Areas We Cover
Categories
Paola Bellu
-
Off-Broadway Review: THE BIG GAY JAMBOREE (Orpheum)
JUST AS PROMISED, IT’S BIG! IT’S GAY! IT’S JAMBOREEING! Yes, there is a way to escape the post-election blues for 90 minutes: The Big Gay Jamboree at the Orpheum Theatre is the sublimely ridiculous remedy we need. Marla Mindelle — who co-wrote the book with Jonathan Parks-Ramage and the songs with Philip Drennen — definitely has a…
-
Off-Broadway Review: KING LEAR (The Kenneth Branagh Theatre Company at The Shed)
A NEOLITHIC AND LEAN LEAR Shakespeare’s works can be read in many ways and I have witnessed so many diverse stage interpretations that I never know what I am about to see when I venture towards one of his plays. This time it was King Lear, which opened tonight at The Shed, directed by Rob Ashford, Kenneth Branagh,…
-
Off-Broadway Review: THE Z TEAM (Theatre Row)
THE ZZZZzzz TEAM The Z Team, currently playing at Theatre Row, is a new work by father-and-son team Jeff and Jacob Foy. Directed by Jeff Whiting, it’s advertised to be uproarious: “If The Office and The Bad News Bears had a baby, it would be The Z Team.” Times like this call for lighthearted comedies, so…
-
Dance Review: PAUL TAYLOR DANCE COMPANY (Fall Season Programs at David H. Koch Theater at Lincoln Center)
Modern dance was born as a protest, a reaction to the rigid structure of classical ballet. As is evident from my review of the dazzling program Extreme Taylor at the Joyce in June, I couldn’t wait to see the company again, to explore more of their movement vocabulary. Now, the Paul Taylor Dance Company is back with…
-
Dance Review: LIMÓN DANCE COMPANY (The Joyce Theater)
MISSA BRAVOS The Limón Dance Company celebrates its 78th season at the Joyce Theater with an epic program that reflects José Limón’s humanist aesthetic: Limón’s The Traitor, Scherzo, Missa Brevis; Doris Humphrey’s Two Ecstatic Themes; and the world premiere of Kayla Farrish‘s The Quake that Held Them All. I enjoyed every minute of it. Even if you’re not a fan of…
-
Theater Review: GATZ (Elevator Repair Service at The Public)
GREAT F. SCOTT! Elevator Repair Service’s justifiably heralded Gatz returns to The Public, opening tonight for a final New York City encore, and it’s congenial, unforgettable theater. Directed by John Collins, this single 6 1/2-hour production (more than 8 hours with the breaks) terrorized me at first because I can’t sit still for such a long time,…
-
Off-Off-Broadway Review: WHORE’S EYE VIEW (Tour@HERE)
Whore’s Eye View is a unique event, more of a lecture on the history of women’s sexuality than the personal monologue one would expect from a sex-worker. Now at HERE Arts Center as part of an international tour, and directed by Katherine Wilkinson, writer/performer Kaytlin Bailey literally starts from the Fertility Goddesses and biblical Lilith,…
-
Off-Broadway Review: RAWSHOCK (Manhattan Rep)
OUR SHOCKING HEALTH CARE SYSTEM Rawshock, a new drama by Rita Lewis which opened last night for a limited run by Manhattan Rep at the Chain Theatre, is set in a psychiatric hospital. As is often the case in this genre of plays and films, the people outside the mental health facility are more disturbed…
-
Off-Broadway Review: KAFKAESQUE! (154 Christopher Street)
EVERYTHING ABOUT KAFKAESQUE!, INCLUDING THE COCKROACH, PROVES THAT JAMES HARVEY HAS A HISS, I MEAN, HIT, ON HIS HANDS Full-time lawyer by day, prolific author Franz Kafka wrote at night and died from tuberculosis when he was only 40 — after having burned 90% of his work due to his depression — without having achieved…
-
Off-Broadway Review: FRANKLINLAND (World Premiere by Lloyd Suh at Ensemble Studio Theatre (EST)
LET’S BE FRANKLIN Were our Founding Fathers good fathers to their children? Lloyd Suh‘s play Franklinland, directed by Chika Ike, now having its world premiere at the Ensemble Studio Theatre, concerns one of the greatest polymaths of all time. The only person to sign the Declaration of Independence, Treaty of Paris, peace with Britain, and…
-
Off-Broadway Review: THE WITNESS ROOM (AMT Theatre)
AN ASTOUNDING CAST CAN’T HELP TO SHAKE THE FEELING THAT WE’VE WITNESSED THIS BEFORE Pedro Antonio Garcia, a criminal defense attorney and a playwright, must have written The Witness Room as a hyper-realistic example of how corrupt our criminal justice system is, but he ends up with what looks like a good episode of Law…
