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Tony Frankel
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Los Angeles Theater Review: PEACE IN OUR TIME (Antaeus Company at Deaf West Theatre)
A COWARD IN PEACETIME [Undelivered letter to Noël Coward discovered in North Hollywood:] My Darling Noël: Sir Anthony here, writing to you from the palm-drenched regions of Los Angeles, where I am taking a much-needed holiday from the horrors of war. (Let me know, Dear Boy, if I could peddle some of your film scripts…
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Los Angeles Theater Review: GROUNDLINGS SCIENCE FAIR (The Groundlings Theatre)
THIS FAIR IS JUST THAT: FAIR Science Fairs are an opportunity for students to apply scientific methods to an experiment and present them at a competition. The best way to take first prize from the judges is to make a genuine breakthrough or invent something new. Judges admire creativity and innovation, and look for novel…
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Los Angeles Theater Review: THE ROBBER BRIDEGROOM (ICT in Long Beach)
A BRIDEGROOM ROBBED OF ITS CHARM Anxiously anticipating The Robber Bridegroom at International City Theatre (ICT), I felt like an excited bride who had already slept with her soon-to-be husband, but found on the wedding night that her bridegroom was cold, unimaginative, and flaccid. If every bridegroom on the planet had the qualities of Todd…
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Chicago Theater Review: FOLLIES (Chicago Shakespeare Theater)
‘TIS FOLLY TO OVERPRAISE FOLLIES The buzz in the lobby of Chicago Shakespeare Theater (CST) on opening night of Stephen Sondheim’s landmark 1971 musical Follies was palpable; people from around the world were clamoring to see this rarely produced work – and for good reason. The original Broadway production is legendary: people lucky enough to…
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Chicago Theater Review: CLYBOURNE PARK (Steppenwolf Theatre)
TWO PLAYS IN ONE What is the purpose of theater? Some say that it is to reflect reality while being entertaining, enlightening, and/or educating. Yet when Shakespeare wrote that theatre is designed to “hold, as ’twere, the mirror up to Nature,” his character of Hamlet actually used theatre to shape reality, not merely reflect it….
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Chicago Theater Review: THE SHADOW OF A GUNMAN (Seanachaí Theatre Company)
THE SHADOW OF A GREAT PLAY The birth of the Irish Republic occurred around Dublin in 1916. Aiming to end British rule, Irish Volunteers staged an insurrection known as the Easter Rising, a rebellion many Irishmen did not support. However, after quelling the week-long insurrection, the British Government’s hostile reaction – including conscription (compulsory enlistment)…
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Chicago Theater Review: THE REAL THING (Writers Theatre in Glencoe)
WHO IS TO SAY WHAT IS REAL? Tom Stoppard is the thinking person’s playwright. Ever since his breakout hit Rosencrantz and Guildenstern are Dead in 1967, the erudite scribe has been earmarked an absurdist, one whose work concentrates on the futility of man’s search for meaning in a meaningless existence. As with all Theatre of…
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Chicago Theater Review: SNAPSHOTS: A MUSICAL SCRAPBOOK (Northlight Theatre in Skokie)
WHAT WE FIND IN THIS ATTIC IS A CASE OF THE CUTES It was a privilege to witness Snapshots: A Musical Scrapbook at Northlight Theatre, for this reviewer has never seen anything like it before. An omnibus of previously published Stephen Schwartz songs (not trunk songs, mind you, but songs taken from formerly produced shows)…
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Chicago Theater Review: BRAND by Henrik Ibsen (Red Tape Theatre Company at St. James Episcopal Church)
LITERATURE NOT MEANT TO BE STAGED Halfway through the first act of Brand at Red Tape theatre, it occurred to me that I had no idea what was going on. First of all, it can be argued that Henrik Ibsen’s 1866 dramatic poem (some call it a Verse-Drama) was not written to be staged. The…
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Chicago Theater Review: SWEENEY TODD (Drury Lane Theatre in Oakbrook Terrace)
THIS MUSICAL IS MURDER Dear Drury Lane Theatre: Since your production of Sweeney Todd is closing this week, please allow me to write a love letter to you for giving me the privilege of witnessing the finest production of Stephen Sondheim’s masterpiece that this critic has ever seen. My first time was the original Broadway…
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Chicago Theater Review: RED (Goodman Theatre)
