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Paola Bellu
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Off-Broadway Review: THE WITNESS ROOM (AMT Theatre)
AN ASTOUNDING CAST CAN’T HELP TO SHAKE THE FEELING THAT WE’VE WITNESSED THIS BEFORE Pedro Antonio Garcia, a criminal defense attorney and a playwright, must have written The Witness Room as a hyper-realistic example of how corrupt our criminal justice system is, but he ends up with what looks like a good episode of Law…
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Off-Broadway Review: MEDEA: RE-VERSED (Red Bull Theater and Bedlam at The Sheen Center Shiner Theatre)
SOMETIMES THINGS HAVE TO GET VERSE TO GET BETTER Medea: Re-Versed, a Hip Hopera by Luis Quintero, has landed at the Frank Shiner Theatre and it is, without doubt, a memorable experience. Old-school hip hop, the one used for social commentary in the early 80s, is the beat throughout the piece — familiar-sounding music created by Quintero to smoothly deliver his…
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Off-Broadway Review: SEE WHAT I WANNA SEE (Out of the Box Theatrics at 154 Christopher Street)
I’D LOVE TO FIGURE OUT WHAT YOU WANT ME TO SEE It is extremely hard to translate the work of writers as ingenious and imaginative as RyŠ«nosuke Akutagawa, the father of Japanese short stories, into plays or films without falling into flat versions of the complex originals; very few artists have succeeded although many have tried. Presented at…
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Off-Broadway Review: COUNTING AND CRACKING (North American Premiere — The Public Theater at NYU Skirball)
RESPLENDENT ISLAND Sri Lanka is the epitome of a tropical paradise with golden sand beaches and luxurious palm trees, regal elephants and sexy leopards, the Pearl of the Indian Ocean once known as Ceylon. Its history goes back to at least 125,000 years, before the Europeans came knocking and mayhem started, but very few of…
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Off-Broadway Review: LIFELINE (Alice Griffin Jewel Box Theatre, Pershing Square Signature Center)
A FASCINATING SUBJECT BOTH MOLD AND NEW In 2019, antibiotic resistance contributed to almost 5 million deaths globally affecting everyone, no matter what age, race or financial status. Here in the States, more than 2.8 million antimicrobial-resistant infections occur each year and more than 35,000 people die as a result. You would never think that…
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Off-Broadway Review: HURRICANE SEASON (Theatre Row)
A DOWNSIZED HURRICANE Hurricane Season at Theatre Row is an experimental play where it’s difficult to understand what is happening, and why, from the beginning to the very end. Produced by Atlanta-based company Vernal & Sere Theatre, written and directed by the talented Sawyer Estes — who uses a lyrical language, abstract movements, and a…
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Broadway Review: ONCE UPON A MATTRESS (Hudson Theatre)
MATTRESS HOLDS THE BREW THAT IS TRUE After 25 years, Once Upon a Mattress is back on Broadway at the Hudson Theatre, with a new adaptation by Amy Sherman-Palladino (creator of The Marvelous Mrs. Maisel), directed by Lear deBessonet, and it is a riot. Composer Mary Rodgers, lyricist Marshall Barer, and writers Jay Thompson and Dean Fuller, who created…
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Off-Broadway Review: EMPIRE (New World Stages)
IF ONLY THIS MUSICAL WAS CONSTRUCTED WITH THE SAME EFFICIENCY AS THE EMPIRE STATE BUILDING Empire, at New World Stages, is unquestionably a musical created with an adult public in mind, particularly tourists. Considering that it is about the construction of the Empire State Building, you would expect acrobatics on steel beams and creative scenery to…
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Off-Broadway Review: THE MEETING: THE INTERPRETER (Theater at St. Clements)
A MEETING THAT’S TOUGH TO INTERPRET Four months before the November 2016 presidential elections, a crucial meeting took place at Trump Tower between Trump’s son, Donald Trump Jr.; Trump’s son-in-law, Jared Kushner; Trump’s campaign manager, Paul Manafort; British publicist Rob Goldstone; Ike Kaveladze, who worked for Russian oligarch Agalarov; Rinat Akhmetshin, a former Soviet counterintelligence officer; and Russian…
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Dance Review: re:CREATION (Pilobolus at the Joyce Theatre)
PILOBOLUS IS re:INVIGORATING In 1971, at Dartmouth College, three non-dance students were asked by their composition teacher to create a dance piece. The students were Jonathan Wolken, Steve Johnson, and Moses Pendleton and they did not shy away from the project; they created a piece called Pilobolus, the name of a mushroom only ¼ inch…
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Off-Broadway Review: SOMEONE SPECTACULAR (Romulus Linney Courtyard Theatre @ Pershing Square Signature Center)
Humor leads to the release of endorphins in the brain, which help to control pain. — RA Haig The Anatomy of Humor A play based on a grief group therapy session and life after an important loss does not sound like a cheery event to experience on a hot summer’s day but playwright Doménica Feraud…
