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Tony Frankel
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Los Angeles Theater Review: IN THE RED AND BROWN WATER (Fountain Theatre)
RED AND BROWN IS THEATRICAL GOLD Los Angeles is usually the last major theater city in the states to see productions of playwrights whose works have received praise in their world premieres, either in New York or at a regional house. It often takes years for exhilarating plays to arrive in what is the busiest theater city…
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Los Angeles Theater Feature: DEATH OF A SALESGIRL (Bootleg)
ATTENTION MUST BE PAID Bootleg Theater continues its run of the world premiere of Death of a Salesgirl, an absurdist tragicomedy with integrated media, about one woman’s struggle to free herself from her past. Written by Patricia Scanlon, and starring Scanlon and Paul Dillon, Death of a Salesgirl is a dark and humorous parable of a salesgirl breaking…
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Chicago Theater Review: THE MADNESS OF EDGAR ALLAN POE: A LOVE STORY (First Folio in Oak Brook)
THE MADNESS OF SITE-SPECIFIC THEATER Back in 2010, First Folio presented David Rice’s site-specific theater piece, The Madness of Edgar Allan Poe: A Love Story. If any show should be heaped with awards for concept of a production – this is it. But in this year’s restaging, director Michael Goldberg proves he knows how to…
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Chicago Theater Review: IN PIGEON HOUSE (Seanachaí)
I DON’T EVEN KNOW WHAT THE TITLE MEANS Every once in a while, a theater company falls in love with a script and simply must stage it. I can’t imagine any other reason that Seanachaí decided to present In Pigeon House, a surreal Vaudeville by Honor Molloy which, even with Brian Shaw’s vibrant staging, Patrick…
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Chicago Theater Review: THE BOOK THIEF (Steppenwolf)
A DEATH OF FRESH AIR During the height of WWII in Germany, a recently orphaned adolescent girl named Liesel is taken in by a poor couple in The Book Thief, now receiving its world premiere production at Steppenwolf. Liesel finds solace in books, and, as a survival mechanism, has taken to stealing them, whether from the…
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Chicago Theater Review: NEIGHBORHOOD 3: REQUISITION OF DOOM (Strawdog)
THE DANGERS OF TECHNOLOGY – ON STAGE AND OFF Playwright Jennifer Haley is definitely onto something in her play Neighborhood 3: Requisition of Doom, now receiving its Chicago premiere at Strawdog. In a suburban neighborhood in Anytown, USA, the local teens have become addicted to an Xbox video game in which the dissociative kids can…
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Chicago Theater Review: AFTER (Profiles)
AFTERGLOW It’s with good reason that Chad Beckim’s After has been extended at Profiles Theatre. Yes, Beckim’s script undoubtedly tries to cover too much territory as he tells the tale of Monty, who has been exonerated after serving 17 years for a trumped-up charge of rape. Yet even with faults in both the playwriting and…
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Chicago Theater Review: 42ND STREET (Theatre at the Center in Munster, IN)
YOU DEFINITELY WANT TO MEET THESE FEET I was led to believe, based on having seen both the original Broadway version of 42nd Street and the humongous Broadway revival, that the slight jukebox musical demanded Busby Berkeley-sized sets and a chorus of 25 toe-tapping tootsies. But as Chicago theater proves time and again, it is…
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Chicago Dance Feature: HUMAN LANDSCAPES (Joffrey Ballet)
THE LANDSCAPE OF THE SOUL Those who were lucky enough to witness the Joffrey Ballet’s Spring Desire program this year were treated to what may well have been the greatest dance program in years. The Joffrey has reached a pinnacle of form, beauty, and transplendent theatricality that other dance companies’”indeed, most theater events’”should strive for. Now, with their…
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Theater Review: BLACK N BLUE BOYS/BROKEN MEN (Goodman Theatre in Chicago)
A STORY TO TELL Writer/Actress Dael Orlandersmith has many stories to tell in her one-person show at the Goodman, but they all encompass the same theme: abuse. Specifically, involving boys and men, both the abusers and those who have been abused’”physically and sexually. The fictional characters are channeled through Orlandersmith, a powerful writer who is…
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Chicago Dance Feature: ONE THOUSAND PIECES (Hubbard Street Dance Chicago)
