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Paola Bellu
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Opera Review: AN AMERICAN SOLDIER (PAC/NYC)
THE STORY’S THE THING IN UPDATED VERSION OF THE OPERA AN AMERICAN SOLDIER This is a heartbreaking story impossible to forget. Although suicide is the second leading cause of death in the U.S. military (unintentional injuries being the first) some people still consider bullying completely normal, a rite of passage that will make the victims…
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Off-Broadway Review: JIMMY TINGLE: HUMOR AND HOPE FOR HUMANITY (SoHo Playhouse)
OH, THE HUMANITY! Remember the 80s? Reaganomics here, Thatcherism abroad, apartheid, the tragedy of AIDS that ended up killing more than 700,000 people in the US alone, materialism, consumerism and lots of new music I still hear everywhere I go. The world premiere of Jimmy Tingle: Humor and Hope for Humanity, which opened tonight at…
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Cabaret Review: VINCE GIORDANO AND THE NIGHTHAWKS (Birdland Jazz Theatre)
GIGGLE JUICE If you love big-band jazz and swing music played by masters, or if you are a tourist and you wish to truly feel the beat of New York’s roots, you must go to Birdland Jazz Club’s downstairs theater and catch Vince Giordano’s concert, currently playing Mondays at 5:30 and 8:30pm. Named after saxophonist…
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Off-Broadway Review: MODERN WITCHES and BRAIN HEMINGWAY (Players Theatre)
Two five-star Edinburgh Festival Fringe shows are now at the Players Theatre and you don’t want to miss them. Modern Witches is a solo show written and performed by Katie Kopajtic – a queer writer and actor whose work spans theatre, film and digital publication – where witchcraft meets the great Virginia Woolf. Kopajtic plays a lesbian…
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Dance Recommendation: NAVY BLUE (Oona Doherty, The Joyce)
BELFAST-BASED RISING STAR MAKES JOYCE DEBUT WITH NAVY BLUE JUNE 4 – 9, 2024 Oona Doherty (photo Luca Truffarelli) The Joyce is hosting one of the most promising and vital voices in contemporary choreography, Oona Doherty, who makes her Joyce debut with the New York premiere of the evening-length work Navy Blue. This urgent appeal…
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Dance Review: MESSAGE IN A BOTTLE (North American Tour at New York City Center)
A SHOW THAT SENDS OUT AN S.O.S. Director-choreographer  Kate Prince, founder of London-based hip hop dance troupe  ZooNation, created a story about survival, hope, and love. Inspired by  Sting’s hits,  Message in a Bottle premiered on London’s West End in February 2020 and revived a year later before being interrupted by COVID. Produced by Sadler’s Wells  and  Universal Music UK, it…
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Broadway Review: UNCLE VANYA (Lincoln Center Theater at the Vivian Beaumont)
YOU’LL SAY UNCLE Anton Chekhov’s 1897 Uncle Vanya is a comic tragedy and one of the hardest plays to stage because the main actors have a significant change of identity throughout the story, and the director has to make the transition into the dramatic part smooth and credible. In Heidi Schreck‘s version at Lincoln Center, the plot remains linear…
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Off-Broadway Review: STAFF MEAL (Playwright’s Horizon)
A MEAL THAT’S HARD TO DIGEST Staff Meal at Playwrights Horizons is a light, surreal play with many points and no resolutions, intentionally unclear, written by Abe Koogler and directed by Morgan Green. Mina (Susannah Flood) and Ben (Greg Keller) are customers of the same coffee shop. They exchange head nods, a ‘hi’ or at most an awkward…
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Broadway Review LEMPICKA (Longacre Theatre)
REIGNITING TAMARA DE LEMPICKA [Editor’s Note: Even with tonal problems, I enjoyed Lempicka, but a crowded season won out, and the new musical officially closes on May 19, 2024. Therefore, we are republishing our review today, so you can catch it soon. Actor George Abud is remarkable; his performance is one of the biggest snubs…
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Theater / Film Review: MACBETH (Ralph Fiennes & Indira Varma; screening in cinemas)
SOUND AND FURY INDEED “When the hurly-burly’s done, when the battle’s lost and won,” says a Witch to introduce my favorite cursed play by the Bard, and I immediately crave medieval witches, prophecies, ghosts, and murders, but fearing a disappointment because of its length and complexity. Well, this powerful version adapted by Emily Burns starring…
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Broadway Review: AN ENEMY OF THE PEOPLE (Circle in the Square Theatre)
A PLAY FOR THE PEOPLE Written by Ibsen in 1882, An Enemy of the People is a powerful drama that reminds us, as a discouraging premonition, how people would go against truth and honesty in order to protect their personal interests. This version, adapted by playwright Amy Herzog and directed by her husband Sam Gold at Circle in the Square…
