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Paola Bellu
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Broadway Review: GYPSY (Audra McDonald, Majestic Theatre)
THERE’S A NEW GYPSY IN TOWN AND SHE’S STUNNING In the 1920s, Rose Thompson Hovick steamrolled her way through vaudeville and lived vicariously through her reluctant young daughters, Louise and June, forcing them to act, sing, and dance to feed the family and her narcissism. Rose was one of the original “momagers,” a full-blown dictator…
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Concert / Film Review: THE PHILIP GLASS ENSEMBLE: POWAQQATSI (Town Hall in New York)
A STUNNING COLLABORATION OF FILM AND MUSIC I saw a special gem at the Town Hall last Monday, a viewing of Godfrey Reggio’s Powaqqatsi with its celebrated score – created by Philip Glass, who was in the house, and performed live by The Philip Glass Ensemble. The non-narrative film is the second of the Reggio/Glass…
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Off-Broadway Review: LIFE AND TRUST (Emursive in Conwell Tower, Manhattan’s Financial District)
PUT YOUR LIFE AND TRUST INTO THE HANDS OF LIFE AND TRUST There is a daunting immersive theater experience in Manhattan’s Financial District that is also somehow prophetic. The location, 69 Beaver Street, is already scary at night, surrounded as it is by empty, dark urban canyons; the address is one of the side entrances…
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Off-Broadway Review: NUTCRACKER ROUGE (Company XIV)
GET READY TO CRACK SOME NUTS WIDE OPEN Christmas can be very sexy if you step into the sumptuous world of Théâtre XIV in trendy Bushwick, and catch Company XIV’s neo-Baroque classic Nutcracker Rouge. Naughty, sensual, lavish, this decadent extravaganza is the perfect welcome to the holiday season, and certainly not family oriented so leave…
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Broadway Review: SWEPT AWAY (Longacre Theatre)
PREPARE TO BE SWEPT AWAY What happens when we are faced with extreme necessity? The 1884 tragic wreck of the yacht Mignonette was a cause célèbre in late 19th-century Britain, but not because a crew of four were stranded off the Cape of Good Hope on the South African coast; it was the devastating outcome…
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Off-Broadway Review: BABE (The New Group)
A GENERATIONAL GAP AND A PLAYWRITING GAP As a result of the #MeToo movement, there has been much brought to light about women working in America. But here’s a note to the younger generations about life for women in the 80s: if you were homosexual, you were considered a pervert and treated as such; when…
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Off-Broadway Review: THE BIG GAY JAMBOREE (Orpheum)
JUST AS PROMISED, IT’S BIG! IT’S GAY! IT’S JAMBOREEING! Yes, there is a way to escape the post-election blues for 90 minutes: The Big Gay Jamboree at the Orpheum Theatre is the sublimely ridiculous remedy we need. Marla Mindelle — who co-wrote the book with Jonathan Parks-Ramage and the songs with Philip Drennen — definitely has a…
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Off-Broadway Review: KING LEAR (The Kenneth Branagh Theatre Company at The Shed)
A NEOLITHIC AND LEAN LEAR Shakespeare’s works can be read in many ways and I have witnessed so many diverse stage interpretations that I never know what I am about to see when I venture towards one of his plays. This time it was King Lear, which opened tonight at The Shed, directed by Rob Ashford, Kenneth Branagh,…
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Off-Broadway Review: THE Z TEAM (Theatre Row)
THE ZZZZzzz TEAM The Z Team, currently playing at Theatre Row, is a new work by father-and-son team Jeff and Jacob Foy. Directed by Jeff Whiting, it’s advertised to be uproarious: “If The Office and The Bad News Bears had a baby, it would be The Z Team.” Times like this call for lighthearted comedies, so…
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Dance Review: PAUL TAYLOR DANCE COMPANY (Fall Season Programs at David H. Koch Theater at Lincoln Center)
Modern dance was born as a protest, a reaction to the rigid structure of classical ballet. As is evident from my review of the dazzling program Extreme Taylor at the Joyce in June, I couldn’t wait to see the company again, to explore more of their movement vocabulary. Now, the Paul Taylor Dance Company is back with…
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Dance Review: LIMÓN DANCE COMPANY (The Joyce Theater)
MISSA BRAVOS The Limón Dance Company celebrates its 78th season at the Joyce Theater with an epic program that reflects José Limón’s humanist aesthetic: Limón’s The Traitor, Scherzo, Missa Brevis; Doris Humphrey’s Two Ecstatic Themes; and the world premiere of Kayla Farrish‘s The Quake that Held Them All. I enjoyed every minute of it. Even if you’re not a fan of…
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Theater Review: GATZ (Elevator Repair Service at The Public)
