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Tony Frankel
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Los Angeles Theater Review: ON THE TWENTIETH CENTURY (Musical Theatre West in Long Beach)
SCREWBALL MUSICAL HEAVEN When it opened on Broadway in 1978, On the Twentieth Century achieved the impossible. Cy Coleman’s clever score’”a beautiful pastiche of turn-of-the-century operetta and silent film scores with some added jazz and musical comedy bounce’”collided on the tracks with Betty Comden and Adolph Green’s delectably chewy lyrics and screwball script, resulting in…
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Los Angeles Theater Preview: THE CITY OF CONVERSATION (The Wallis in Beverly Hills)
THE CITY COMES ALIVE The Wallis Annenberg Center for the Performing Arts is about to begin a new era under the leadership of its new Artistic Director Paul Crewes. Right out of the gate is a production of novelist, essayist and playwright Anthony Giardina’s The City of Conversation, which premiered at Lincoln Center last year. While…
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Los Angeles Theater Preview: A GENTLE REMINDER: MISS COCO PERU’S GUIDE TO A SOMEWHAT HAPPY LIFE (Renberg Theatre)
MAKE SOMEONE SOMEWHAT HAPPY At the risk of repeating myself — oh, wait — I am repeating myself, but it bears repeating. I wrote about the great Coco Peru when she appeared in Miss Coco Peru: She’s Got Balls at the L.A. Gay & Lesbian Center’s Renberg Theatre. Now, this remarkable entertainer who seamlessly blends the…
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Los Angeles Theater Preview: GROUNDLINGS ACTION PLAYSET (The Groundlings Theatre)
NOW IS THE TIME FOR ACTION For almost 40 years, The Groundlings has proved itself to be one of the premiere comedy troupes in the nation, creating more stars than the Big Bang (and creating more Big Bangs than stars; have you ever been backstage during a performance?) Performers showcase material that arises from improvisation…
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Los Angeles Theater Review: FIDDLER ON THE ROOF (Norris Center in Rolling Hills Estates)
FINDING THE HEARTBEAT OF FIDDLER “To Life” indeed. There’s a ton of it, not to mention heartbreak and wisdom, in the 1964 Stein/Harnick/Bock musical triumph, Fiddler on the Roof, now receiving a worthy production at the Norris. For all the shenanigans that can come with professional community theater (a little mugging, a few line flubs, some weak…
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Los Angeles Theater Review: STAGE KISS (Geffen)
KISS OFF A backstage comedy with more personalities than Sybil, Sarah Ruhl’s preposterous — and in some ways pretentious — 2011 play was apparently given a boffo treatment at Playwrights Horizon, San Francisco Playhouse, The Guthrie, and more. But not at Chicago’s Goodman Theatre, where Stage Kiss had its World Premiere, and certainly not at the Geffen,…
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Los Angeles Music Preview: MURRAY PERAHIA IN RECITAL (Disney Hall)
MURRAY PERAHIA IN RECITAL AT DISNEY HALL Murray Perahia is the rare concert pianist so popular and profound that his performances cannot be confined to a standard recital hall. That’s to be expected of a pianist who has consistently engaged with music that’s greater than any one performer, and who combines a joyous, lucid virtuosity…
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Los Angeles Music Review: BEHZOD ABDURAIMOV & EDO DE WAART (LA Phil at Disney Hall)
DO NOT MISS BEHZOD ABDURAIMOV AT DISNEY HALL THIS WEEKEND I am happy to say my instincts were correct: When pianist Behzod Abduraimov appeared in his Disney Hall debut as a last-minute replacement in 2014, I knew he was the real thing. They don’t appear often, these fresh-to-the-scene soloists who completely enrapture ’” those who combine the old-school…
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Los Angeles Theater Preview: I ONLY HAVE EYES FOR YOU – THE LIFE AND LYRICS OF AL DUBIN (Ricardo Montalban Theatre in Hollywood)
INDEED I DUBIN He wrote the lyrics to the songs that kept the world singing through some of the darkest times in human history: The Great Depression and WWII. But as with most songwriters who aren’t named Gershwin, Porter, Berlin or Rodgers & Hammerstein, this man, who passed at the age of 53, has been forgotten…
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Los Angeles Music Review: AMERICAN CHAMBER MUSIC / JOSEFOWICZ PLAYS ADAMS (LA Phil)
NOISE WILL BE NOISE Two vastly different programs offered by LA Phil this week confirm that “contemporary” music doesn’t sound modern — that is, “new.” For me, both Brad Lubman’s Tangents and John Adams’s Scheherezade.2 fall squarely into “noise,” and I’ve heard it all before. As a reviewer, I have tried to create a critical and…
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Los Angeles Theater Review: DRY LAND (Echo Theatre Company at Atwater Village Theatre)
FRIENDSHIP AS A LIFE VEST For the lucky few who know confidence and fit in with no real problems, high school is a pleasant stepping stone from adolescence to adulthood. For many, the years leading to college are filled with loathing. Sometimes its as simple as hating the bitchy popular girls who seemingly skate through life….