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Concert / Event Review: KRONOS QUARTET & GHOST TRAIN ORCHESTRA PLAY MOONDOG (The Town Hall in New York City, Tuesday April 16, 2024 at 8pm)
IT’S SO GOOD THAT I’M HOWLING AT THE MOONDOG Moondog’s music is magical and timeless, it has the power to take us to faraway places. I am here to tell you about the extraordinary concert, Kronos Quartet & Ghost Train Orchestra Play Moondog, the collaboration between The Kronos Quartet, breaking down music boundaries as they…
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Off-Broadway Review: STILL (DR2 Theatre near Union Square)
STILL WATERS RUN DEEP Lia Romeo‘s Still at the DR2 Theatre, is a moving, intimate play starring two confident actors, Jayne Atkinson as Helen and Tim Daly as Mark, who inhabit their roles with naturalism and nuance. Director Adrienne Campbell-Holt had only them in mind when she staged it because they almost never move, it’s all about their dialogue, and…
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Broadway Review LEMPICKA (Longacre Theatre)
REIGNITING TAMARA DE LEMPICKA An epic story of entangled triangles is taking place at the Longacre Theatre, where a happily married young woman falls in love with another young woman, a sex worker. If that isn’t scandalous enough for 1920, let’s add that our heroine’s commitment is to her husband, her passion to her new lover,…
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Broadway Review: STEREOPHONIC (Golden Theatre)
A STEREOPHONIC SHOW WITH A MONOPHONIC SCRIPT Stereophonic was so evenly cherished by critics in its Off-Broadway run at Playwrights Horizons that it transferred to Broadway, where it opened tonight at The Golden Theatre. Why? The jury is still out. Andrew R. Butler and Eli Gelb It takes place in a Californian recording music studio…
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Opera Review: FIRE SHUT UP IN MY BONES (The Met Opera)
AN OPERA TO FEEL IN YOUR BONES Seven-time Grammy Award–winning trumpeter, pianist, and composer Terence Blanchard has created more than 40 film scores (and diverse works in different music genres) but composing operas is definitely one of the brightest jewels in his crown. Before I get into the ‘what’ and ‘who-is-who’, I need to say that Fire…
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Off-Broadway Review: FISH (Keen Company and Working Theater at Theatre Row)
A FISH OUT OF WATER The use of drama as a didactic tool usually works when we are learning new things or seeing old things through a different lens. Kia Corthron‘s Fish at Theater Row starts right away with two known facts we should never forget: in America, rich areas end up with well-funded public schools…
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Off-Broadway Review: TEETH (Playwrights Horizon)
PUSSY POWER How can we eradicate misogyny? Meet vagina dentata, a penis-eating vagina, the product of an ancient folk tale that exists in virtually every culture, and it has now landed at Playwrights Horizons in the form of a shameless, outrageous, campy-horror musical, Teeth. It is based on a eponymous 2007 film written and directed…
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Broadway Review: WATER FOR ELEPHANTS (Imperial Theatre)
DOG AND PONY SHOW Looking at the long line that stretched all the way to 7th Avenue to get inside the 1920s Imperial Theatre, I thought I was about to see a masterpiece. I was not familiar with the plot but I knew it was a medley of Circus Arts and Broadway Theater, an alluring…
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Broadway Review: THE NOTEBOOK (Gerald Schoenfeld)
ONE FOR THE NOTEBOOKS While specialty branded tissue boxes are sold for $5 at the merch stands, the ushers at the Gerald Schoenfeld Theatre should insert more in the playbill of The Notebook. Whether you have had a dear one suffer from conditions that affect memory and thinking, or if you are just a sucker for love…
Theater Review: HANGMEN (Long Beach Playhouse)
by Michael Landman-Karney | September 19, 2026
in Los Angeles, TheaterTheater Review: THE HUMANITIES (Victory Gardens Theater / Chicago)
by Croydon Fernandes | September 19, 2026
in Chicago, TheaterTheater Review: BEGIN AGAIN (World Premiere Musical / The Old Globe / San Diego)
by Milo Shapiro | September 19, 2026
in San Diego, TheaterTheater Review: JEKYLL & HYDE (Kokandy Productions / Broadway Playhouse / Chicago)
by Emma S. Rund | September 19, 2026
in Chicago, TheaterTheater Review: MARISOL (Open Fist Theatre Company / Los Angeles)
by Lawrence Lucero | September 18, 2026
in Los Angeles, TheaterTheater Review: THE VISIT (Pasadena Playhouse)
by Michael Landman-Karney | September 17, 2026
in Los Angeles, TheaterTheater Review: THE BIRTH OF THE PILL (TimeLine Theatre / Chicago)
by Croydon Fernandes | September 17, 2026
in Chicago, TheaterCabaret Review: JEFF HARNAR – THE 1959 BROADWAY SONGBOOK (Birdland / New York)
by Rob Lester | September 17, 2026
in Cabaret, New YorkTheater Review: A CASE FOR THE EXISTENCE OF GOD (Rogue Machine / Los Angeles)
by Michael Landman-Karney | September 17, 2026
in Los Angeles, TheaterTheater Review: DEAR EVAN HANSEN (Cygnet / San Diego)
by Milo Shapiro | September 17, 2026
in San Diego, Theater


















