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Tony Frankel
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Los Angeles Dance Preview: ADAMIANA (American Contemporary Ballet)
NEW BALLET PREMIERES IN L.A. It is said that American novelist James T. Farrell regretted writing the Studs Lonigan trilogy, novels that were so iconic that fellow Chicagoan “Studs†Terkel adopted the hero’s name for a pseudonym. Farrell always believed he’d written better books but they suffered because of Studs’ popularity. We don’t know if…
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Los Angeles Theater Preview: TWELFTH NIGHT (The Shakespeare Center of Los Angeles in Santa Monica)
SHAKESPEARE UNDER ATTACK A comedy’s brewing up in Santa Monica. Soon, winds will whip, distressed voices will call out and a ship’s timbers will be shivering, cracking, and smashing against a coastline in Shakespeare’s play about the confusion caused at Countess Olivia’s court by a set of identical brother and sister twins. Two castaways’”the lady…
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San Diego Theater Review: GYPSY (Cygnet Theatre)
A SCALED-DOWN GYPSY NONETHELESS GOES OFF THE SCALE Gypsy, the musical theater biography of striptease performer Gypsy Rose Lee, is really about Gypsy’s mother, Mama Rose, immortalized by Ethel Merman in the original 1959 production. Not just a chronicle of the superstar ecdysiast’s checkered childhood, Gypsy is a celebration of the addictive insanity of show business….
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Concert Review: WEST SIDE STORY (Los Angeles Philharmonic at the Hollywood Bowl)
HERE’S A PLACE FOR US When I first heard West Side Story, it was the original Broadway cast recording on my parents’ mono Magnavox console. Without the Jerome Robbins’ direction and choreography, without the sets and costumes, and without the dialogue, I was transfixed over and over by the 1957 trailblazing musical, an updating of…
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San Diego Theater Preview: AIN’T MISBEHAVIN’ (North Coast Repertory Theatre in Solana Beach)
IN HARLEM’S WAY “One never knows, do one?” That’s the favorite catchphrase of Fats Waller (1904-1943), an irrepressible master of music. The 285-pound, cherubic-cheeked jokester genius is the powerhouse presence and driving dreamer behind Ain’t Misbehavin’, the still irresistible 1978 tribute revue from Murray Horwitz and Richard Maltby Jr. In this happy case, well, one…
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Los Angeles Music Preview: THE SINATRA PROJECT, VOLUME 2 (Michael Feinstein & the Pasadena POPS)
YOU AIN’T SEEN NOTHIN’ YET I have seen Michael Feinstein perform many times, but he was never better than last year when he celebrated Frank Sinatra’s 100th birthday with the Pasadena POPS at the Los Angeles County Arboretum. Indeed, The Sinatra Project was one of my favorite concerts ever, and not just because of the wonderful songs…
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Los Angeles Theater Review: PROSPECT THEATRE and R+J: LOVE IS A BATTLEFIELD, VOL. II in Hollywood
A FIRE SPARKLING IN HOLLYWOOD Opening a play or musical is always a risk. Plenty of hard work (and sometimes a lot of money) goes into a show, and producers just have to keep their fingers crossed hoping the public will attend. But opening a new theater, especially one which is designed for immersive productions,…
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Regional Theater Preview: PARTNERS (Pageant of the Masters in Laguna Beach)
IT’S TIME TO PARTNER UP Pageant of the Masters, now in its 82nd year, is a singularly unique entertainment that has perfected the art of tableaux vivants (“living pictures”). With world-class designers and over 600 volunteers (including actors and a research team), this elegant and classy outfit’”equal parts museum, play, concert, and lecture’”re-creates for seated…
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Los Angeles Theater Review: RICHARD III (Independent Shakespeare Co. in Griffith Park)
A MORE CASUAL CRUELTY Richard III, the final play of eight of Shakespeare’s histories, has also been an ever-popular play. It offers one of the most coldblooded characters in all of literature, and is told with such compelling, exciting drama that its length can go virtually unnoticed (in Shakespeare’s canon, only Hamlet is longer). The…
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Los Angeles Event Preview: FORLANDO (Wallis Annenberg Center in Beverly Hills)
FORLANDO The Wallis and the Los Angeles LGBT Center will be presenting a one-time only concert in memory and support of the victims of the recent tragedy at Pulse nightclub in Orlando. The tribute takes place on Saturday, July 16, 2016 at The Wallis in Beverly Hills. FORlando includes musical performances by the Gay Men’s…
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Regional Theater Preview: A CHORUS LINE (Chance Theater in Anaheim)