PIECES OF FATE There is quite a bit of buzz surrounding Hubbard Street Dance Chicago’s One Thousand Pieces, which will commence the company’s 35th season. Inspired by Chagall’s masterpiece, America Windows, Madrid-born resident choreographer Alejandro Cerrudo is creating his first full-length dance program, which happens also to be HSDC’s first full-evening presentation by a single…
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Chicago Theater Review and Commentary: ONE NAME ONLY (A DIFFERENT KIND OF REALITY SHOW) (Black Ensemble Theater)
ONE TIME ONLY FOR ONE NAME ONLY WAS ONE TOO MANY TIMES Yes, America’s got talent. And the performers on stage at Black Ensemble Theater’s beautiful new digs are packed to the gills with charm, powerful voices, and boundless stage presence. But I can’t remember being this shell-shocked and mortified at the stupendous waste of…
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Chicago Theater Review: MAKING NOISE QUIETLY (Steep Theatre)
NOISE IS OFF It is 1944 in a field near a watering hole in Kent, England. A strapping, fine-looking, and masculine young man purveys the view and strips off his shirt. Another young man enters with his bike; he is a rail-thin, bespectacled, academic-looking peer who is also handsome, but more like Harry Potter than…
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Chicago Theater Review: SUNDAY IN THE PARK WITH GEORGE (Chicago Shakespeare)
A TRIUMPHANT MASTERPIECE Rare is the theatrical experience that is so haunting and so achingly beautiful that your soul actually feels caressed and nurtured. The transcendent production at hand is Chicago Shakespeare’s revival of Sondheim and Lapine’s 1984 Pulitzer Prize-winning musical Sunday in the Park with George. The musical fable is based on the short…
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Regional/Los Angeles Theater Review: EURYDICE (South Coast Repertory in Costa Mesa)
THIS ODD INTERPRETATION, AS WITH ORPHEUS HIMSELF, FAILS TO LEAD US TO THE LAND OF THE LIVING Pulitzer prize finalist Sarah Ruhl is a playwright known for creating poetic, non-linear contemporary worlds in which people and situations transform on a dime, and joyful moments sometimes dissolve into deep melancholy’”or vice versa. In Eurydice, Ruhl repurposes the…
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Bay Area Theater Review: HAMLET (California Shakespeare)
TRAGEDY FOR THE WHOLE FAMILY If you have ever wanted to introduce teenagers to Hamlet, the production directed by Leisl Tommy at California Shakespeare is the one to take them to. Staged on a decrepit waterless swimming pool, as if to suggest a decaying family mansion, Ms. Tommy wisely turns the most famous play in…
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Theater Review: THE OTHER PLACE (Magic Theatre in San Francisco)
THE PUZZLE BOX OF THE SOUL Critics should avoid discussing plot in their reviews, but playwright Sharr White has unintentionally placed a challenge before me: Because the play is a labyrinthine unraveling from the start, divulging any but the slightest bit of plot may irrevocably alter your experience. What I can tell you is that…
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Los Angeles Concert Feature: AN EVENING WITH DAVID BYRNE & ST. VINCENT (Segerstrom Concert Hall in Costa Mesa)
BYRNE THIS Grammy ®, Oscar ® and Golden Globe winner and Rock and Roll Hall of Fame honoree David Byrne along with St. Vincent make their Segerstrom Center debuts in An Evening with David Byrne & St. Vincent on October 12 at 8 p.m. in the Renée and Henry Segerstrom Concert Hall. Their concert follows the release…
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San Francisco Theater Review: THE REAL AMERICANS (The Marsh San Francisco)
WILL THE REAL AMERICANS PLEASE STAND UP? I was on a road trip in 2007 seeking to explore the plethora of National Parks that we, the American people, own. While heading through Des Moines, I came upon a huge crowd of people gathered outside an unassuming “Barack Obama for President” campaign office. Within a few…
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San Francisco Theater Review: THE NORMAL HEART (A.C.T.)
MORE POLEMIC BARK THAN EMOTIONAL BITE IN THIS NORMAL HEART Some eyes will be misty, some guts will be wrenched, and some souls will be startled after attending Larry Kramer’s seminal play The Normal Heart, the Broadway transfer of which opened this week at A.C.T. However, discerning theatregoers will find something missing from Kramer’s semi-autobiographical…
Theater Review: MEN OF SOUL (Black Ensemble Theater / Chicago)
by Mitchell Oldham | July 1, 2026
in Chicago, TheaterWHY A BOX OFFICE HIT CAN STILL LOSE MONEY
by Leslie Rosenberg | July 1, 2026
in Extras, FilmTheater Preview: PROOF (El Portal Theatre / North Hollywood)
by pwsadmin | June 30, 2026
in Los Angeles, Theater



