GREAT F. SCOTT! Elevator Repair Service’s justifiably heralded Gatz returns to The Public, opening tonight for a final New York City encore, and it’s congenial, unforgettable theater. Directed by John Collins, this single 6 1/2-hour production (more than 8 hours with the breaks) terrorized me at first because I can’t sit still for such a long time,…
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Off-Off-Broadway Review: WHORE’S EYE VIEW (Tour@HERE)
Whore’s Eye View is a unique event, more of a lecture on the history of women’s sexuality than the personal monologue one would expect from a sex-worker. Now at HERE Arts Center as part of an international tour, and directed by Katherine Wilkinson, writer/performer Kaytlin Bailey literally starts from the Fertility Goddesses and biblical Lilith,…
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Off-Broadway Review: RAWSHOCK (Manhattan Rep)
OUR SHOCKING HEALTH CARE SYSTEM Rawshock, a new drama by Rita Lewis which opened last night for a limited run by Manhattan Rep at the Chain Theatre, is set in a psychiatric hospital. As is often the case in this genre of plays and films, the people outside the mental health facility are more disturbed…
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Off-Broadway Review: KAFKAESQUE! (154 Christopher Street)
EVERYTHING ABOUT KAFKAESQUE!, INCLUDING THE COCKROACH, PROVES THAT JAMES HARVEY HAS A HISS, I MEAN, HIT, ON HIS HANDS Full-time lawyer by day, prolific author Franz Kafka wrote at night and died from tuberculosis when he was only 40 — after having burned 90% of his work due to his depression — without having achieved…
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Off-Broadway Review: FRANKLINLAND (World Premiere by Lloyd Suh at Ensemble Studio Theatre (EST)
LET’S BE FRANKLIN Were our Founding Fathers good fathers to their children? Lloyd Suh‘s play Franklinland, directed by Chika Ike, now having its world premiere at the Ensemble Studio Theatre, concerns one of the greatest polymaths of all time. The only person to sign the Declaration of Independence, Treaty of Paris, peace with Britain, and…
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Off-Broadway Review: THE WITNESS ROOM (AMT Theatre)
AN ASTOUNDING CAST CAN’T HELP TO SHAKE THE FEELING THAT WE’VE WITNESSED THIS BEFORE Pedro Antonio Garcia, a criminal defense attorney and a playwright, must have written The Witness Room as a hyper-realistic example of how corrupt our criminal justice system is, but he ends up with what looks like a good episode of Law…
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Off-Broadway Review: MEDEA: RE-VERSED (Red Bull Theater and Bedlam at The Sheen Center Shiner Theatre)
SOMETIMES THINGS HAVE TO GET VERSE TO GET BETTER Medea: Re-Versed, a Hip Hopera by Luis Quintero, has landed at the Frank Shiner Theatre and it is, without doubt, a memorable experience. Old-school hip hop, the one used for social commentary in the early 80s, is the beat throughout the piece — familiar-sounding music created by Quintero to smoothly deliver his…
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Off-Broadway Review: SEE WHAT I WANNA SEE (Out of the Box Theatrics at 154 Christopher Street)
I’D LOVE TO FIGURE OUT WHAT YOU WANT ME TO SEE It is extremely hard to translate the work of writers as ingenious and imaginative as RyŠ«nosuke Akutagawa, the father of Japanese short stories, into plays or films without falling into flat versions of the complex originals; very few artists have succeeded although many have tried. Presented at…
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Off-Broadway Review: COUNTING AND CRACKING (North American Premiere — The Public Theater at NYU Skirball)
RESPLENDENT ISLAND Sri Lanka is the epitome of a tropical paradise with golden sand beaches and luxurious palm trees, regal elephants and sexy leopards, the Pearl of the Indian Ocean once known as Ceylon. Its history goes back to at least 125,000 years, before the Europeans came knocking and mayhem started, but very few of…
Interview: DAVID SERERO (director of “Tovah,” a documentary about Tovah Feldshuh)
by Shari Barrett | August 31, 2026
in Film, Interviews, Los AngelesMusic Preview: PACIFIC JAZZ ORCHESTRA BENEFIT CONCERT (October 10, 2026 | L.A.)
by pwsadmin | August 30, 2026
in Los Angeles, MusicTheater Review: ADOLESCENT SALVATION (Theater Wit / Chicago)
by Croydon Fernandes | August 29, 2026
in Chicago, TheaterDance Preview: GLORYA KAUFMAN PRESENTS DANCE AT THE MUSIC CENTER 2026–27 (L.A.)
by pwsadmin | August 28, 2026
in Dance, Los AngelesTheater Preview: KAIJU (The Road Theatre Company & BroadStage / Los Angeles)
by pwsadmin | August 28, 2026
in Los Angeles, TheaterDance Preview: DRACULA, A DARK SHADOW (State Street Ballet / Santa Barbara)
by Gregory Bernard | August 28, 2026
in Dance, Los Angeles, RegionalTheater Review: BEING PIAF (Odyssey Theatre Ensemble / Los Angeles)
by Ernest Kearney | August 27, 2026
in Los Angeles, Theater



















