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Tony Frankel
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Los Angeles and New York Film Feature: FRENCH OLD WAVE (American Cinematheque at the Aero Theatre in Santa Monica and Film Forum in NYC)
EVERYTHING OLD IS NEW AGAIN Even a cinema neophyte is no doubt aware of the term “French New Wave” (La Nouvelle Vague), which describes a period when French filmmakers, influenced by Italian Neorealism and classic Hollywood cinema, created unprecedented documentary-style movies that veered toward existentialism, individualism, and absurdism. This decade, roughly 1959-1969, also saw the…
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Los Angeles Theater Review: THE BLUE IRIS (Fountain Theatre)
A LITTLE BLUE More than a few friends recently mentioned that there are many “great” things on the boob tube. Since I don’t watch TV, it came as a surprise because I assumed it was mostly pablum. I was equally disturbed by this information not because I hold TV as mindless and addictive, but because…
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Los Angeles Theater Review: RED (Mark Taper Forum)
WHAT WILL YOU SEE IN RED? John Logan’s 2010 Tony-winning Red is a work of art, and the Mark Taper Forum is presenting the 2009 Donmar Warehouse Production, starring the illustrious Alfred Molina as Abstract Expressionist painter Mark Rothko. Attending the play cannot be recommended enough. The script is in many ways a revelation in…
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Los Angeles Concert Feature: MUSE/IQUE: RICKIE ROCKS (with Rickie Lee Jones at Caltech in Pasadena)
A PERFECTLY ORCHESTRATED EVENING I sincerely hope that you don’t have plans yet for Saturday, August 18. Conductor Rachael Worby will lead a celebration of the American Songbook in an alfresco concert on the Caltech grounds in Pasadena. To call this evening “unique” is an understatement, as it features Rickie Lee Jones accompanied by full…
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Los Angeles Theater Review: THE MANOR (Greystone Mansion in Beverly Hills)
MIND YOUR MANOR Site-specific theater productions’”that is, theatre which is performed in unconventional spaces compatible to the script’”remain mystifyingly uncommon. For example, why do outdoor versions of A Midsummer Night’s Dream have us sitting on a lawn or in some bleachers, when it could be thrilling to follow actors around in a forested location? Is…
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Los Angeles Theater Commentary & Review: WEST SIDE STORY (Chance Theater in Anaheim Hills)
O.C. STORY First, scroll down to the bottom of this review; there you will find the information you need to buy your tickets to Oanh Nguyen’s magnificently re-interpreted production of West Side Story at the Chance Theater. Second, after you witness the truthfulness of its performers and the strength in its simplicity, I invite you…
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Los Angeles Theater Feature & Review: REDCAT’S NEW ORIGINAL WORKS FESTIVAL (Disney Hall)
BEST BE ON YOUR AVANT-GARDE Understanding the origins of REDCAT, the downtown center for innovative visual, performing, and media arts, will assist the uninitiated in preparation for the avant-garde 9th Annual New Original Works Festival, now playing through August 11, 2012. And if you don’t like some of what you see at the festival, knowing…
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Theater Review: STEPHEN SONDHEIM: IN CONVERSATION (Renée and Henry Segerstrom Concert Hall in Costa Mesa)
IT COULD HAVE BEEN WONDERFUL Attendees who had never seen Stephen Sondheim being interviewed in person must have been licking their chops with every juicy morsel that the legend said about himself to the packed house at Segerstrom Concert Hall–especially those who have been listening to Sondheim’s musicals for years. The great Broadway composer sat…
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Film Review: VITO (directed by Jeffrey Schwarz)
AN ACTIVIST UNLEASHES HIS POWER The new documentary Vito, premiering this week on HBO, tells the story of film historian, author and activist Vito Russo, who lived from 1946 to 1991. On the surface, Russo’s fascinating story may appear to be about gay rights, but his fiery and all-too-brief existence was bookended by the conclusion…
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San Diego Theater Review: HARMONY, KANSAS (Diversionary Theatre)
GOLD DISCOVERED IN THE PLAINS I rolled my eyes when I heard about the plot of Harmony, Kansas, a musical having its world premiere at Divisionary Theatre in San Diego. Heath is a gay Kansan farmer who lives with his cultured boyfriend Julian in a rural community, but Julian longs for more than just an…
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Theater Review: THE EXORCIST (Geffen Playhouse)