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Broadway Review: JOB (Hayes Theatre)
IF YOU’RE LOOKING FOR A GREAT JOB, HEAD TO THE HAYES THEATRE Two plays on therapy sessions presented at the same time a few blocks apart certainly show a phycological trend among young New York playwrights. At Pershing Square Signature Center, Dominéca Feraud’s Something Spectacular deals gently and comically with significant loss while Max Wolf Friedlich‘s…
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Off-Off-Broadway Review: INSPIRED BY TRUE EVENTS (Out of the Box Theatrics)
IN A DELICIOUSLY CLAUSTROPHOBIC BOX AT OUT OF THE BOX Out of the Box Theatrics is presenting an intimate, hilarious, original play called Inspired by True Events – written by actor, writer and filmmaker Ryan Spahn and directed by Knud Adams – that deserves a lot of praise for its organic realism, flowing dialogue, and unconventional twists. The setting is the green room (the performers’ resting area) of…
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Off-Broadway Review: THE CLIMATE FABLES: THE TRASH GARDEN (Torch Ensemble at Playhouse 46 at St. Luke’s)
Mr. McGuire: I just want to say one word to you. Just one word. Benjamin: Yes, sir. Mr. McGuire: Are you listening? Benjamin: Yes, I am. Mr. McGuire: Plastics. Benjamin: Exactly how do you mean? Mr. McGuire: There’s a great future in plastics. Think about it. Will you think about it? — from The Graduate…
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Off-Broadway Review: THE JOURNALS OF ADAM AND EVE: THE WORLD’S FIRST LOVE STORY (The Sheen Center, starring Hal Linden and Marilu Henner)
WE’VE GOT TO GET OURSELVES BACK TO THE GARDEN When The Sheen Center announced Ed. Weinberger’s new play The Journals of Adam and Eve starring Hal Linden and Marilu Henner, I thought it was a perfect trinity, a legendary event not to be missed, and in the end it was. Weinberger’s sardonic script, an adaptation of Mark Twain’s short…
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Off-Off-Broadway Review MUCH ADO ABOUT NOTHING (TGW Studios at the Gene Frankel Theatre)
MUCH NOTHING ABOUT ADO Presenters Kelsey Grammer and Faith American Brewing Company offer a production of Shakespeare’s Much Ado About Nothing at the Gene Frankel Theatre that is a daring experiment considering there are 15 actors from a rotating cast on such a tiny stage. Fortunately, it doesn’t seem quite so crowded given the bare set…
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Theater Review: A LITTLE NIGHT MUSIC IN CONCERT (David Geffen Hall at Lincoln Center; World Premiere of Jonathan Tunick’s Orchestrations for Large Ensembles)
A SUMMER NIGHT THAT SMILES THREE HUNDRED TIMES Stephen Sondheim and Hugh Wheeler’s delightful musical A Little Night Music is is an adaptation of the Bergman’s 1955 film Smiles of a Summer Night, a droll story of sexual musical chairs among the middle- and lower-classes in provincial Sweden at the turn of the last century….
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Off-Broadway Review: HENRY IV (New York Classical Theatre in Central Park, Carl Schurz Park and Castle Clinton)
HENRY, SWEET HENRY Enter Central Park at West 103rd and look for the closest, large meadow. Bring a blanket or a chair with you because you arrived at the “first stage” of Shakespeare’s Henry IV (a blending of Shakespeare’s Henry IV, Parts 1 & 2) produced by New York Classical Theatre. Their mission is to reinvigorate and create…
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Dance Review: EXTREME TAYLOR (Paul Taylor Dance Company at The Joyce Theater)
EXTREME VALUE Paul Taylor Dance Company returns to the Joyce Theater with Extreme Taylor, bringing back some of the Maestro’s classic works. The program I saw included Private Domain (1969), Duet (1964), Big Bertha (1970), and Airs (1978), four among his most acclaimed works. Private Domain opens the show and sets Taylor’s clever vision of light and dark. The music, “Atrees” by Iannis Xenakis, fits the straightforward movements…
Theater Review: CHURCH HURT (Red Theater / Chicago)
by Croydon Fernandes | November 5, 2026
in Chicago, TheaterTheater Review: DRACULA: A COMEDY OF TERRORS (Center REP / Walnut Creek)
by Chuck Louden | November 3, 2026
in San Francisco
(Bay Area), TheaterTheater Review: KING HEDLEY II (City Lit Theater / Chicago)
by Croydon Fernandes | November 2, 2026
in Chicago, TheaterTheater Review: THE MINUTES (CV Rep / Cathedral City)
by Jason Mannino | November 2, 2026
in Palm Springs
(Coachella Valley), TheaterTheater Review: BETRAYAL (Marin Theatre / Mill Valley)
by Chuck Louden | November 2, 2026
in Theater, Theater-San Francisco / Bay AreaOff-Broadway Review: WAITING FOR LEFTY (Classic Stage Company)
by Alex Simmons | November 2, 2026
in New York, TheaterTheater Review: CARMELA FULL OF WISHES (Chicago Children’s Theatre)
by Croydon Fernandes | November 2, 2026
in Chicago, TheaterDance Preview: DANCE ME — THE MUSIC OF LEONARD COHEN (Ballets Jazz Montréal / Chicago)
by Croydon Fernandes | November 1, 2026
in Chicago, Dance, Tours



