-
Off-Broadway Review: MEDEA: RE-VERSED (Red Bull Theater and Bedlam at The Sheen Center Shiner Theatre)
SOMETIMES THINGS HAVE TO GET VERSE TO GET BETTER Medea: Re-Versed, a Hip Hopera by Luis Quintero, has landed at the Frank Shiner Theatre and it is, without doubt, a memorable experience. Old-school hip hop, the one used for social commentary in the early 80s, is the beat throughout the piece — familiar-sounding music created by Quintero to smoothly deliver his…
-
Off-Broadway Review: SEE WHAT I WANNA SEE (Out of the Box Theatrics at 154 Christopher Street)
I’D LOVE TO FIGURE OUT WHAT YOU WANT ME TO SEE It is extremely hard to translate the work of writers as ingenious and imaginative as RyŠ«nosuke Akutagawa, the father of Japanese short stories, into plays or films without falling into flat versions of the complex originals; very few artists have succeeded although many have tried. Presented at…
-
Off-Broadway Review: COUNTING AND CRACKING (North American Premiere — The Public Theater at NYU Skirball)
RESPLENDENT ISLAND Sri Lanka is the epitome of a tropical paradise with golden sand beaches and luxurious palm trees, regal elephants and sexy leopards, the Pearl of the Indian Ocean once known as Ceylon. Its history goes back to at least 125,000 years, before the Europeans came knocking and mayhem started, but very few of…
-
Off-Broadway Review: LIFELINE (Alice Griffin Jewel Box Theatre, Pershing Square Signature Center)
A FASCINATING SUBJECT BOTH MOLD AND NEW In 2019, antibiotic resistance contributed to almost 5 million deaths globally affecting everyone, no matter what age, race or financial status. Here in the States, more than 2.8 million antimicrobial-resistant infections occur each year and more than 35,000 people die as a result. You would never think that…
-
Off-Broadway Review: HURRICANE SEASON (Theatre Row)
A DOWNSIZED HURRICANE Hurricane Season at Theatre Row is an experimental play where it’s difficult to understand what is happening, and why, from the beginning to the very end. Produced by Atlanta-based company Vernal & Sere Theatre, written and directed by the talented Sawyer Estes — who uses a lyrical language, abstract movements, and a…
-
Broadway Review: ONCE UPON A MATTRESS (Hudson Theatre)
MATTRESS HOLDS THE BREW THAT IS TRUE After 25 years, Once Upon a Mattress is back on Broadway at the Hudson Theatre, with a new adaptation by Amy Sherman-Palladino (creator of The Marvelous Mrs. Maisel), directed by Lear deBessonet, and it is a riot. Composer Mary Rodgers, lyricist Marshall Barer, and writers Jay Thompson and Dean Fuller, who created…
-
Off-Broadway Review: EMPIRE (New World Stages)
IF ONLY THIS MUSICAL WAS CONSTRUCTED WITH THE SAME EFFICIENCY AS THE EMPIRE STATE BUILDING Empire, at New World Stages, is unquestionably a musical created with an adult public in mind, particularly tourists. Considering that it is about the construction of the Empire State Building, you would expect acrobatics on steel beams and creative scenery to…
-
Off-Broadway Review: THE MEETING: THE INTERPRETER (Theater at St. Clements)
A MEETING THAT’S TOUGH TO INTERPRET Four months before the November 2016 presidential elections, a crucial meeting took place at Trump Tower between Trump’s son, Donald Trump Jr.; Trump’s son-in-law, Jared Kushner; Trump’s campaign manager, Paul Manafort; British publicist Rob Goldstone; Ike Kaveladze, who worked for Russian oligarch Agalarov; Rinat Akhmetshin, a former Soviet counterintelligence officer; and Russian…
-
Dance Review: re:CREATION (Pilobolus at the Joyce Theatre)
PILOBOLUS IS re:INVIGORATING In 1971, at Dartmouth College, three non-dance students were asked by their composition teacher to create a dance piece. The students were Jonathan Wolken, Steve Johnson, and Moses Pendleton and they did not shy away from the project; they created a piece called Pilobolus, the name of a mushroom only ¼ inch…
Music Review: NELLIE McKAY (City Vineyard)
by Rob Lester | April 29, 2026
in Cabaret, New YorkOff-Broadway Review: BROKEN SNOW (Theatre 71)
by Gregory Fletcher | April 28, 2026
in New York, TheaterTheater Review: THE SECRET SHARER (DNAWorks at Emerson Paramount Center)
by Lynne Weiss | April 27, 2026
in Boston, TheaterBroadway Review: JOE TURNER’S COME AND GONE (Barrymore Theatre)
by Paola Bellu | April 25, 2026
in New York, Theater



















