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Paola Bellu
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Off-Broadway Review: THE ASSASSINATION OF JULIUS CAESAR AS TOLD BY WILLIAM SHAKESPEARE AND GEORGE BERNARD SHAW (BEDLAM at West End Theater)
THE IDES HAVE IT It’s 44 BCE, March 15, and Julius Caesar walks toward his death, changing the course of Western history. Exactly 2,067 years later, at the West End Theater in New York, a commendable, ambitious experiment, adapted and directed by Bedlam Artistic Director Eric Tucker, tackles the scorching subject, and leaves us with mixed…
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Off-Broadway Review: A SIGN OF THE TIMES (The York Theatre Company at New World Stages)
FOR THOSE WHO THINK “RESCUE ME” AT JUKEBOX MUSICALS, “I KNOW A PLACE” WHERE A NEW 60s MUSICAL WILL CHANGE THAT “When you’re alone, and life is making you lonely, you can always go downtown,” or to be exact you can always go to New World Stages, where the delightful, timely musical A Sign of…
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Theater Review: BETWEEN TWO KNEES (PAC NYC)
GULPING FOR BREATH BETWEEN TWO-HUNDRED LAUGHS What a unique, congenial, brilliantly imaginative show! You will laugh for a very long time and, if you are a European descendant, you will feel guilty but in the right way. Don’t fall for insecure people who think of history and facts as “woke” matters. Between Two Knees, at…
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Off-Broadway Review: WARRIOR SISTERS OF WU (Pan Asian Repertory Theatre; Mezzanine Theatre at A.R.T./New York)
WARRIOR THEATER It’s the beginning of the Year of the Dragon, and one of the best ways to celebrate it is seeing a classic Chinese epic. The Pan Asian Repertory Theatre is presenting Warrior Sisters of Wu, directed by Jeff Liu, a delightful romantic comedy at A.R.T/New York Theatres. Nancy Ma, Kim Wuan The play takes place during the tumultuous end-years of China’s Han Dynasty; Lord…
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Off-Broadway Review: EDDIE IZZARD’S HAMLET (Greenwich House Theater)
THIS TOO TOO SOLID HAMLET RESOLVES ITSELF INTO A HIT It must be the Season of different takes on the Bard in New York; Greg Mullavey is appearing in a shortened King Lear, and Patrick Page’s All the Devils Are Here is an unforgettable solo voyage into Shakespeare’s abyss, and Suzie Eddie Izzard, at Greenwich…
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Off-Broadway Review: JONAH (Roundabout at the Laura Pels Theatre at the Harold and Miriam Steinberg Center)
A mysterious coming-of-age story that focuses on women’s sexuality, written and directed by two talented artists like Rachel Bonds and Danya Taymor, was unquestionably the reason I wanted to see Jonah, presented by Roundabout Theater. Sexuality is an important bio-psycho-social development that starts during adolescence and this story appropriately begins with young, bright Ana (Gabby Beans) attending…
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Off-Broadway Review: THE FOLLOWING EVENING (PAC NYC)
ALIVE AND KICKING: MADDOW AND ZIMET AT PAC/NYC New York City, 1947: Julian Beck and Judith Molina found The Living Theatre, the oldest experimental group in the United States, giving life, with other artists, to Off- and Off-Off-Broadway theater. 16 years later, director Joseph Chaikin leaves the group to co-found The Open Theater, where Ellen…
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Off-Broadway Review: ARISTOCRATS (Irish Repertory Theater)
IRELAND’S GENTRY IS DISINTEGRATING IN FRIEL’S ARISTOCRATS, BUT SO IS THE DRAMA The mid-19th century, with its changing class dynamics, marked the decline of the power of aristocracy in Europe and Russia. Rural landowners, who owned large estates, saw their wealth, power, and mansions disintegrate generation after generation. Brian Friel’s Aristocrats, playing at the Irish Repertory…
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Broadway Review: DAYS OF WINE AND ROSES (Studio 54)
LET’S RAISE OUR GLASSES AND CHEER DAYS OF WINE AND ROSES There is an old Irish proverb that goes “A man takes a drink, the drink takes a drink, the drink takes the man.” Based on a JP Miller’s 1958 play, and the brilliant 1962 film adaptation directed by Blake Edwards, Days of Wine and…
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Off-Broadway Review: CRIME AND PUNISHMENT (Phoenix Theatre Ensemble at the Gural Theatre)