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Los Angeles Theater Review: CHILDREN OF EDEN (Cabrillo Music Theatre in Thousand Oaks)
FAR MORE EDENIC THAN I EXPECTED You would think that if Stephen Schwartz (composer/lyricist of Pippin and Wicked) wrote a musical with John Caird (adapter of Les Misérables and Candide), we would have seen a production of it — or at least heard of it. But shows that haven’t played Broadway rarely make it into the public consciousness….
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Los Angeles Theater Review: SISTER ACT (Musical Theatre West in Long Beach)
NUNBEARABLE Deloris, a pushy, smart-alecky, malopropism-spouting black woman, is disguised as a nun as she awaits a court date to squeal against her gangster boyfriend. Her background as a nightclub entertainer makes her perfect to convert a convent of silly oddball sisters into a kick-ass choir — one which turns a cash-strapped church into a…
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Regional Music Preview: TANGO SONG AND DANCE (Augustin Hadelich, Joyce Yang and Pablo Sainz-Villegas in La Jolla and Irvine)
NOT YOUR AVERAGE VIOLINIST; NOT YOUR AVERAGE TANGO Coming up on April 15 and 16, 2016, in Irvine and La Jolla, acclaimed violinist Augustin Hadelich will be joined by dazzling pianist Joyce Yang and dynamic guitarist Pablo Villegas for an evening of Spanish-themed music built around André Previn’s three-part piece Tango Song and Dance, written…
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Los Angeles Theater Review: DREAMGIRLS (La Mirada Theatre & Valley Performing Arts Center)
KEEPING THE DREAM(GIRLS) ALIVE Dreamgirls opened on Broadway in 1981, won six Tony awards, and ran for nearly four years. Since then, the Michael Bennett musical has been revived, presented in concert, revised, made into a movie, played at high schools, community and regional theaters, and toured. Now at La Mirada Theatre we get a revival of…
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National Tour Theater Review: A GENTLEMAN’S GUIDE TO LOVE AND MURDER (Ahmanson)
KISSING KILLING COUSINS Serial killers can be fun. In the film Theatre of Blood Vincent Price sardonically played a Shakespearean actor, a hate-filled ham who doggedly “offs” the critics who panned him, snuffing out each scribe in endgames inspired by the Bard (don’t get any ideas). Who’s Killing the Great Chefs of Europe? was a less important…
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CD Review: MISIA (A New Musical on PS Classics)
ALMOST 70 YEARS AFTER IT WAS WRITTEN, PREVIOUSLY UNHEARD VERNON DUKE MUSIC IS ORCHESTRATED AND RECORDED For over half a century, record companies have given the studio treatment to long-shuttered musicals which had either no original cast album or no complete score recording. Producer Tommy Krasker has gone so far as to track down original orchestrations…
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CD Review: TONY YAZBECK: THE FLOOR ABOVE ME (PS Classics)
TONY’S TOWN Prior to his 2014 Tony-nominated turn as Gabey in the hit revival of On the Town, current Broadway sensation Tony Yazbeck created with Howard Emanuel an autobiographical cabaret, The Floor Above Me, at 54 Below and Birdland. The triple-threat had already made a name for himself in revivals such as A Chorus Line (he showed…
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Los Angeles Film & Music Preview: BEN-HUR: A TALE OF THE CHRIST (1925 Silent Film and Rock Orchestra Score at VPAC and Segerstrom)
HURRY TO BEN Published in 1880, Lew Wallace’s Ben-Hur: A Tale of the Christ not only beat out Harriet Beech Stowe’s Uncle Tom’s Cabin (1852) in sales, it remained the reigning champion of best-selling books for over half a century, finally being toppled by Margaret Mitchell’s Gone with the Wind (1936). Not only does the…
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Los Angeles Theater Review: COLONY COLLAPSE (The Theatre @ Boston Court in Pasadena)
THERE WILL BE BUZZ ABOUT THIS PLAY, BUT IT’S ALL STING AND NO HONEY As honey bees gather pollen and nectar for their survival, they pollinate crops such as cranberries, melons and broccoli. “A World Without Bees,” Time’s cover story in August of 2013, brought to light a frightening occurrence: In recent years, there have…
Theater Review: ST. NICHOLAS (Black Button Eyes / City Lit / Chicago)
by Croydon Fernandes | July 3, 2026
in Chicago, TheaterFAST PAYOUT CASINOS USA 2026 — 5 BEST INSTANT WITHDRAWAL CASINOS RANKED
by Michael Carr | July 3, 2026
in ExtrasTheater Review: MEN OF SOUL (Black Ensemble Theater / Chicago)
by Mitchell Oldham | July 1, 2026
in Chicago, Theater



