NO EVIL. NO GOOD. There are few who do not know the story. The devil possesses Regan, the innocent 12-year-old daughter of movie star Chris MacNeil, who is working on a film in Georgetown. A bevy of fascinating characters, most of whom are experiencing a crisis of faith (religious or otherwise), become tested to their…
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San Diego Theater Feature: THE OLD GLOBE 2012 SHAKESPEARE FESTIVAL (Lowell Davies Festival Theatre)
ALL THE WORLD’S A GLOBE After previewing in the month of June, The Old Globe officially opens the 2012 Shakespeare Festival this week. Adrian Noble returns for his third season as the internationally renowned festival’s Artistic Director, taking the helm on both Inherit the Wind and As You Like It, while British director Lindsay Posner…
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Los Angeles Theater Review: A MISSIONARY POSITION (REDCAT in Los Angeles)
LEARNING OF A DEATH PENALTY FOR ONE’S EXISTENCE Uganda has an alarming history when it comes to human rights violations, but recent developments against gay people are horrifying. In 2005, Ugandan police arrested a lesbian couple in their home, strip-searched and fondled them, and then released them without filing charges. In 2008, the couple won…
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Los Angeles Theater Review: FELLOWSHIP! (Steve Allen Theater in Hollywood)
RING IT ON! I hadn’t read J.R.R. Tolkien’s The Fellowship of the Ring since junior high, and the movie, which is the first installment of Peter Jackson’s gorgeous film trilogy The Lord of the Rings, left me bewildered at best. To say then that I was dubious attending a musical parody of the popular book and…
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Los Angeles Theater Review: THE BLACK GLASS (Hollywood Fringe Festival)
WHAT WE HAVE HERE IS A FAILURE TO COMMUNICATE Somewhere around half-way through Guy Zimmerman’s The Black Glass, a “Hollywood Fringe Festival premiere,” my mind began to wander. Every opportunity for me to jump on board with this dense, impenetrable, and esoteric mess had been squandered by abstruse writing, obscured plot, elusive character development, and…
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Los Angeles Theater Review: THE SAVANNAH DISPUTATION (The Colony Theatre in Burbank)
A MISSIONARY’S POSITION At rise: A critic is writing when the doorbell rings. The critic opens the door and reveals Savannah, a perky, Southern, cheerleader-type with pamphlets in her hand. Critic: Yes? Savannah: Hey, y’all! I’m here to spread the news about The Savannah Disputation at the Colony Theatre. It’s kind of like a cross…
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Los Angeles Theater Review: LANGUAGE ROOMS (Los Angeles Theatre Center)
ATTEND THIS PLAY Go see Language Rooms now. I bought a ticket with no intention of a review, but Yussef El Guindi is far and away one of the most exciting new playwrights I have heard in years. The story takes place in an unnamed interrogation facility at an undisclosed location, and translator and interrogator…
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Los Angeles Theater Review: SHENANDOAH (Alex Theatre and Sherr Forum)
A MUSICAL DIVIDED CAN STILL STAND How I adore Musical Theatre Guild, which is presenting a full-out, highly professional concert staging of the 1975 musical Shenandoah. MTG offers the chance to see rarely-produced musicals with such expertise that the viewer will forget there are even scripts in hand. Accompanied by marvelous musicians, the fully-costumed, lit,…
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Los Angeles Theater Review and Commentary: NO WAY AROUND BUT THROUGH (Falcon Theatre in Burbank)
NO WAY The current production of No Way Around But Through, a world premiere play by Scott Caan, contains many ingredients that explain why L.A. has little to no reputation as a fountainhead of great theater. It is more of a tutorial about the perpetuation of mediocrity than a reviewable event. Certainly, the play is problematic,…
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Los Angeles Theater and Tour Review: THE ADDAMS FAMILY (Pantages Theatre)
REAPPLYING MAKE-UP ON THE SAME CORPSE Your enjoyment of The Addams Family, now on its National Tour, will depend largely on your expectations. If you are a discerning musical theater aficionado who craves a well-crafted story and amazing songs, this will be a head-scratching affair, one which creates more questions than answers. Those who are…
Theater Review: MEN OF SOUL (Black Ensemble Theater / Chicago)
by Mitchell Oldham | July 1, 2026
in Chicago, TheaterWHY A BOX OFFICE HIT CAN STILL LOSE MONEY
by Leslie Rosenberg | July 1, 2026
in Extras, FilmTheater Preview: PROOF (El Portal Theatre / North Hollywood)
by pwsadmin | June 30, 2026
in Los Angeles, Theater



