THIS SHOW ISN’T A CRIME, BUT IT SOMETIMES FEELS LIKE PUNISHMENT Following his return from a decade in exile in Siberia as a dissenter against the Romanov order, Fyodor Dostoevsky intended his second novel, written as much to pay off gambling debts as to share a story, to be called The Drunkards. It would depict how…
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Cabaret Review: PIECES: NEW MUSICAL SELECTIONS (Richard C. Walter at Chelsea Table + Stage)
It’s hard to compose for modern musicals and not fall for pop-tunes or Sondheim’s classic songs to be safe; Theatre is made of trials and errors, you keep reworking ingredients until you get the perfect sauce, your sauce. Composer and lyricist Richard C. Walter is very busy doing that. With Pieces: New Musical Selections, presented last…
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Off-Broadway Review: ALL THE DEVILS ARE HERE: HOW SHAKESPEARE INVENTED THE VILLAIN (Patrick Page at DR2)
WICKED GOOD THEATER Patrick Page was exposed to Shakespeare as a toddler in the mid-sixties; since then he seems to have been deeply feeling, researching, analyzing and performing every word the Bard wrote. All the Devils Are Here: How Shakespeare Invented the Villain, his solo show at the DR2 Theater, written by him and directed…
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Dance Review: MONSTER MOURNING (Weena Pauly and Katie Workum at Kestrel’s in Brooklyn)
MONSTER MOURNING, HOME OF FRIENDSHIP Weena Pauly and Katie Workum aim to highlight the essence of their friendship in a minimalistic form of postmodern dance-theatre. Like children following their natural inclination to play and explore movement, they start with skipping across the bare studio, followed by loud stomping, to introduce their story. Throughout the piece, we see…
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Broadway Review: PRAYER FOR THE FRENCH REPUBLIC (Manhattan Theatre Club’s Samuel J. Friedman Theatre)
“ARE WE SAFE?” In a world that foolishly brought back authoritarian regimes and fascist rhetoric, as if they didn’t do enough damage to humanity in the past, it is always wise to keep history in mind and “never forget” the atrocities we have committed. With Prayer for the French Republic, on Broadway at the Samuel…
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Off-Broadway Review: VOLCANO (St. Anne’s Warehouse)
Written, directed and choreographed by Luke Murphy from Ireland, Volcano — at St. Anne’s Warehouse as part of Under the Radar Festival — is a dance/theatre production you will not forget. Not only because it is presented as four episodes, each 45 minutes long, a very unusual format, but for the fluidity of its movements,…
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Off-Broadway Review: MANAHATTA (The Public Theater)
THE CONSEQUENCES OF GREED: MANAHATTA IN MANHATTAN Before getting into the play, it is important to know that Manahatta is written by playwright, activist and attorney Mary Kathryn Nagle, who chose to follow the Native American tradition of storytelling, a very specific approach to dramaturgy. This oral tradition connects the past with the present becoming…
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Off-Broadway Review: SABBATH’S THEATER (The New Group at Pershing Square Signature Center)
TERRIFIC TURTURRO, MARVELOUS MARVEL, CUNNING KRAVITS AND RIOTOUS ROTH: DON’T MISS SABBATH’S THEATER The New Group‘s production of Sabbath’s Theater is a perfect adaptation of Philip Roth’s eponymous 1995 novel. This picaresque, transgressive tale of love and loss, life and death, takes place on Arnulfo Maldonado‘s black almost-bare stage with Jeff Croiter‘s very subtle lighting…
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Off-Broadway Review: THE MONSTERS (Manhattan Theatre Club at NY City Center)
by Alex Simmons | February 11, 2026
in New York, TheaterTheater Review: THREE COCONUTS (West Coast Jewish Theatre in Santa Monica)
by Judson Feder | February 11, 2026
in Los Angeles, TheaterBoston Theater Review: LITTLE WOMEN (Actors’ Shakespeare Project)
by Lynne Weiss | February 10, 2026
in Boston, TheaterTheater Review: MY LIFE AS A COWBOY (North American Premiere at Open Space Arts)
by Croydon Fernandes | February 9, 2026
in Chicago, TheaterTheater Review: MY SON THE PLAYWRIGHT (Rogue Machine)
by Michael Landman-Karney | February 9, 2026
in Los Angeles, TheaterTheater Review: CAMP MORNING WOOD (Prism Theater in Palm Springs)
by Stan Jenson | February 9, 2026
in Palm Springs
(Coachella Valley), TheaterTheater Review: THE IRISH … AND HOW THEY GOT THAT WAY (Porchlight Music Theatre)
by Croydon Fernandes | February 8, 2026
in Chicago, Theater
















