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Marc Wheeler
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Theater Review: NOWHERE ON THE BORDER (Road Theatre Company in North Hollywood)
BYOC: BRING YOUR OWN CANTEEN In an effort to spark dialogue on Trump-era immigration, The Road Theatre Company has mounted a revised version of Carlos Lacámara’s Nowhere on the Border, a play that premiered at The Hayworth Theatre in 2006 during the presidency of George W. Bush. While this partially-rewritten work is a testament to…
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Dance Review: THE NUTCRACKER (American Contemporary Ballet; Santa Fe Ballet; Long Beach Ballet)
TRIPLE-CRACKED It wouldn’t be the holidays without The Nutcracker ballet, a wondrous fantasia limited in scope only by imagination — or, more practically, budget. This year I attended three separate SoCal productions: L.A.’s own American Contemporary Ballet’s sparkling condensed jewel and Santa Fe Ballet’s disappointing tour both pared down the work, while Long Beach Ballet…
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Theater and Dance Review: SWAN LAKE (Matthew Bourne Productions at the Ahmanson)
SWOON LAKE Sir Matthew Bourne’s Swan Lake has flown into town and it’s a rapturous reimagining of Tchaikovsky’s beloved ballet. While productions based on the popular Petipa-Ivanov 1895 revival are commonly performed (with alternate endings), Bourne’s radical retelling — which debuted a hundred years after this iconic interpretation — gives the folkloric piece a modern…
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Theater Review: FROZEN (National Tour)
CAN FROZEN MELT YOUR HEART? Direct from Broadway, Disney’s Frozen officially kicks off its national tour at the Hollywood Pantages after a tryout in Schenectady, NY, and it’s the hygge snowblast we need. Based on the 2013 Academy Award-winning animation (currently the 15th highest-grossing film of all time), this stage musical adaptation — directed with…
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Theater Review: PUNKPLAY (Circle X Theatre Company at the Atwater Village Theatre)
PUNK’D In many ways, Gregory S. Moss’s 1980s-themed punkplay feels like a dream. Props and seasons are generically labeled. Flights of fancy are realized like make-believe. Even the era itself is presented as a distant memory we’re not sure really happened. Unfortunately, the wistfulness of a nighttime enigma doesn’t always make for compelling storytelling. Co-directed…
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Opera Review: THE MAGIC FLUTE (Los Angeles Opera at the Dorothy Chandler Pavilion)
THE WHIMSICAL FLUTE How to illustrate such whimsy: Chaplin on a Seussian sleigh, perhaps, belting an aria from Metropolis into the bowels of Dante’s Inferno. That’s as succinctly I can describe the magic awaiting audiences this holiday season in LA Opera’s dazzling production of Wolfgang Amadeus Mozart’s The Magic Flute (Die Zauberflöte). The fact that…
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Theater Review: EIGHT NIGHTS (Antaeus Theatre Company in Glendale)
OY VEY A barrage of human suffering — anti-Semitism, racism, anti-Muslim hostility, misogyny, LGBT closets, slavery, Japanese-American internment camps, miscarriages, PTSD, death, and a literal onstage kitchen sink — are given the holiday treatment in Jennifer Maisel’s Hanukkah-inspired Eight Nights. Highlighting eight not-so-festive nights over eight decades in the life of Holocaust survivor Rebecca Blum,…
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Theater Review: MIRACLE ON 34TH STREET: A LIVE MUSICAL RADIO PLAY (Actors Co-op in Hollywood)
MIRACLE ON NORTH GOWER STREET If you’re in need of a miracle, look no further than the Los Angeles premiere of Lance Arthur Smith‘s new adaptation of Miracle on 34th Street: A Live Musical Radio Play presented by Actors Co-op at the First Presbyterian Church of Hollywood. Based on the Lux Radio Theatre broadcast and…
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Theater Review: MIKE BIRBIGLIA’S THE NEW ONE (Tour at The Ahmanson in Los Angeles)
TOSSING OUT THE BABY BUT KEEPING THE BATHWATER Reluctance takes center stage in Center Theater Group’s production of Mike Birbiglia’s theatrical child The New One. In his 2018 one-man show, the comedian confesses to cold feet at his wife’s suggestion of having a child. That aversion to risk unfortunately finds its way to Birbiglia’s script,…
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Theater Review: THE LIGHT IN THE PIAZZA (LA Opera at the Dorothy Chandler Pavilion)
PIAZZA EXPLODES LIKE TUSCAN SUNLIGHT From London’s Royal Festival Hall to L.A.’s Dorothy Chandler Pavilion comes a rapturous new production of the Tony Award-winning musical The Light in the Piazza. Presented by LA Opera under the helm of Olivier Award-winning director Daniel Evans and conductor Kimberly Grigsby, Piazza is an exciting return to of one…
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Theater Review: LITTLE SHOP OF HORRORS (Pasadena Playhouse)
A GREEN NEW DEAL As Little Shop of Horrors teaches us: sometimes you just need fresh blood. In that vein, the Pasadena Playhouse more than delivers. Their audacious revival of the quirky cult classic – directed with exemplary vision by Mike Donahue – offers audiences something they may not have realized they craved. In this…
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Theater Review: SHOOTING STAR — A REVEALING NEW MUSICAL (Hudson Mainstage in Hollywood)
SHOOTING STAR AIMS, SHOOTS … AND BORES Shooting Star, billed as “A Revealing New Musical” — and getting its World Premiere at the Hudson Theatres in Los Angeles under the direction of Michael Bello — offers us a glimpse of one man’s journey through the world of gay porn. Written by Florian Klein (a.k.a. adult…
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Los Angeles Theater Review: DANIEL’S HUSBAND (Fountain Theatre in Hollywood)
THE PLAY THAT GOT AWAY I don’t know the exact play Michael McKeever was writing prior to the 2015 Supreme Court ruling in favor of federal marriage equality, but I suspect it worked much more than this now locked-in reconstruction that made its way to Off-Broadway by 2018, and is now getting its Southern California…
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Theater Review: CHARLIE AND THE CHOCOLATE FACTORY (National Tour)
THE CANDY MAN CAN’T The stage musical adaptation of Charlie and the Chocolate Factory — Roald Dahl’s beloved children-of-all-ages’ story — has spun into town just, it seems, to make your teeth ache. Directed by Jack O’Brien, this already extended national tour arrives to a city near you even though it flopped on Broadway (27…
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Music Review: NELLIE McKAY (City Vineyard)
by Rob Lester | April 29, 2026
in Cabaret, New YorkOff-Broadway Review: BROKEN SNOW (Theatre 71)
by Gregory Fletcher | April 28, 2026
in New York, TheaterTheater Review: THE SECRET SHARER (DNAWorks at Emerson Paramount Center)
by Lynne Weiss | April 27, 2026
in Boston, TheaterBroadway Review: JOE TURNER’S COME AND GONE (Barrymore Theatre)
by Paola Bellu | April 25, 2026
in New York, Theater