A PALE SHADE OF RED The closing stage picture in John Logan’s 2010 Tony-winning Red at the Goodman is about as thrilling and breathtaking as theater gets: as Abstract Expressionist painter Mark Rothko (Edward Gero) examines one of his paintings commissioned by an upscale restaurant in New York, the spectacular lighting (Keith Parham) and set…
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Chicago Theater Review: THE AMISH PROJECT (American Theater Company)
FORGIVE AND FORGET The Amish people of Nickel Mines, Pennsylvania, taught the world a sobering lesson in 2006 when they instantly forgave the man who murdered five girls in their one-room schoolhouse. They offered condolences to – and even shared donations meant for the victims’ families – with the murderer’s widow. Here was a man…
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Theater Review: GHOST LIGHT (New Theatre at the Oregon Shakespeare Festival)
GHOST LIGHT LEAVES US IN THE DARK Assassin Dan White ensured Harvey Milk’s legacy when he shot the openly gay San Francisco politician. The gay community continues to hold Milk as a martyr to their cause, and the artistic world has kept Milk’s spirit alive in book (The Mayor of Castro Street), documentary (The Times…
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Regional Theater Review: LOVE’S LABOR’S LOST (Elizabethan Stage at Oregon Shakespeare Festival)
LOVE’S LABOR’S LOST, FOUND, LOST, LOST, AND FOUND [England, 1593] I’m not so sure that this William Shakespeare has a future as a playwright. Oh, the man can write, but his newest play, Love’s Labor’s Lost (LLL) is a near disaster of storytelling. Surely, he had a bona fide hit with last year’s The Taming of…
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Regional Theater Review: JULIUS CAESAR (New Theatre at Oregon Shakespeare Festival)
GREAT CAESAR’S GHOST As directors continue to re-invent theatre, especially the classics, there is a bent to color-blind and gender-bending casting. The mixed-color cast on hand exemplifies just how powerful this mechanism can be: the story of a small group of people who take government into their own hands via assassination becomes a universal examination…
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Regional Theater Review: WILLFUL (Oregon Shakespeare Festival)
AMBIGUITY WITH PURPOSE If you read the spiritual/psychotherapeutic tome A Course In Miracles, it states that miracles occur as a result of a shift in perception; that meaning lies not in the actual events in our lives, but rather in our interpretation of these events. Willful, the site-specific theatrical event at Oregon Shakespeare Festival, takes…
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Regional Theater Review: THE AFRICAN COMPANY PRESENTS RICHARD III (Oregon Shakespeare Festival)
A MISSED OPPORTUNITY We learn very little about the history of the African Company (the world’s first known African-American theater company) and even less about Richard III in The African Company Presents Richard III. The very title sounds thrilling as we expect that an actual company of modern African actors will be guest artists at…
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Regional Theater Review: STEEL MAGNOLIAS (Rubicon Theatre Company in Ventura)
DROOPING MAGNOLIAS One of six female denizens at a rural beauty salon in Louisiana states that, from the Southern male’s point of view, “You either shoot it, stuff it or marry it.” Well, that’s exactly what can be said about Robert Harling’s Steel Magnolias, the much-too-often-produced comedy/tearjerker lately receiving a diverting but uneven outing at…
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Regional Theater Review: MY FAIRYTALE (PCPA Theaterfest in Santa Maria and Solvang, CA)
AN UGLY DUCKLING OF A MUSICAL In Stephen Schwartz’ musical My Fairytale, now receiving its American premiere at PCPA in Solvang, well-known storyteller Hans Christian Anderson has an idea for an opera which will star singing sensation Jenny Lind. His pitch about a Chinese Emperor is quickly ditched by the Royal Theatre Management, but Lind…
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Regional Theater Review: CAROLINE, OR CHANGE (PCPA Theaterfest in Santa Maria, CA)
THE ONLY THING THAT MAY NEED A CHANGE IS THE TITLE We hear that that the only thing constant is change, yet we struggle against change, we fight against change, and some are even willing to succumb to the unyielding stress of determined apathy rather than change. We live in a world that must change…
Off-Broadway Review: THE MAIDS (St. Ann’s Warehouse / Brooklyn)
by Gregory Fletcher | May 27, 2026
in New York, TheaterTheater Review: AN ENEMY OF THE PEOPLE (TimeLine Theatre / Chicago)
by Croydon Fernandes | May 27, 2026
in Chicago, TheaterTheater Review: LE BAL (Trap Door Theatre / Chicago)
by Croydon Fernandes | May 26, 2026
in Chicago, Theater



