THE MUSICAL WITH LEGS A Chorus Line remains as fresh as the day it appeared just over forty years ago, when the standard Broadway musical was already fading away, making room for the jukebox musicals and mostly hollow spectacles we are still forced to endure (Catstricide, anyone?). The miracle of A Chorus Line is that it is…
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Los Angeles Dance Preview: FIREBIRD (American Ballet Theatre at the Music Center)
ABT’S FIREBIRD SWOOPS INTO THE CHANDLER Making a rare visit to Southern California, American Ballet Theatre returns after a three-year absence to Los Angeles’s Music Center — but just for one weekend beginning Thursday July 7, 2016. For this engagement, the estimable company arrives bearing the great gifts of Alexei Ratmansky, whose production of Firebird centerpieces an all-Ratmansky program. The classic 1910 Igor Stravinsky…
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Los Angeles Theater Preview: CELEBRATING THE 35TH ANNIVERSARY OF DREAMGIRLS (Broadway Under the Stars at Ford Amphitheatre)
IT’S YOUR DREAM NIGHT, GIRLS After nearly two years of renovations, I caught an early glimpse of the historic John Anson Ford Amphitheatre, one of Los Angeles’s top entertainment venues. With a new eatery, landscaping, soundwall (which blocks the 101 Freeway and Hollywood Bowl noise), and amenities for both artist and audience, the gorgeous performing venue under the stars…
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CD Review: SONGS FROM THE LION (Benjamin Scheuer on Paper Music Records)
A MANE EVENT Writer/performer Benjamin Scheuer’s one-man autobiographical song cycle, The Lion, has certainly caught fire since it premiered under a different name at the 2013 Edinburgh Fringe Festival. His very successful productions in New York and London have resulted in a current national tour which coincides with the CD release of his Songs from the…
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CD Review: RENAISSANCE (Cheyenne Jackson)
NEW SOLO EFFORT OUT FROM CHEYENNE JACKSON Handsome, self-effacing, loquacious, and convivially humble, singer / songwriter / actor Cheyenne Jackson radiates charisma–especially when on stage, where every time I have seen him he is dazzling. The consummate performer and committed social activist has his career dance card filled, bopping between Broadway (Xanadu, Finian’s Rainbow), TV (American Horror Story), and concerts…
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Theater Review: 42ND STREET (National Tour at Pantages Theatre Hollywood)
THE LAND OF 10,000 TAPS Call us saps or suckers but we can’t, it seems, get enough of “The Understudy Who Becomes A Star.” Not when the sweet and satisfying story is stuffed with thrills like “Lullaby of Broadway” and “Young and Healthy.” Some clichés justify themselves, if only because nothing less than hokey can…
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Los Angeles Theater Preview: HOME/SICK (The Assembly at Odyssey Theatre Ensemble)
GOING UNDERGROUND A Critics’ Pick by both The New York Times and Backstage, the passionate docudrama Home/Sick explores how idealism turns to radicalism, as a handful of leaders from the ’60s-era Students for a Democratic Society take over the once-peaceful protest organization and turn it into the ’70s-era radical group known as the Weather Underground,…
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Los Angeles Music Preview: DUDAMEL CONDUCTS BARTÒK (LA Phil at Disney Hall)
CARRIE ME HOME Hungarian composer Béla Viktor János Bartók was an avid collector and analyst of folk music, especially of Hungarian, Romanian and Slovak tradition. He even recorded some village music with the first phonographs available. An inspiration for his compositional style, folk music was his love until the end: While his final work has characteristics…
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Los Angeles Music Review: 2016 PIATIGORSKY INTERNATIONAL CELLO FESTIVAL (University of Southern California, Los Angeles Philharmonic)
A CAVALRY OF CELLISTS I have covered rock, classical, and musical festivals, so it’s surprising that one of the most satisfying, exciting, and inspirational events I have ever experienced just closed up shop last Sunday after ten days of celebrating the cello. Exhaustive but never enervating, this meticulously planned day-and-night gathering included workshops, master classes, and…
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CD Review: THE HUNCHBACK OF NOTRE DAME (Studio Cast Recording)
WHAT HUMP? While Disney has encroached Broadway with film-to-musical adaptations, not one has come out which bettered its source. While the stage version at the La Jolla and Paper Mill Playhouses both improves and makes less of The Hunchback of Notre Dame (1996), the Studio Cast Recording of the Paper Mill cast is quite a knockout. It…
Theater Review: ST. NICHOLAS (Black Button Eyes / City Lit / Chicago)
by Croydon Fernandes | July 3, 2026
in Chicago, TheaterFAST PAYOUT CASINOS USA 2026 — 5 BEST INSTANT WITHDRAWAL CASINOS RANKED
by Michael Carr | July 3, 2026
in ExtrasTheater Review: MEN OF SOUL (Black Ensemble Theater / Chicago)
by Mitchell Oldham | July 1, 2026
in Chicago, Theater



















