), a trauma-stricken hoarder, exposes her “dirty secret” by welcoming outsiders into her shockingly cluttered home. If one can get past the improbability of such a willing invitation, the…
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Theater Review: THIS SIDE OF CRAZY (Zephyr Theatre)
HYMN-DINGER Sweet lovin’ Jesus, Del Shores is back, and he’s brought a band of gospel singers with him. In This Side of Crazy, writer/director/producer Shores introduces us to a Southern family comprised of the Christian singing trio, The Blaylock Sisters, and their gospel legend momma, Ditty Blaylock. These Christian ladies — well, one’s now an…
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Theater Review: FOR THE LOVE OF A GLOVE (Carl Sagan & Ann Druyan Theater in Los Angeles)
IF THE GLOVE FITS… On the heels of Leaving Neverland — the jaw-dropping 2019 documentary that explores the sexual abuse allegations against Michael Jackson — comes the world premiere of a musical that posits a bizarre, untold story of the King of Pop. For the Love of a Glove is a ribald, lampooning satire that…
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