image - 2025-02-03T092338.004

Paola Bellu

  • Off-Broadway Review: NUTCRACKER ROUGE (Company XIV)

    Glowing red neon sign with the words 'NUTCRACKER' and 'TOUC'.

    GET READY TO CRACK SOME NUTS WIDE OPEN Christmas can be very sexy if you step into the sumptuous world of Théâtre XIV in trendy Bushwick, and catch Company XIV’s neo-Baroque classic Nutcracker Rouge. Naughty, sensual, lavish, this decadent extravaganza is the perfect welcome to the holiday season, and certainly not family oriented so leave…

  • Broadway Review: SWEPT AWAY (Longacre Theatre)

    A mysterious boat ride through dark waters in 'Swept Away'.

    PREPARE TO BE SWEPT AWAY What happens when we are faced with extreme necessity? The 1884 tragic wreck of the yacht Mignonette was a cause célèbre in late 19th-century Britain, but not because a crew of four were stranded off the Cape of Good Hope on the South African coast; it was the devastating outcome…

  • Off-Broadway Review: BABE (The New Group)

    Poster for the movie 'Babe' featuring a woman and bold text.

    A GENERATIONAL GAP AND A PLAYWRITING GAP As a result of the #MeToo movement, there has been much brought to light about women working in America. But here’s a note to the younger generations about life for women in the 80s: if you were homosexual, you were considered a pervert and treated as such; when…

  • Off-Broadway Review: THE BIG GAY JAMBOREE (Orpheum)

    A colorful poster for the musical 'Big Gay Jamboree' with three lively performers.

    JUST AS PROMISED, IT’S BIG! IT’S GAY! IT’S JAMBOREEING! Yes, there is a way to escape the post-election blues for 90 minutes: The Big Gay Jamboree at the Orpheum Theatre is the sublimely ridiculous remedy we need. Marla Mindelle — who co-wrote the book with Jonathan Parks-Ramage and the songs with Philip Drennen — definitely has a…

  • Off-Broadway Review: KING LEAR (The Kenneth Branagh Theatre Company at The Shed)

    Promotional image of Kenneth Branagh as King Lear in a Shakespeare play.

    A NEOLITHIC AND LEAN LEAR Shakespeare’s works can be read in many ways and I have witnessed so many diverse stage interpretations that I never know what I am about to see when I venture towards one of his plays. This time it was King Lear, which opened tonight at The Shed, directed by Rob Ashford, Kenneth Branagh,…

  • Off-Broadway Review: THE Z TEAM (Theatre Row)

    Logo with text 'The Z Team' in black and red colors.

    THE ZZZZzzz TEAM The Z Team, currently playing at Theatre Row, is a new work by father-and-son team Jeff and Jacob Foy. Directed by Jeff Whiting, it’s advertised to be uproarious: “If The Office and The Bad News Bears had a baby, it would be The Z Team.” Times like this call for lighthearted comedies, so…

  • Dance Review: PAUL TAYLOR DANCE COMPANY (Fall Season Programs at David H. Koch Theater at Lincoln Center)

    Concert poster for Taylor Swift's Nov 5-24 Lincoln Center shows.

    Modern dance was born as a protest, a reaction to the rigid structure of classical ballet. As is evident from my review of the dazzling program Extreme Taylor at the Joyce in June, I couldn’t wait to see the company again, to explore more of their movement vocabulary. Now, the Paul Taylor Dance Company is back with…

  • Dance Review: LIMÓN DANCE COMPANY (The Joyce Theater)

    Woman in a red dress dancing under purple lighting with 'LOVE' text above.

    MISSA BRAVOS The Limón Dance Company celebrates its 78th season at the Joyce Theater with an epic program that reflects José Limón’s humanist aesthetic: Limón’s The Traitor, Scherzo, Missa Brevis; Doris Humphrey’s Two Ecstatic Themes; and the world premiere of Kayla Farrish‘s The Quake that Held Them All. I enjoyed every minute of it. Even if you’re not a fan of…

  • Theater Review: GATZ (Elevator Repair Service at The Public)

    A colorful sign with green text on a yellow background.

    GREAT F. SCOTT! Elevator Repair Service’s justifiably heralded Gatz returns to The Public, opening tonight for a final New York City encore, and it’s congenial, unforgettable theater. Directed by John Collins, this single 6 1/2-hour production (more than 8 hours with the breaks) terrorized me at first because I can’t sit still for such a long time,…

  • Off-Off-Broadway Review: WHORE’S EYE VIEW (Tour@HERE)

    A woman with long hair poses confidently for a branding image.

    Whore’s Eye View is a unique event, more of a lecture on the history of women’s sexuality than the personal monologue one would expect from a sex-worker. Now at HERE Arts Center as part of an international tour, and directed by Katherine Wilkinson, writer/performer Kaytlin Bailey literally starts from the Fertility Goddesses and biblical Lilith,…

  • Off-Broadway Review: RAWSHOCK (Manhattan Rep)

    Poster for 'Rawshock' featuring silhouetted figures and a crow-like shape on a red background.

    OUR SHOCKING HEALTH CARE SYSTEM Rawshock, a new drama by Rita Lewis which opened last night for a limited run by Manhattan Rep at the Chain Theatre, is set in a psychiatric hospital. As is often the case in this genre of plays and films, the people outside the mental health facility are more disturbed…

  • Off-Broadway Review: KAFKAESQUE! (154 Christopher Street)

    Bold pink text spelling 'KAFKA SQUE' on a black background.

    EVERYTHING ABOUT KAFKAESQUE!, INCLUDING THE COCKROACH, PROVES THAT JAMES HARVEY HAS A HISS, I MEAN, HIT, ON HIS HANDS Full-time lawyer by day, prolific author Franz Kafka wrote at night and died from tuberculosis when he was only 40 — after having burned 90% of his work due to his depression — without having achieved…

  • Off-Broadway Review: FRANKLINLAND (World Premiere by Lloyd Suh at Ensemble Studio Theatre (EST)

    Old map titled 'Franklinland' with hand-drawn details and compass.

    LET’S BE FRANKLIN Were our Founding Fathers good fathers to their children? Lloyd Suh‘s play Franklinland, directed by Chika Ike, now having its world premiere at the Ensemble Studio Theatre, concerns one of the greatest polymaths of all time. The only person to sign the Declaration of Independence, Treaty of Paris, peace with Britain, and…

  • Off-Broadway Review: THE WITNESS ROOM (AMT Theatre)

    A dark, eerie text panel with phrases about truth and a witness room.

    AN ASTOUNDING CAST CAN’T HELP TO SHAKE THE FEELING THAT WE’VE WITNESSED THIS BEFORE Pedro Antonio Garcia, a criminal defense attorney and a playwright, must have written The Witness Room as a hyper-realistic example of how corrupt our criminal justice system is, but he ends up with what looks like a good episode of Law…

  • Off-Broadway Review: MEDEA: RE-VERSED (Red Bull Theater and Bedlam at The Sheen Center Shiner Theatre)

    Illustration of a fiery, screaming face with bold text 'MEDEA RE-VERS'D'.

    SOMETIMES THINGS HAVE TO GET VERSE TO GET BETTER Medea: Re-Versed, a Hip Hopera by  Luis Quintero, has landed at the Frank Shiner Theatre  and  it  is, without doubt, a memorable experience. Old-school hip hop, the one used for social commentary  in the early 80s,  is the beat throughout the piece — familiar-sounding music created by Quintero to smoothly deliver his…

  • Off-Broadway Review: SEE WHAT I WANNA SEE (Out of the Box Theatrics at 154 Christopher Street)

    A black-and-white photo of a woman with blurred motion effects and text about a song.

    I’D LOVE TO FIGURE OUT WHAT YOU WANT ME TO SEE It is extremely hard to translate the work of  writers  as ingenious and imaginative as  RyŠ«nosuke Akutagawa, the father of Japanese short stories, into plays or films without falling into flat versions of the complex originals; very few artists have succeeded although many have tried. Presented at…

  • Off-Broadway Review: COUNTING AND CRACKING (North American Premiere — The Public Theater at NYU Skirball)

    A vibrant poster with bold text and an energetic figure promoting counting and cracking.

    RESPLENDENT ISLAND Sri Lanka is the epitome of a tropical paradise with golden sand beaches and luxurious palm trees, regal elephants and sexy leopards, the Pearl of the Indian Ocean once known as Ceylon. Its history goes back to at least 125,000 years, before the Europeans came knocking and mayhem started, but very few of…

  • Off-Broadway Review: LIFELINE (Alice Griffin Jewel Box Theatre, Pershing Square Signature Center)

    Poster for the musical 'Lifeline' with bold red text and a purple and green background.

    A FASCINATING SUBJECT BOTH MOLD AND NEW In 2019, antibiotic resistance contributed to almost 5 million deaths globally affecting everyone, no matter what age, race or financial status. Here in the States, more than 2.8 million antimicrobial-resistant infections occur each year and more than 35,000 people die as a result. You would never think that…

  • Off-Broadway Review: HURRICANE SEASON (Theatre Row)

    Silhouettes of people with a background of swirling words.

    A DOWNSIZED HURRICANE Hurricane Season at Theatre Row is an experimental play where it’s difficult to understand what is happening, and why, from the beginning to the very end. Produced by Atlanta-based company Vernal & Sere Theatre, written and directed by the talented Sawyer Estes — who uses a lyrical language, abstract movements, and a…

  • Broadway Review: ONCE UPON A MATTRESS (Hudson Theatre)

    Young girl in pink flexing muscles with colorful 'Once Upon a Mat' text.

    MATTRESS HOLDS THE BREW THAT IS TRUE After 25 years,  Once Upon a Mattress is back on Broadway at the  Hudson Theatre, with a new adaptation by  Amy Sherman-Palladino (creator of  The Marvelous Mrs. Maisel), directed by Lear deBessonet, and it is a riot. Composer Mary Rodgers, lyricist Marshall Barer, and writers Jay Thompson and Dean Fuller, who created…

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